The Woman in White - 33

Total number of words is 3529
Total number of unique words is 1047
63.1 of words are in the 2000 most common words
80.7 of words are in the 5000 most common words
87.4 of words are in the 8000 most common words
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On looking back to the entry referring to the lawyer's visit, we found that my recollection of the two alternatives presented was accurately correct. It was almost as great a relief to my mind as to Laura's, to find that my memory had served me, on this occasion, as faithfully as usual. In the perilous uncertainty of our present situation, it is hard to say what future interests may not depend upon the regularity of the entries in my journal, and upon the reliability of my recollection at the time when I make them.

Laura's face and manner suggested to me that this last consideration had occurred to her as well as to myself. Anyway, it is only a trifling matter, and I am almost ashamed to put it down here in writing—it seems to set the forlornness of our situation in such a miserably vivid light. We must have little indeed to depend on, when the discovery that my memory can still be trusted to serve us is hailed as if it was the discovery of a new friend!

The first bell for dinner separated us. Just as it had done ringing, Sir Percival and the Count returned from their walk. We heard the master of the house storming at the servants for being five minutes late, and the master's guest interposing, as usual, in the interests of propriety, patience, and peace.


The evening has come and gone. No extraordinary event has happened. But I have noticed certain peculiarities in the conduct of Sir Percival and the Count, which have sent me to my bed feeling very anxious and uneasy about Anne Catherick, and about the results which to-morrow may produce.

I know enough by this time, to be sure, that the aspect of Sir Percival which is the most false, and which, therefore, means the worst, is his polite aspect. That long walk with his friend had ended in improving his manners, especially towards his wife. To Laura's secret surprise and to my secret alarm, he called her by her Christian name, asked if she had heard lately from her uncle, inquired when Mrs. Vesey was to receive her invitation to Blackwater, and showed her so many other little attentions that he almost recalled the days of his hateful courtship at Limmeridge House. This was a bad sign to begin with, and I thought it more ominous still that he should pretend after dinner to fall asleep in the drawing-room, and that his eyes should cunningly follow Laura and me when he thought we neither of us suspected him. I have never had any doubt that his sudden journey by himself took him to Welmingham to question Mrs. Catherick—but the experience of to-night has made me fear that the expedition was not undertaken in vain, and that he has got the information which he unquestionably left us to collect. If I knew where Anne Catherick was to be found, I would be up to-morrow with sunrise and warn her.

While the aspect under which Sir Percival presented himself to-night was unhappily but too familiar to me, the aspect under which the Count appeared was, on the other hand, entirely new in my experience of him. He permitted me, this evening, to make his acquaintance, for the first time, in the character of a Man of Sentiment—of sentiment, as I believe, really felt, not assumed for the occasion.

For instance, he was quiet and subdued—his eyes and his voice expressed a restrained sensibility. He wore (as if there was some hidden connection between his showiest finery and his deepest feeling) the most magnificent waistcoat he has yet appeared in—it was made of pale sea-green silk, and delicately trimmed with fine silver braid. His voice sank into the tenderest inflections, his smile expressed a thoughtful, fatherly admiration, whenever he spoke to Laura or to me. He pressed his wife's hand under the table when she thanked him for trifling little attentions at dinner. He took wine with her. "Your health and happiness, my angel!" he said, with fond glistening eyes. He ate little or nothing, and sighed, and said "Good Percival!" when his friend laughed at him. After dinner, he took Laura by the hand, and asked her if she would be "so sweet as to play to him." She complied, through sheer astonishment. He sat by the piano, with his watch-chain resting in folds, like a golden serpent, on the sea-green protuberance of his waistcoat. His immense head lay languidly on one side, and he gently beat time with two of his yellow-white fingers. He highly approved of the music, and tenderly admired Laura's manner of playing—not as poor Hartright used to praise it, with an innocent enjoyment of the sweet sounds, but with a clear, cultivated, practical knowledge of the merits of the composition, in the first place, and of the merits of the player's touch in the second. As the evening closed in, he begged that the lovely dying light might not be profaned, just yet, by the appearance of the lamps. He came, with his horribly silent tread, to the distant window at which I was standing, to be out of his way and to avoid the very sight of him—he came to ask me to support his protest against the lamps. If any one of them could only have burnt him up at that moment, I would have gone down to the kitchen and fetched it myself.

