The Woman in White - 19

Total number of words is 3564
Total number of unique words is 919
68.6 of words are in the 2000 most common words
85.5 of words are in the 5000 most common words
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I only answered by drawing her close to me again. I was afraid of crying if I spoke. My tears do not flow so easily as they ought—they come almost like men's tears, with sobs that seem to tear me in pieces, and that frighten every one about me.

"I have thought of this, love, for many days," she went on, twining and twisting my hair with that childish restlessness in her fingers, which poor Mrs. Vesey still tries so patiently and so vainly to cure her of—"I have thought of it very seriously, and I can be sure of my courage when my own conscience tells me I am right. Let me speak to him to-morrow—in your presence, Marian. I will say nothing that is wrong, nothing that you or I need be ashamed of—but, oh, it will ease my heart so to end this miserable concealment! Only let me know and feel that I have no deception to answer for on my side, and then, when he has heard what I have to say, let him act towards me as he will."

She sighed, and put her head back in its old position on my bosom. Sad misgivings about what the end would be weighed upon my mind, but still distrusting myself, I told her that I would do as she wished. She thanked me, and we passed gradually into talking of other things.

At dinner she joined us again, and was more easy and more herself with Sir Percival than I have seen her yet. In the evening she went to the piano, choosing new music of the dexterous, tuneless, florid kind. The lovely old melodies of Mozart, which poor Hartright was so fond of, she has never played since he left. The book is no longer in the music-stand. She took the volume away herself, so that nobody might find it out and ask her to play from it.

I had no opportunity of discovering whether her purpose of the morning had changed or not, until she wished Sir Percival good-night—and then her own words informed me that it was unaltered. She said, very quietly, that she wished to speak to him after breakfast, and that he would find her in her sitting-room with me. He changed colour at those words, and I felt his hand trembling a little when it came to my turn to take it. The event of the next morning would decide his future life, and he evidently knew it.

I went in, as usual, through the door between our two bedrooms, to bid Laura good-night before she went to sleep. In stooping over her to kiss her I saw the little book of Hartright's drawings half hidden under her pillow, just in the place where she used to hide her favourite toys when she was a child. I could not find it in my heart to say anything, but I pointed to the book and shook my head. She reached both hands up to my cheeks, and drew my face down to hers till our lips met.

"Leave it there to-night," she whispered; "to-morrow may be cruel, and may make me say good-bye to it for ever."

 

9th.—The first event of the morning was not of a kind to raise my spirits—a letter arrived for me from poor Walter Hartright. It is the answer to mine describing the manner in which Sir Percival cleared himself of the suspicions raised by Anne Catherick's letter. He writes shortly and bitterly about Sir Percival's explanations, only saying that he has no right to offer an opinion on the conduct of those who are above him. This is sad, but his occasional references to himself grieve me still more. He says that the effort to return to his old habits and pursuits grows harder instead of easier to him every day and he implores me, if I have any interest, to exert it to get him employment that will necessitate his absence from England, and take him among new scenes and new people. I have been made all the readier to comply with this request by a passage at the end of his letter, which has almost alarmed me.

After mentioning that he has neither seen nor heard anything of Anne Catherick, he suddenly breaks off, and hints in the most abrupt, mysterious manner, that he has been perpetually watched and followed by strange men ever since he returned to London. He acknowledges that he cannot prove this extraordinary suspicion by fixing on any particular persons, but he declares that the suspicion itself is present to him night and day. This has frightened me, because it looks as if his one fixed idea about Laura was becoming too much for his mind. I will write immediately to some of my mother's influential old friends in London, and press his claims on their notice. Change of scene and change of occupation may really be the salvation of him at this crisis in his life.

Greatly to my relief, Sir Percival sent an apology for not joining us at breakfast. He had taken an early cup of coffee in his own room, and he was still engaged there in writing letters. At eleven o'clock, if that hour was convenient, he would do himself the honour of waiting on Miss Fairlie and Miss Halcombe.

My eyes were on Laura's face while the message was being delivered. I had found her unaccountably quiet and composed on going into her room in the morning, and so she remained all through breakfast. Even when we were sitting together on the sofa in her room, waiting for Sir Percival, she still preserved her self-control.

