The Woman in White - 71

Total number of words is 3518
Total number of unique words is 1048
60.5 of words are in the 2000 most common words
78.8 of words are in the 5000 most common words
86.1 of words are in the 8000 most common words
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"Well, sir," said the man, "I can't exactly say I do."

"Perhaps you remember the gentleman himself? Can you call to mind driving a foreigner last summer—a tall gentleman and remarkably fat?" The man's face brightened directly.

"I remember him, sir! The fattest gentleman as ever I see, and the heaviest customer as ever I drove. Yes, yes—I call him to mind, sir! We did go to the station, and it was from Forest Road. There was a parrot, or summat like it, screeching in the window. The gentleman was in a mortal hurry about the lady's luggage, and he gave me a handsome present for looking sharp and getting the boxes."

Getting the boxes! I recollected immediately that Laura's own account of herself on her arrival in London described her luggage as being collected for her by some person whom Count Fosco brought with him to the station. This was the man.

"Did you see the lady?" I asked. "What did she look like? Was she young or old?"

"Well, sir, what with the hurry and the crowd of people pushing about, I can't rightly say what the lady looked like. I can't call nothing to mind about her that I know of excepting her name."

"You remember her name?"

"Yes, sir. Her name was Lady Glyde."

"How do you come to remember that, when you have forgotten what she looked like?"

The man smiled, and shifted his feet in some little embarrassment.

"Why, to tell you the truth, sir," he said, "I hadn't been long married at that time, and my wife's name, before she changed it for mine, was the same as the lady's—meaning the name of Glyde, sir. The lady mentioned it herself. 'Is your name on your boxes, ma'am?' says I. 'Yes,' says she, 'my name is on my luggage—it is Lady Glyde.' 'Come!' I says to myself, 'I've a bad head for gentlefolks' names in general—but this one comes like an old friend, at any rate.' I can't say nothing about the time, sir, it might be nigh on a year ago, or it mightn't. But I can swear to the stout gentleman, and swear to the lady's name."

There was no need that he should remember the time—the date was positively established by his master's order-book. I felt at once that the means were now in my power of striking down the whole conspiracy at a blow with the irresistible weapon of plain fact. Without a moment's hesitation, I took the proprietor of the livery stables aside and told him what the real importance was of the evidence of his order-book and the evidence of his driver. An arrangement to compensate him for the temporary loss of the man's services was easily made, and a copy of the entry in the book was taken by myself, and certified as true by the master's own signature. I left the livery stables, having settled that John Owen was to hold himself at my disposal for the next three days, or for a longer period if necessity required it.

I now had in my possession all the papers that I wanted—the district registrar's own copy of the certificate of death, and Sir Percival's dated letter to the Count, being safe in my pocket-book.

With this written evidence about me, and with the coachman's answers fresh in my memory, I next turned my steps, for the first time since the beginning of all my inquiries, in the direction of Mr. Kyrle's office. One of my objects in paying him this second visit was, necessarily, to tell him what I had done. The other was to warn him of my resolution to take my wife to Limmeridge the next morning, and to have her publicly received and recognised in her uncle's house. I left it to Mr. Kyrle to decide under these circumstances, and in Mr. Gilmore's absence, whether he was or was not bound, as the family solicitor, to be present on that occasion in the family interests.

I will say nothing of Mr. Kyrle's amazement, or of the terms in which he expressed his opinion of my conduct from the first stage of the investigation to the last. It is only necessary to mention that he at once decided on accompanying us to Cumberland.

We started the next morning by the early train. Laura, Marian, Mr. Kyrle, and myself in one carriage, and John Owen, with a clerk from Mr. Kyrle's office, occupying places in another. On reaching the Limmeridge station we went first to the farmhouse at Todd's Corner. It was my firm determination that Laura should not enter her uncle's house till she appeared there publicly recognised as his niece. I left Marian to settle the question of accommodation with Mrs. Todd, as soon as the good woman had recovered from the bewilderment of hearing what our errand was in Cumberland, and I arranged with her husband that John Owen was to be committed to the ready hospitality of the farm-servants. These preliminaries completed, Mr. Kyrle and I set forth together for Limmeridge House.