"Surely you like this modest, trembling English twilight?" he said softly. "Ah! I love it. I feel my inborn admiration of all that is noble, and great, and good, purified by the breath of heaven on an evening like this. Nature has such imperishable charms, such inextinguishable tenderness for me!—I am an old, fat man—talk which would become your lips, Miss Halcombe, sounds like a derision and a mockery on mine. It is hard to be laughed at in my moments of sentiment, as if my soul was like myself, old and overgrown. Observe, dear lady, what a light is dying on the trees! Does it penetrate your heart, as it penetrates mine?"

He paused, looked at me, and repeated the famous lines of Dante on the Evening-time, with a melody and tenderness which added a charm of their own to the matchless beauty of the poetry itself.

"Bah!" he cried suddenly, as the last cadence of those noble Italian words died away on his lips; "I make an old fool of myself, and only weary you all! Let us shut up the window in our bosoms and get back to the matter-of-fact world. Percival! I sanction the admission of the lamps. Lady Glyde—Miss Halcombe—Eleanor, my good wife—which of you will indulge me with a game at dominoes?"

He addressed us all, but he looked especially at Laura.

She had learnt to feel my dread of offending him, and she accepted his proposal. It was more than I could have done at that moment. I could not have sat down at the same table with him for any consideration. His eyes seemed to reach my inmost soul through the thickening obscurity of the twilight. His voice trembled along every nerve in my body, and turned me hot and cold alternately. The mystery and terror of my dream, which had haunted me at intervals all through the evening, now oppressed my mind with an unendurable foreboding and an unutterable awe. I saw the white tomb again, and the veiled woman rising out of it by Hartright's side. The thought of Laura welled up like a spring in the depths of my heart, and filled it with waters of bitterness, never, never known to it before. I caught her by the hand as she passed me on her way to the table, and kissed her as if that night was to part us for ever. While they were all gazing at me in astonishment, I ran out through the low window which was open before me to the ground—ran out to hide from them in the darkness, to hide even from myself.

 

We separated that evening later than usual. Towards midnight the summer silence was broken by the shuddering of a low, melancholy wind among the trees. We all felt the sudden chill in the atmosphere, but the Count was the first to notice the stealthy rising of the wind. He stopped while he was lighting my candle for me, and held up his hand warningly—

"Listen!" he said. "There will be a change to-morrow."



VII

June 19th.—The events of yesterday warned me to be ready, sooner or later, to meet the worst. To-day is not yet at an end, and the worst has come.

Judging by the closest calculation of time that Laura and I could make, we arrived at the conclusion that Anne Catherick must have appeared at the boat-house at half-past two o'clock on the afternoon of yesterday. I accordingly arranged that Laura should just show herself at the luncheon-table to-day, and should then slip out at the first opportunity, leaving me behind to preserve appearances, and to follow her as soon as I could safely do so. This mode of proceeding, if no obstacles occurred to thwart us, would enable her to be at the boat-house before half-past two, and (when I left the table, in my turn) would take me to a safe position in the plantation before three.

The change in the weather, which last night's wind warned us to expect, came with the morning. It was raining heavily when I got up, and it continued to rain until twelve o'clock—when the clouds dispersed, the blue sky appeared, and the sun shone again with the bright promise of a fine afternoon.

My anxiety to know how Sir Percival and the Count would occupy the early part of the day was by no means set at rest, so far as Sir Percival was concerned, by his leaving us immediately after breakfast, and going out by himself, in spite of the rain. He neither told us where he was going nor when we might expect him back. We saw him pass the breakfast-room window hastily, with his high boots and his waterproof coat on—and that was all.

The Count passed the morning quietly indoors, some part of it in the library, some part in the drawing-room, playing odds and ends of music on the piano, and humming to himself. Judging by appearances, the sentimental side of his character was persistently inclined to betray itself still. He was silent and sensitive, and ready to sigh and languish ponderously (as only fat men can sigh and languish) on the smallest provocation.

Luncheon-time came and Sir Percival did not return. The Count took his friend's place at the table, plaintively devoured the greater part of a fruit tart, submerged under a whole jugful of cream, and explained the full merit of the achievement to us as soon as he had done. "A taste for sweets," he said in his softest tones and his tenderest manner, "is the innocent taste of women and children. I love to share it with them—it is another bond, dear ladies, between you and me."