"Don't be afraid of me, Marian," was all she said; "I may forget myself with an old friend like Mr. Gilmore, or with a dear sister like you, but I will not forget myself with Sir Percival Glyde."

I looked at her, and listened to her in silent surprise. Through all the years of our close intimacy this passive force in her character had been hidden from me—hidden even from herself, till love found it, and suffering called it forth.

As the clock on the mantelpiece struck eleven Sir Percival knocked at the door and came in. There was suppressed anxiety and agitation in every line of his face. The dry, sharp cough, which teases him at most times, seemed to be troubling him more incessantly than ever. He sat down opposite to us at the table, and Laura remained by me. I looked attentively at them both, and he was the palest of the two.

He said a few unimportant words, with a visible effort to preserve his customary ease of manner. But his voice was not to be steadied, and the restless uneasiness in his eyes was not to be concealed. He must have felt this himself, for he stopped in the middle of a sentence, and gave up even the attempt to hide his embarrassment any longer.

There was just one moment of dead silence before Laura addressed him.

"I wish to speak to you, Sir Percival," she said, "on a subject that is very important to us both. My sister is here, because her presence helps me and gives me confidence. She has not suggested one word of what I am going to say—I speak from my own thoughts, not from hers. I am sure you will be kind enough to understand that before I go any farther?"

Sir Percival bowed. She had proceeded thus far, with perfect outward tranquillity and perfect propriety of manner. She looked at him, and he looked at her. They seemed, at the outset, at least, resolved to understand one another plainly.

"I have heard from Marian," she went on, "that I have only to claim my release from our engagement to obtain that release from you. It was forbearing and generous on your part, Sir Percival, to send me such a message. It is only doing you justice to say that I am grateful for the offer, and I hope and believe that it is only doing myself justice to tell you that I decline to accept it."

His attentive face relaxed a little. But I saw one of his feet, softly, quietly, incessantly beating on the carpet under the table, and I felt that he was secretly as anxious as ever.

"I have not forgotten," she said, "that you asked my father's permission before you honoured me with a proposal of marriage. Perhaps you have not forgotten either what I said when I consented to our engagement? I ventured to tell you that my father's influence and advice had mainly decided me to give you my promise. I was guided by my father, because I had always found him the truest of all advisers, the best and fondest of all protectors and friends. I have lost him now—I have only his memory to love, but my faith in that dear dead friend has never been shaken. I believe at this moment, as truly as I ever believed, that he knew what was best, and that his hopes and wishes ought to be my hopes and wishes too."

Her voice trembled for the first time. Her restless fingers stole their way into my lap, and held fast by one of my hands. There was another moment of silence, and then Sir Percival spoke.

"May I ask," he said, "if I have ever proved myself unworthy of the trust which it has been hitherto my greatest honour and greatest happiness to possess?"

"I have found nothing in your conduct to blame," she answered. "You have always treated me with the same delicacy and the same forbearance. You have deserved my trust, and, what is of far more importance in my estimation, you have deserved my father's trust, out of which mine grew. You have given me no excuse, even if I had wanted to find one, for asking to be released from my pledge. What I have said so far has been spoken with the wish to acknowledge my whole obligation to you. My regard for that obligation, my regard for my father's memory, and my regard for my own promise, all forbid me to set the example, on my side, of withdrawing from our present position. The breaking of our engagement must be entirely your wish and your act, Sir Percival—not mine."

The uneasy beating of his foot suddenly stopped, and he leaned forward eagerly across the table.

"My act?" he said. "What reason can there be on my side for withdrawing?"

I heard her breath quickening—I felt her hand growing cold. In spite of what she had said to me when we were alone, I began to be afraid of her. I was wrong.

"A reason that it is very hard to tell you," she answered. "There is a change in me, Sir Percival—a change which is serious enough to justify you, to yourself and to me, in breaking off our engagement."

His face turned so pale again that even his lips lost their colour. He raised the arm which lay on the table, turned a little away in his chair, and supported his head on his hand, so that his profile only was presented to us.

"What change?" he asked. The tone in which he put the question jarred on me—there was something painfully suppressed in it.