I cannot write at any length of our interview with Mr. Fairlie, for I cannot recall it to mind without feelings of impatience and contempt, which make the scene, even in remembrance only, utterly repulsive to me. I prefer to record simply that I carried my point. Mr. Fairlie attempted to treat us on his customary plan. We passed without notice his polite insolence at the outset of the interview. We heard without sympathy the protestations with which he tried next to persuade us that the disclosure of the conspiracy had overwhelmed him. He absolutely whined and whimpered at last like a fretful child. "How was he to know that his niece was alive when he was told that she was dead? He would welcome dear Laura with pleasure, if we would only allow him time to recover. Did we think he looked as if he wanted hurrying into his grave? No. Then, why hurry him?" He reiterated these remonstrances at every available opportunity, until I checked them once for all, by placing him firmly between two inevitable alternatives. I gave him his choice between doing his niece justice on my terms, or facing the consequence of a public assertion of her existence in a court of law. Mr. Kyrle, to whom he turned for help, told him plainly that he must decide the question then and there. Characteristically choosing the alternative which promised soonest to release him from all personal anxiety, he announced with a sudden outburst of energy, that he was not strong enough to bear any more bullying, and that we might do as we pleased.

Mr. Kyrle and I at once went downstairs, and agreed upon a form of letter which was to be sent round to the tenants who had attended the false funeral, summoning them, in Mr. Fairlie's name, to assemble in Limmeridge House on the next day but one. An order referring to the same date was also written, directing a statuary in Carlisle to send a man to Limmeridge churchyard for the purpose of erasing an inscription—Mr. Kyrle, who had arranged to sleep in the house, undertaking that Mr. Fairlie should hear these letters read to him, and should sign them with his own hand.

I occupied the interval day at the farm in writing a plain narrative of the conspiracy, and in adding to it a statement of the practical contradiction which facts offered to the assertion of Laura's death. This I submitted to Mr. Kyrle before I read it the next day to the assembled tenants. We also arranged the form in which the evidence should be presented at the close of the reading. After these matters were settled, Mr. Kyrle endeavoured to turn the conversation next to Laura's affairs. Knowing, and desiring to know nothing of those affairs, and doubting whether he would approve, as a man of business, of my conduct in relation to my wife's life-interest in the legacy left to Madame Fosco, I begged Mr. Kyrle to excuse me if I abstained from discussing the subject. It was connected, as I could truly tell him, with those sorrows and troubles of the past which we never referred to among ourselves, and which we instinctively shrank from discussing with others.

My last labour, as the evening approached, was to obtain "The Narrative of the Tombstone," by taking a copy of the false inscription on the grave before it was erased.

 

The day came—the day when Laura once more entered the familiar breakfast-room at Limmeridge House. All the persons assembled rose from their seats as Marian and I led her in. A perceptible shock of surprise, an audible murmur of interest ran through them, at the sight of her face. Mr. Fairlie was present (by my express stipulation), with Mr. Kyrle by his side. His valet stood behind him with a smelling-bottle ready in one hand, and a white handkerchief, saturated with eau-de-Cologne, in the other.

I opened the proceedings by publicly appealing to Mr. Fairlie to say whether I appeared there with his authority and under his express sanction. He extended an arm, on either side, to Mr. Kyrle and to his valet—was by them assisted to stand on his legs, and then expressed himself in these terms: "Allow me to present Mr. Hartright. I am as great an invalid as ever, and he is so very obliging as to speak for me. The subject is dreadfully embarrassing. Please hear him, and don't make a noise!" With those words he slowly sank back again into the chair, and took refuge in his scented pocket-handkerchief.

The disclosure of the conspiracy followed, after I had offered my preliminary explanation, first of all, in the fewest and the plainest words. I was there present (I informed my hearers) to declare, first, that my wife, then sitting by me, was the daughter of the late Mr. Philip Fairlie; secondly, to prove by positive facts, that the funeral which they had attended in Limmeridge churchyard was the funeral of another woman; thirdly, to give them a plain account of how it had all happened. Without further preface, I at once read the narrative of the conspiracy, describing it in clear outline, and dwelling only upon the pecuniary motive for it, in order to avoid complicating my statement by unnecessary reference to Sir Percival's secret. This done, I reminded my audience of the date on the inscription in the churchyard (the 25th), and confirmed its correctness by producing the certificate of death. I then read them Sir Percival's letter of the 25th, announcing his wife's intended journey from Hampshire to London on the 26th. I next showed that she had taken that journey, by the personal testimony of the driver of the fly, and I proved that she had performed it on the appointed day, by the order-book at the livery stables. Marian then added her own statement of the meeting between Laura and herself at the mad-house, and of her sister's escape. After which I closed the proceedings by informing the persons present of Sir Percival's death and of my marriage.