Laura left the table in ten minutes' time. I was sorely tempted to accompany her. But if we had both gone out together we must have excited suspicion, and worse still, if we allowed Anne Catherick to see Laura, accompanied by a second person who was a stranger to her, we should in all probability forfeit her confidence from that moment, never to regain it again.

I waited, therefore, as patiently as I could, until the servant came in to clear the table. When I quitted the room, there were no signs, in the house or out of it, of Sir Percival's return. I left the Count with a piece of sugar between his lips, and the vicious cockatoo scrambling up his waistcoat to get at it, while Madame Fosco, sitting opposite to her husband, watched the proceedings of his bird and himself as attentively as if she had never seen anything of the sort before in her life. On my way to the plantation I kept carefully beyond the range of view from the luncheon-room window. Nobody saw me and nobody followed me. It was then a quarter to three o'clock by my watch.

Once among the trees I walked rapidly, until I had advanced more than half-way through the plantation. At that point I slackened my pace and proceeded cautiously, but I saw no one, and heard no voices. By little and little I came within view of the back of the boat-house—stopped and listened—then went on, till I was close behind it, and must have heard any persons who were talking inside. Still the silence was unbroken—still far and near no sign of a living creature appeared anywhere.

After skirting round by the back of the building, first on one side and then on the other, and making no discoveries, I ventured in front of it, and fairly looked in. The place was empty.

I called, "Laura!"—at first softly, then louder and louder. No one answered and no one appeared. For all that I could see and hear, the only human creature in the neighbourhood of the lake and the plantation was myself.

My heart began to beat violently, but I kept my resolution, and searched, first the boat-house and then the ground in front of it, for any signs which might show me whether Laura had really reached the place or not. No mark of her presence appeared inside the building, but I found traces of her outside it, in footsteps on the sand.

I detected the footsteps of two persons—large footsteps like a man's, and small footsteps, which, by putting my own feet into them and testing their size in that manner, I felt certain were Laura's. The ground was confusedly marked in this way just before the boat-house. Close against one side of it, under shelter of the projecting roof, I discovered a little hole in the sand—a hole artificially made, beyond a doubt. I just noticed it, and then turned away immediately to trace the footsteps as far as I could, and to follow the direction in which they might lead me.

They led me, starting from the left-hand side of the boat-house, along the edge of the trees, a distance, I should think, of between two and three hundred yards, and then the sandy ground showed no further trace of them. Feeling that the persons whose course I was tracking must necessarily have entered the plantation at this point, I entered it too. At first I could find no path, but I discovered one afterwards, just faintly traced among the trees, and followed it. It took me, for some distance, in the direction of the village, until I stopped at a point where another foot-track crossed it. The brambles grew thickly on either side of this second path. I stood looking down it, uncertain which way to take next, and while I looked I saw on one thorny branch some fragments of fringe from a woman's shawl. A closer examination of the fringe satisfied me that it had been torn from a shawl of Laura's, and I instantly followed the second path. It brought me out at last, to my great relief, at the back of the house. I say to my great relief, because I inferred that Laura must, for some unknown reason, have returned before me by this roundabout way. I went in by the court-yard and the offices. The first person whom I met in crossing the servants' hall was Mrs. Michelson, the housekeeper.

"Do you know," I asked, "whether Lady Glyde has come in from her walk or not?"

"My lady came in a little while ago with Sir Percival," answered the housekeeper. "I am afraid, Miss Halcombe, something very distressing has happened."

My heart sank within me. "You don't mean an accident?" I said faintly.

"No, no—thank God, no accident. But my lady ran upstairs to her own room in tears, and Sir Percival has ordered me to give Fanny warning to leave in an hour's time."

Fanny was Laura's maid—a good affectionate girl who had been with her for years—the only person in the house whose fidelity and devotion we could both depend upon.

"Where is Fanny?" I inquired.

"In my room, Miss Halcombe. The young woman is quite overcome, and I told her to sit down and try to recover herself."

I went to Mrs. Michelson's room, and found Fanny in a corner, with her box by her side, crying bitterly.

She could give me no explanation whatever of her sudden dismissal. Sir Percival had ordered that she should have a month's wages, in place of a month's warning, and go. No reason had been assigned—no objection had been made to her conduct. She had been forbidden to appeal to her mistress, forbidden even to see her for a moment to say good-bye. She was to go without explanations or farewells, and to go at once.