She sighed heavily, and leaned towards me a little, so as to rest her shoulder against mine. I felt her trembling, and tried to spare her by speaking myself. She stopped me by a warning pressure of her hand, and then addressed Sir Percival one more, but this time without looking at him.

"I have heard," she said, "and I believe it, that the fondest and truest of all affections is the affection which a woman ought to bear to her husband. When our engagement began that affection was mine to give, if I could, and yours to win, if you could. Will you pardon me, and spare me, Sir Percival, if I acknowledge that it is not so any longer?"

A few tears gathered in her eyes, and dropped over her cheeks slowly as she paused and waited for his answer. He did not utter a word. At the beginning of her reply he had moved the hand on which his head rested, so that it hid his face. I saw nothing but the upper part of his figure at the table. Not a muscle of him moved. The fingers of the hand which supported his head were dented deep in his hair. They might have expressed hidden anger or hidden grief—it was hard to say which—there was no significant trembling in them. There was nothing, absolutely nothing, to tell the secret of his thoughts at that moment—the moment which was the crisis of his life and the crisis of hers.

I was determined to make him declare himself, for Laura's sake.

"Sir Percival!" I interposed sharply, "have you nothing to say when my sister has said so much? More, in my opinion," I added, my unlucky temper getting the better of me, "than any man alive, in your position, has a right to hear from her."

That last rash sentence opened a way for him by which to escape me if he chose, and he instantly took advantage of it.

"Pardon me, Miss Halcombe," he said, still keeping his hand over his face, "pardon me if I remind you that I have claimed no such right."

The few plain words which would have brought him back to the point from which he had wandered were just on my lips, when Laura checked me by speaking again.

"I hope I have not made my painful acknowledgment in vain," she continued. "I hope it has secured me your entire confidence in what I have still to say?"

"Pray be assured of it." He made that brief reply warmly, dropping his hand on the table while he spoke, and turning towards us again. Whatever outward change had passed over him was gone now. His face was eager and expectant—it expressed nothing but the most intense anxiety to hear her next words.

"I wish you to understand that I have not spoken from any selfish motive," she said. "If you leave me, Sir Percival, after what you have just heard, you do not leave me to marry another man, you only allow me to remain a single woman for the rest of my life. My fault towards you has begun and ended in my own thoughts. It can never go any farther. No word has passed—" She hesitated, in doubt about the expression she should use next, hesitated in a momentary confusion which it was very sad and very painful to see. "No word has passed," she patiently and resolutely resumed, "between myself and the person to whom I am now referring for the first and last time in your presence of my feelings towards him, or of his feelings towards me—no word ever can pass—neither he nor I are likely, in this world, to meet again. I earnestly beg you to spare me from saying any more, and to believe me, on my word, in what I have just told you. It is the truth. Sir Percival, the truth which I think my promised husband has a claim to hear, at any sacrifice of my own feelings. I trust to his generosity to pardon me, and to his honour to keep my secret."

"Both those trusts are sacred to me," he said, "and both shall be sacredly kept."

After answering in those terms he paused, and looked at her as if he was waiting to hear more.

"I have said all I wish to say," she added quietly—"I have said more than enough to justify you in withdrawing from your engagement."

"You have said more than enough," he answered, "to make it the dearest object of my life to keep the engagement." With those words he rose from his chair, and advanced a few steps towards the place where she was sitting.

She started violently, and a faint cry of surprise escaped her. Every word she had spoken had innocently betrayed her purity and truth to a man who thoroughly understood the priceless value of a pure and true woman. Her own noble conduct had been the hidden enemy, throughout, of all the hopes she had trusted to it. I had dreaded this from the first. I would have prevented it, if she had allowed me the smallest chance of doing so. I even waited and watched now, when the harm was done, for a word from Sir Percival that would give me the opportunity of putting him in the wrong.

"You have left it to me, Miss Fairlie, to resign you," he continued. "I am not heartless enough to resign a woman who has just shown herself to be the noblest of her sex."

He spoke with such warmth and feeling, with such passionate enthusiasm, and yet with such perfect delicacy, that she raised her head, flushed up a little, and looked at him with sudden animation and spirit.

"No!" she said firmly. "The most wretched of her sex, if she must give herself in marriage when she cannot give her love."     