Mr. Kyrle rose when I resumed my seat, and declared, as the legal adviser of the family, that my case was proved by the plainest evidence he had ever heard in his life. As he spoke those words, I put my arm round Laura, and raised her so that she was plainly visible to every one in the room. "Are you all of the same opinion?" I asked, advancing towards them a few steps, and pointing to my wife.

The effect of the question was electrical. Far down at the lower end of the room one of the oldest tenants on the estate started to his feet, and led the rest with him in an instant. I see the man now, with his honest brown face and his iron-grey hair, mounted on the window-seat, waving his heavy riding-whip over his head, and leading the cheers. "There she is, alive and hearty—God bless her! Gi' it tongue, lads! Gi' it tongue!" The shout that answered him, reiterated again and again, was the sweetest music I ever heard. The labourers in the village and the boys from the school, assembled on the lawn, caught up the cheering and echoed it back on us. The farmers' wives clustered round Laura, and struggled which should be first to shake hands with her, and to implore her, with the tears pouring over their own cheeks, to bear up bravely and not to cry. She was so completely overwhelmed, that I was obliged to take her from them, and carry her to the door. There I gave her into Marian's care—Marian, who had never failed us yet, whose courageous self-control did not fail us now. Left by myself at the door, I invited all the persons present (after thanking them in Laura's name and mine) to follow me to the churchyard, and see the false inscription struck off the tombstone with their own eyes.

They all left the house, and all joined the throng of villagers collected round the grave, where the statuary's man was waiting for us. In a breathless silence, the first sharp stroke of the steel sounded on the marble. Not a voice was heard—not a soul moved, till those three words, "Laura, Lady Glyde," had vanished from sight. Then there was a great heave of relief among the crowd, as if they felt that the last fetters of the conspiracy had been struck off Laura herself, and the assembly slowly withdrew. It was late in the day before the whole inscription was erased. One line only was afterwards engraved in its place: "Anne Catherick, July 25th, 1850."

I returned to Limmeridge House early enough in the evening to take leave of Mr. Kyrle. He and his clerk, and the driver of the fly, went back to London by the night train. On their departure an insolent message was delivered to me from Mr. Fairlie—who had been carried from the room in a shattered condition, when the first outbreak of cheering answered my appeal to the tenantry. The message conveyed to us "Mr. Fairlie's best congratulations," and requested to know whether "we contemplated stopping in the house." I sent back word that the only object for which we had entered his doors was accomplished—that I contemplated stopping in no man's house but my own—and that Mr. Fairlie need not entertain the slightest apprehension of ever seeing us or hearing from us again. We went back to our friends at the farm to rest that night, and the next morning—escorted to the station, with the heartiest enthusiasm and good will, by the whole village and by all the farmers in the neighbourhood—we returned to London.

As our view of the Cumberland hills faded in the distance, I thought of the first disheartening circumstances under which the long struggle that was now past and over had been pursued. It was strange to look back and to see, now, that the poverty which had denied us all hope of assistance had been the indirect means of our success, by forcing me to act for myself. If we had been rich enough to find legal help, what would have been the result? The gain (on Mr. Kyrle's own showing) would have been more than doubtful—the loss, judging by the plain test of events as they had really happened, certain. The law would never have obtained me my interview with Mrs. Catherick. The law would never have made Pesca the means of forcing a confession from the Count.



II

Two more events remain to be added to the chain before it reaches fairly from the outset of the story to the close.

While our new sense of freedom from the long oppression of the past was still strange to us, I was sent for by the friend who had given me my first employment in wood engraving, to receive from him a fresh testimony of his regard for my welfare. He had been commissioned by his employers to go to Paris, and to examine for them a fresh discovery in the practical application of his Art, the merits of which they were anxious to ascertain. His own engagements had not allowed him leisure time to undertake the errand, and he had most kindly suggested that it should be transferred to me. I could have no hesitation in thankfully accepting the offer, for if I acquitted myself of my commission as I hoped I should, the result would be a permanent engagement on the illustrated newspaper, to which I was now only occasionally attached.