After soothing the poor girl by a few friendly words, I asked where she proposed to sleep that night. She replied that she thought of going to the little inn in the village, the landlady of which was a respectable woman, known to the servants at Blackwater Park. The next morning, by leaving early, she might get back to her friends in Cumberland without stopping in London, where she was a total stranger.

I felt directly that Fanny's departure offered us a safe means of communication with London and with Limmeridge House, of which it might be very important to avail ourselves. Accordingly, I told her that she might expect to hear from her mistress or from me in the course of the evening, and that she might depend on our both doing all that lay in our power to help her, under the trial of leaving us for the present. Those words said, I shook hands with her and went upstairs.

The door which led to Laura's room was the door of an ante-chamber opening on to the passage. When I tried it, it was bolted on the inside.

I knocked, and the door was opened by the same heavy, overgrown housemaid whose lumpish insensibility had tried my patience so severely on the day when I found the wounded dog.

I had, since that time, discovered that her name was Margaret Porcher, and that she was the most awkward, slatternly, and obstinate servant in the house.

On opening the door she instantly stepped out to the threshold, and stood grinning at me in stolid silence.

"Why do you stand there?" I said. "Don't you see that I want to come in?"

"Ah, but you mustn't come in," was the answer, with another and a broader grin still.

"How dare you talk to me in that way? Stand back instantly!"

She stretched out a great red hand and arm on each side of her, so as to bar the doorway, and slowly nodded her addle head at me.

"Master's orders," she said, and nodded again.

I had need of all my self-control to warn me against contesting the matter with her, and to remind me that the next words I had to say must be addressed to her master. I turned my back on her, and instantly went downstairs to find him. My resolution to keep my temper under all the irritations that Sir Percival could offer was, by this time, as completely forgotten—I say so to my shame—as if I had never made it. It did me good, after all I had suffered and suppressed in that house—it actually did me good to feel how angry I was.

The drawing-room and the breakfast-room were both empty. I went on to the library, and there I found Sir Percival, the Count, and Madame Fosco. They were all three standing up, close together, and Sir Percival had a little slip of paper in his hand. As I opened the door I heard the Count say to him, "No—a thousand times over, no."

I walked straight up to him, and looked him full in the face.

"Am I to understand, Sir Percival, that your wife's room is a prison, and that your housemaid is the gaoler who keeps it?" I asked.

"Yes, that is what you are to understand," he answered. "Take care my gaoler hasn't got double duty to do—take care your room is not a prison too."

"Take you care how you treat your wife, and how you threaten me," I broke out in the heat of my anger. "There are laws in England to protect women from cruelty and outrage. If you hurt a hair of Laura's head, if you dare to interfere with my freedom, come what may, to those laws I will appeal."