"May she not give it in the future," he asked, "if the one object of her husband's life is to deserve it?"

"Never!" she answered. "If you still persist in maintaining our engagement, I may be your true and faithful wife, Sir Percival—your loving wife, if I know my own heart, never!"

She looked so irresistibly beautiful as she said those brave words that no man alive could have steeled his heart against her. I tried hard to feel that Sir Percival was to blame, and to say so, but my womanhood would pity him, in spite of myself.

"I gratefully accept your faith and truth," he said. "The least that you can offer is more to me than the utmost that I could hope for from any other woman in the world."

Her left hand still held mine, but her right hand hung listlessly at her side. He raised it gently to his lips—touched it with them, rather than kissed it—bowed to me—and then, with perfect delicacy and discretion, silently quitted the room.

She neither moved nor said a word when he was gone—she sat by me, cold and still, with her eyes fixed on the ground. I saw it was hopeless and useless to speak, and I only put my arm round her, and held her to me in silence. We remained together so for what seemed a long and weary time—so long and so weary, that I grew uneasy and spoke to her softly, in the hope of producing a change.

The sound of my voice seemed to startle her into consciousness. She suddenly drew herself away from me and rose to her feet.

"I must submit, Marian, as well as I can," she said. "My new life has its hard duties, and one of them begins to-day."

As she spoke she went to a side-table near the window, on which her sketching materials were placed, gathered them together carefully, and put them in a drawer of her cabinet. She locked the drawer and brought the key to me.

"I must part from everything that reminds me of him," she said. "Keep the key wherever you please—I shall never want it again."

Before I could say a word she had turned away to her book-case, and had taken from it the album that contained Walter Hartright's drawings. She hesitated for a moment, holding the little volume fondly in her hands—then lifted it to her lips and kissed it.

"Oh, Laura! Laura!" I said, not angrily, not reprovingly—with nothing but sorrow in my voice, and nothing but sorrow in my heart.

"It is the last time, Marian," she pleaded. "I am bidding it good-bye for ever."

She laid the book on the table and drew out the comb that fastened her hair. It fell, in its matchless beauty, over her back and shoulders, and dropped round her, far below her waist. She separated one long, thin lock from the rest, cut it off, and pinned it carefully, in the form of a circle, on the first blank page of the album. The moment it was fastened she closed the volume hurriedly, and placed it in my hands.

"You write to him and he writes to you," she said. "While I am alive, if he asks after me always tell him I am well, and never say I am unhappy. Don't distress him, Marian, for my sake, don't distress him. If I die first, promise you will give him this little book of his drawings, with my hair in it. There can be no harm, when I am gone, in telling him that I put it there with my own hands. And say—oh, Marian, say for me, then, what I can never say for myself—say I loved him!"