I received my instructions and packed up for the journey the next day. On leaving Laura once more (under what changed circumstances!) in her sister's care, a serious consideration recurred to me, which had more than once crossed my wife's mind, as well as my own, already—I mean the consideration of Marian's future. Had we any right to let our selfish affection accept the devotion of all that generous life? Was it not our duty, our best expression of gratitude, to forget ourselves, and to think only of her? I tried to say this when we were alone for a moment, before I went away. She took my hand, and silenced me at the first words.

"After all that we three have suffered together," she said "there can be no parting between us till the last parting of all. My heart and my happiness, Walter, are with Laura and you. Wait a little till there are children's voices at your fireside. I will teach them to speak for me in their language, and the first lesson they say to their father and mother shall be—We can't spare our aunt!"

My journey to Paris was not undertaken alone. At the eleventh hour Pesca decided that he would accompany me. He had not recovered his customary cheerfulness since the night at the Opera, and he determined to try what a week's holiday would do to raise his spirits.

I performed the errand entrusted to me, and drew out the necessary report, on the fourth day from our arrival in Paris. The fifth day I arranged to devote to sight-seeing and amusements in Pesca's company.

Our hotel had been too full to accommodate us both on the same floor. My room was on the second story, and Pesca's was above me, on the third. On the morning of the fifth day I went upstairs to see if the Professor was ready to go out. Just before I reached the landing I saw his door opened from the inside—a long, delicate, nervous hand (not my friend's hand certainly) held it ajar. At the same time I heard Pesca's voice saying eagerly, in low tones, and in his own language—"I remember the name, but I don't know the man. You saw at the Opera he was so changed that I could not recognise him. I will forward the report—I can do no more." "No more need be done," answered the second voice. The door opened wide, and the light-haired man with the scar on his cheek—the man I had seen following Count Fosco's cab a week before—came out. He bowed as I drew aside to let him pass—his face was fearfully pale—and he held fast by the banisters as he descended the stairs.

I pushed open the door and entered Pesca's room. He was crouched up, in the strangest manner, in a corner of the sofa. He seemed to shrink from me when I approached him.

"Am I disturbing you?" I asked. "I did not know you had a friend with you till I saw him come out."

"No friend," said Pesca eagerly. "I see him to-day for the first time and the last."

"I am afraid he has brought you bad news?"

"Horrible news, Walter! Let us go back to London—I don't want to stop here—I am sorry I ever came. The misfortunes of my youth are very hard upon me," he said, turning his face to the wall, "very hard upon me in my later time. I try to forget them—and they will not forget me!"

"We can't return, I am afraid, before the afternoon," I replied. "Would you like to come out with me in the meantime?"

"No, my friend, I will wait here. But let us go back to-day—pray let us go back."

I left him with the assurance that he should leave Paris that afternoon. We had arranged the evening before to ascend the Cathedral of Notre Dame, with Victor Hugo's noble romance for our guide. There was nothing in the French capital that I was more anxious to see, and I departed by myself for the church.