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    Total number of unique words is 927
    60.3 of words are in the 2000 most common words
    78.6 of words are in the 5000 most common words
    86.6 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 40
    Total number of words is 3421
    Total number of unique words is 992
    61.4 of words are in the 2000 most common words
    79.9 of words are in the 5000 most common words
    88.4 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 41
    Total number of words is 3415
    Total number of unique words is 1031
    58.7 of words are in the 2000 most common words
    78.5 of words are in the 5000 most common words
    86.4 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 42
    Total number of words is 3408
    Total number of unique words is 890
    66.3 of words are in the 2000 most common words
    85.5 of words are in the 5000 most common words
    91.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 43
    Total number of words is 3436
    Total number of unique words is 917
    61.1 of words are in the 2000 most common words
    81.6 of words are in the 5000 most common words
    88.2 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 44
    Total number of words is 3532
    Total number of unique words is 887
    69.0 of words are in the 2000 most common words
    85.2 of words are in the 5000 most common words
    91.2 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 45
    Total number of words is 3582
    Total number of unique words is 951
    62.8 of words are in the 2000 most common words
    81.1 of words are in the 5000 most common words
    88.2 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 46
    Total number of words is 3612
    Total number of unique words is 926
    68.2 of words are in the 2000 most common words
    84.4 of words are in the 5000 most common words
    88.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 47
    Total number of words is 3410
    Total number of unique words is 1024
    60.0 of words are in the 2000 most common words
    78.4 of words are in the 5000 most common words
    85.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 48
    Total number of words is 3365
    Total number of unique words is 962
    61.0 of words are in the 2000 most common words
    79.6 of words are in the 5000 most common words
    87.6 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 49
    Total number of words is 3404
    Total number of unique words is 999
    60.5 of words are in the 2000 most common words
    79.6 of words are in the 5000 most common words
    87.0 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 50
    Total number of words is 3494
    Total number of unique words is 978
    60.7 of words are in the 2000 most common words
    81.6 of words are in the 5000 most common words
    88.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 51
    Total number of words is 3477
    Total number of unique words is 942
    64.2 of words are in the 2000 most common words
    81.5 of words are in the 5000 most common words
    89.4 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 52
    Total number of words is 3477
    Total number of unique words is 967
    61.5 of words are in the 2000 most common words
    80.9 of words are in the 5000 most common words
    86.9 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 53
    Total number of words is 3639
    Total number of unique words is 890
    70.7 of words are in the 2000 most common words
    86.3 of words are in the 5000 most common words
    91.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 54
    Total number of words is 3501
    Total number of unique words is 871
    67.6 of words are in the 2000 most common words
    84.9 of words are in the 5000 most common words
    90.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 55
    Total number of words is 3370
    Total number of unique words is 984
    61.3 of words are in the 2000 most common words
    79.3 of words are in the 5000 most common words
    85.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 56
    Total number of words is 3510
    Total number of unique words is 985
    63.2 of words are in the 2000 most common words
    81.1 of words are in the 5000 most common words
    87.6 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 57
    Total number of words is 3447
    Total number of unique words is 955
    60.7 of words are in the 2000 most common words
    77.7 of words are in the 5000 most common words
    83.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 58
    Total number of words is 3569
    Total number of unique words is 1010
    60.2 of words are in the 2000 most common words
    78.4 of words are in the 5000 most common words
    85.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 59
    Total number of words is 3408
    Total number of unique words is 892
    59.6 of words are in the 2000 most common words
    76.9 of words are in the 5000 most common words
    84.3 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 60
    Total number of words is 3518
    Total number of unique words is 988
    60.7 of words are in the 2000 most common words
    79.1 of words are in the 5000 most common words
    85.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 61
    Total number of words is 3658
    Total number of unique words is 923
    66.2 of words are in the 2000 most common words
    82.4 of words are in the 5000 most common words
    88.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 62
    Total number of words is 3130
    Total number of unique words is 994
    61.3 of words are in the 2000 most common words
    79.8 of words are in the 5000 most common words
    87.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 63
    Total number of words is 3594
    Total number of unique words is 1018
    61.3 of words are in the 2000 most common words
    80.6 of words are in the 5000 most common words
    87.3 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 64
    Total number of words is 3499
    Total number of unique words is 1045
    59.9 of words are in the 2000 most common words
    79.0 of words are in the 5000 most common words
    85.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 65
    Total number of words is 3497
    Total number of unique words is 1074
    56.4 of words are in the 2000 most common words
    74.0 of words are in the 5000 most common words
    83.6 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 66
    Total number of words is 3548
    Total number of unique words is 925
    66.3 of words are in the 2000 most common words
    83.0 of words are in the 5000 most common words
    88.9 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 67
    Total number of words is 3481
    Total number of unique words is 930
    64.6 of words are in the 2000 most common words
    82.8 of words are in the 5000 most common words
    88.9 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 68
    Total number of words is 3398
    Total number of unique words is 1028
    57.6 of words are in the 2000 most common words
    76.6 of words are in the 5000 most common words
    84.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 69
    Total number of words is 3247
    Total number of unique words is 1087
    53.2 of words are in the 2000 most common words
    72.3 of words are in the 5000 most common words
    80.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 70
    Total number of words is 3422
    Total number of unique words is 1077
    55.1 of words are in the 2000 most common words
    75.5 of words are in the 5000 most common words
    83.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 71
    Total number of words is 3518
    Total number of unique words is 1048
    60.5 of words are in the 2000 most common words
    78.8 of words are in the 5000 most common words
    86.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 72
    Total number of words is 1680
    Total number of unique words is 653
    65.4 of words are in the 2000 most common words
    79.3 of words are in the 5000 most common words
    86.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.