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    Total number of words is 3421
    Total number of unique words is 992
    61.4 of words are in the 2000 most common words
    79.9 of words are in the 5000 most common words
    88.4 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 41
    Total number of words is 3415
    Total number of unique words is 1031
    58.7 of words are in the 2000 most common words
    78.5 of words are in the 5000 most common words
    86.4 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 42
    Total number of words is 3408
    Total number of unique words is 890
    66.3 of words are in the 2000 most common words
    85.5 of words are in the 5000 most common words
    91.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 43
    Total number of words is 3436
    Total number of unique words is 917
    61.1 of words are in the 2000 most common words
    81.6 of words are in the 5000 most common words
    88.2 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 44
    Total number of words is 3532
    Total number of unique words is 887
    69.0 of words are in the 2000 most common words
    85.2 of words are in the 5000 most common words
    91.2 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 45
    Total number of words is 3582
    Total number of unique words is 951
    62.8 of words are in the 2000 most common words
    81.1 of words are in the 5000 most common words
    88.2 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 46
    Total number of words is 3612
    Total number of unique words is 926
    68.2 of words are in the 2000 most common words
    84.4 of words are in the 5000 most common words
    88.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 47
    Total number of words is 3410
    Total number of unique words is 1024
    60.0 of words are in the 2000 most common words
    78.4 of words are in the 5000 most common words
    85.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 48
    Total number of words is 3365
    Total number of unique words is 962
    61.0 of words are in the 2000 most common words
    79.6 of words are in the 5000 most common words
    87.6 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 49
    Total number of words is 3404
    Total number of unique words is 999
    60.5 of words are in the 2000 most common words
    79.6 of words are in the 5000 most common words
    87.0 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 50
    Total number of words is 3494
    Total number of unique words is 978
    60.7 of words are in the 2000 most common words
    81.6 of words are in the 5000 most common words
    88.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 51
    Total number of words is 3477
    Total number of unique words is 942
    64.2 of words are in the 2000 most common words
    81.5 of words are in the 5000 most common words
    89.4 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 52
    Total number of words is 3477
    Total number of unique words is 967
    61.5 of words are in the 2000 most common words
    80.9 of words are in the 5000 most common words
    86.9 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 53
    Total number of words is 3639
    Total number of unique words is 890
    70.7 of words are in the 2000 most common words
    86.3 of words are in the 5000 most common words
    91.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 54
    Total number of words is 3501
    Total number of unique words is 871
    67.6 of words are in the 2000 most common words
    84.9 of words are in the 5000 most common words
    90.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 55
    Total number of words is 3370
    Total number of unique words is 984
    61.3 of words are in the 2000 most common words
    79.3 of words are in the 5000 most common words
    85.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 56
    Total number of words is 3510
    Total number of unique words is 985
    63.2 of words are in the 2000 most common words
    81.1 of words are in the 5000 most common words
    87.6 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 57
    Total number of words is 3447
    Total number of unique words is 955
    60.7 of words are in the 2000 most common words
    77.7 of words are in the 5000 most common words
    83.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 58
    Total number of words is 3569
    Total number of unique words is 1010
    60.2 of words are in the 2000 most common words
    78.4 of words are in the 5000 most common words
    85.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 59
    Total number of words is 3408
    Total number of unique words is 892
    59.6 of words are in the 2000 most common words
    76.9 of words are in the 5000 most common words
    84.3 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 60
    Total number of words is 3518
    Total number of unique words is 988
    60.7 of words are in the 2000 most common words
    79.1 of words are in the 5000 most common words
    85.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 61
    Total number of words is 3658
    Total number of unique words is 923
    66.2 of words are in the 2000 most common words
    82.4 of words are in the 5000 most common words
    88.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 62
    Total number of words is 3130
    Total number of unique words is 994
    61.3 of words are in the 2000 most common words
    79.8 of words are in the 5000 most common words
    87.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 63
    Total number of words is 3594
    Total number of unique words is 1018
    61.3 of words are in the 2000 most common words
    80.6 of words are in the 5000 most common words
    87.3 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 64
    Total number of words is 3499
    Total number of unique words is 1045
    59.9 of words are in the 2000 most common words
    79.0 of words are in the 5000 most common words
    85.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 65
    Total number of words is 3497
    Total number of unique words is 1074
    56.4 of words are in the 2000 most common words
    74.0 of words are in the 5000 most common words
    83.6 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 66
    Total number of words is 3548
    Total number of unique words is 925
    66.3 of words are in the 2000 most common words
    83.0 of words are in the 5000 most common words
    88.9 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 67
    Total number of words is 3481
    Total number of unique words is 930
    64.6 of words are in the 2000 most common words
    82.8 of words are in the 5000 most common words
    88.9 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 68
    Total number of words is 3398
    Total number of unique words is 1028
    57.6 of words are in the 2000 most common words
    76.6 of words are in the 5000 most common words
    84.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 69
    Total number of words is 3247
    Total number of unique words is 1087
    53.2 of words are in the 2000 most common words
    72.3 of words are in the 5000 most common words
    80.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 70
    Total number of words is 3422
    Total number of unique words is 1077
    55.1 of words are in the 2000 most common words
    75.5 of words are in the 5000 most common words
    83.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 71
    Total number of words is 3518
    Total number of unique words is 1048
    60.5 of words are in the 2000 most common words
    78.8 of words are in the 5000 most common words
    86.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 72
    Total number of words is 1680
    Total number of unique words is 653
    65.4 of words are in the 2000 most common words
    79.3 of words are in the 5000 most common words
    86.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.