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    Total number of unique words is 1029
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    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 40
    Total number of words is 3421
    Total number of unique words is 992
    61.4 of words are in the 2000 most common words
    79.9 of words are in the 5000 most common words
    88.4 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 41
    Total number of words is 3415
    Total number of unique words is 1031
    58.7 of words are in the 2000 most common words
    78.5 of words are in the 5000 most common words
    86.4 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 42
    Total number of words is 3408
    Total number of unique words is 890
    66.3 of words are in the 2000 most common words
    85.5 of words are in the 5000 most common words
    91.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 43
    Total number of words is 3436
    Total number of unique words is 917
    61.1 of words are in the 2000 most common words
    81.6 of words are in the 5000 most common words
    88.2 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 44
    Total number of words is 3532
    Total number of unique words is 887
    69.0 of words are in the 2000 most common words
    85.2 of words are in the 5000 most common words
    91.2 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 45
    Total number of words is 3582
    Total number of unique words is 951
    62.8 of words are in the 2000 most common words
    81.1 of words are in the 5000 most common words
    88.2 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 46
    Total number of words is 3612
    Total number of unique words is 926
    68.2 of words are in the 2000 most common words
    84.4 of words are in the 5000 most common words
    88.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 47
    Total number of words is 3410
    Total number of unique words is 1024
    60.0 of words are in the 2000 most common words
    78.4 of words are in the 5000 most common words
    85.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 48
    Total number of words is 3365
    Total number of unique words is 962
    61.0 of words are in the 2000 most common words
    79.6 of words are in the 5000 most common words
    87.6 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 49
    Total number of words is 3404
    Total number of unique words is 999
    60.5 of words are in the 2000 most common words
    79.6 of words are in the 5000 most common words
    87.0 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 50
    Total number of words is 3494
    Total number of unique words is 978
    60.7 of words are in the 2000 most common words
    81.6 of words are in the 5000 most common words
    88.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 51
    Total number of words is 3477
    Total number of unique words is 942
    64.2 of words are in the 2000 most common words
    81.5 of words are in the 5000 most common words
    89.4 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 52
    Total number of words is 3477
    Total number of unique words is 967
    61.5 of words are in the 2000 most common words
    80.9 of words are in the 5000 most common words
    86.9 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 53
    Total number of words is 3639
    Total number of unique words is 890
    70.7 of words are in the 2000 most common words
    86.3 of words are in the 5000 most common words
    91.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 54
    Total number of words is 3501
    Total number of unique words is 871
    67.6 of words are in the 2000 most common words
    84.9 of words are in the 5000 most common words
    90.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 55
    Total number of words is 3370
    Total number of unique words is 984
    61.3 of words are in the 2000 most common words
    79.3 of words are in the 5000 most common words
    85.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 56
    Total number of words is 3510
    Total number of unique words is 985
    63.2 of words are in the 2000 most common words
    81.1 of words are in the 5000 most common words
    87.6 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 57
    Total number of words is 3447
    Total number of unique words is 955
    60.7 of words are in the 2000 most common words
    77.7 of words are in the 5000 most common words
    83.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 58
    Total number of words is 3569
    Total number of unique words is 1010
    60.2 of words are in the 2000 most common words
    78.4 of words are in the 5000 most common words
    85.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 59
    Total number of words is 3408
    Total number of unique words is 892
    59.6 of words are in the 2000 most common words
    76.9 of words are in the 5000 most common words
    84.3 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 60
    Total number of words is 3518
    Total number of unique words is 988
    60.7 of words are in the 2000 most common words
    79.1 of words are in the 5000 most common words
    85.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 61
    Total number of words is 3658
    Total number of unique words is 923
    66.2 of words are in the 2000 most common words
    82.4 of words are in the 5000 most common words
    88.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 62
    Total number of words is 3130
    Total number of unique words is 994
    61.3 of words are in the 2000 most common words
    79.8 of words are in the 5000 most common words
    87.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 63
    Total number of words is 3594
    Total number of unique words is 1018
    61.3 of words are in the 2000 most common words
    80.6 of words are in the 5000 most common words
    87.3 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 64
    Total number of words is 3499
    Total number of unique words is 1045
    59.9 of words are in the 2000 most common words
    79.0 of words are in the 5000 most common words
    85.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 65
    Total number of words is 3497
    Total number of unique words is 1074
    56.4 of words are in the 2000 most common words
    74.0 of words are in the 5000 most common words
    83.6 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 66
    Total number of words is 3548
    Total number of unique words is 925
    66.3 of words are in the 2000 most common words
    83.0 of words are in the 5000 most common words
    88.9 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 67
    Total number of words is 3481
    Total number of unique words is 930
    64.6 of words are in the 2000 most common words
    82.8 of words are in the 5000 most common words
    88.9 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 68
    Total number of words is 3398
    Total number of unique words is 1028
    57.6 of words are in the 2000 most common words
    76.6 of words are in the 5000 most common words
    84.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 69
    Total number of words is 3247
    Total number of unique words is 1087
    53.2 of words are in the 2000 most common words
    72.3 of words are in the 5000 most common words
    80.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 70
    Total number of words is 3422
    Total number of unique words is 1077
    55.1 of words are in the 2000 most common words
    75.5 of words are in the 5000 most common words
    83.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 71
    Total number of words is 3518
    Total number of unique words is 1048
    60.5 of words are in the 2000 most common words
    78.8 of words are in the 5000 most common words
    86.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 72
    Total number of words is 1680
    Total number of unique words is 653
    65.4 of words are in the 2000 most common words
    79.3 of words are in the 5000 most common words
    86.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.