The Woman in White - 32

Total number of words is 3637
Total number of unique words is 856
71.0 of words are in the 2000 most common words
85.5 of words are in the 5000 most common words
89.8 of words are in the 8000 most common words
Each bar represents the percentage of words per 1000 most common words.

Her voice rose as the tumult of her recollections pressed upon her mind. The inveterate distrust which weighs, night and day, on my spirits in this house, instantly roused me to warn her—just as the sight of the brooch had roused me to question her, the moment before.

"Speak low," I said. "The window is open, and the garden path runs beneath it. Begin at the beginning, Laura. Tell me, word for word, what passed between that woman and you."

"Shall I close the window?"

"No, only speak low—only remember that Anne Catherick is a dangerous subject under your husband's roof. Where did you first see her?"

"At the boat-house, Marian. I went out, as you know, to find my brooch, and I walked along the path through the plantation, looking down on the ground carefully at every step. In that way I got on, after a long time, to the boat-house, and as soon as I was inside it, I went on my knees to hunt over the floor. I was still searching with my back to the doorway, when I heard a soft, strange voice behind me say, 'Miss Fairlie.'"

"Miss Fairlie!"

"Yes, my old name—the dear, familiar name that I thought I had parted from for ever. I started up—not frightened, the voice was too kind and gentle to frighten anybody—but very much surprised. There, looking at me from the doorway, stood a woman, whose face I never remembered to have seen before—"

"How was she dressed?"

"She had a neat, pretty white gown on, and over it a poor worn thin dark shawl. Her bonnet was of brown straw, as poor and worn as the shawl. I was struck by the difference between her gown and the rest of her dress, and she saw that I noticed it. 'Don't look at my bonnet and shawl,' she said, speaking in a quick, breathless, sudden way; 'if I mustn't wear white, I don't care what I wear. Look at my gown as much as you please—I'm not ashamed of that.' Very strange, was it not? Before I could say anything to soothe her, she held out one of her hands, and I saw my brooch in it. I was so pleased and so grateful, that I went quite close to her to say what I really felt. 'Are you thankful enough to do me one little kindness?' she asked. 'Yes, indeed,' I answered, 'any kindness in my power I shall be glad to show you.' 'Then let me pin your brooch on for you, now I have found it.' Her request was so unexpected, Marian, and she made it with such extraordinary eagerness, that I drew back a step or two, not well knowing what to do. 'Ah!' she said, 'your mother would have let me pin on the brooch.' There was something in her voice and her look, as well as in her mentioning my mother in that reproachful manner, which made me ashamed of my distrust. I took her hand with the brooch in it, and put it up gently on the bosom of my dress. 'You knew my mother?' I said. 'Was it very long ago? have I ever seen you before?' Her hands were busy fastening the brooch: she stopped and pressed them against my breast. 'You don't remember a fine spring day at Limmeridge,' she said, 'and your mother walking down the path that led to the school, with a little girl on each side of her? I have had nothing else to think of since, and I remember it. You were one of the little girls, and I was the other. Pretty, clever Miss Fairlie, and poor dazed Anne Catherick were nearer to each other then than they are now!'"

"Did you remember her, Laura, when she told you her name?"

"Yes, I remembered your asking me about Anne Catherick at Limmeridge, and your saying that she had once been considered like me."

"What reminded you of that, Laura?"

"She reminded me. While I was looking at her, while she was very close to me, it came over my mind suddenly that we were like each other! Her face was pale and thin and weary—but the sight of it startled me, as if it had been the sight of my own face in the glass after a long illness. The discovery—I don't know why—gave me such a shock, that I was perfectly incapable of speaking to her for the moment."

"Did she seem hurt by your silence?"

"I am afraid she was hurt by it. 'You have not got your mother's face,' she said, 'or your mother's heart. Your mother's face was dark, and your mother's heart, Miss Fairlie, was the heart of an angel.' 'I am sure I feel kindly towards you,' I said, 'though I may not be able to express it as I ought. Why do you call me Miss Fairlie?——' 'Because I love the name of Fairlie and hate the name of Glyde,' she broke out violently. I had seen nothing like madness in her before this, but I fancied I saw it now in her eyes. 'I only thought you might not know I was married,' I said, remembering the wild letter she wrote to me at Limmeridge, and trying to quiet her. She sighed bitterly, and turned away from me. 'Not know you were married?' she repeated. 'I am here because you are married. I am here to make atonement to you, before I meet your mother in the world beyond the grave.' She drew farther and farther away from me, till she was out of the boat-house, and then she watched and listened for a little while. When she turned round to speak again, instead of coming back, she stopped where she was, looking in at me, with a hand on each side of the entrance. 'Did you see me at the lake last night?' she said. 'Did you hear me following you in the wood? I have been waiting for days together to speak to you alone—I have left the only friend I have in the world, anxious and frightened about me—I have risked being shut up again in the mad-house—and all for your sake, Miss Fairlie, all for your sake.' Her words alarmed me, Marian, and yet there was something in the way she spoke that made me pity her with all my heart. I am sure my pity must have been sincere, for it made me bold enough to ask the poor creature to come in, and sit down in the boat-house, by my side."

"Did she do so?"

"No. She shook her head, and told me she must stop where she was, to watch and listen, and see that no third person surprised us. And from first to last, there she waited at the entrance, with a hand on each side of it, sometimes bending in suddenly to speak to me, sometimes drawing back suddenly to look about her. 'I was here yesterday,' she said, 'before it came dark, and I heard you, and the lady with you, talking together. I heard you tell her about your husband. I heard you say you had no influence to make him believe you, and no influence to keep him silent. Ah! I knew what those words meant—my conscience told me while I was listening. Why did I ever let you marry him! Oh, my fear—my mad, miserable, wicked fear!' She covered up her face in her poor worn shawl, and moaned and murmured to herself behind it. I began to be afraid she might break out into some terrible despair which neither she nor I could master. 'Try to quiet yourself,' I said; 'try to tell me how you might have prevented my marriage.' She took the shawl from her face, and looked at me vacantly. 'I ought to have had heart enough to stop at Limmeridge,' she answered. 'I ought never to have let the news of his coming there frighten me away. I ought to have warned you and saved you before it was too late. Why did I only have courage enough to write you that letter? Why did I only do harm, when I wanted and meant to do good? Oh, my fear—my mad, miserable, wicked fear!' She repeated those words again, and hid her face again in the end of her poor worn shawl. It was dreadful to see her, and dreadful to hear her."

"Surely, Laura, you asked what the fear was which she dwelt on so earnestly?"

"Yes, I asked that."

"And what did she say?"

"She asked me in return, if I should not be afraid of a man who had shut me up in a mad-house, and who would shut me up again, if he could? I said, 'Are you afraid still? Surely you would not be here if you were afraid now?' 'No,' she said, 'I am not afraid now.' I asked why not. She suddenly bent forward into the boat-house, and said, 'Can't you guess why?' I shook my head. 'Look at me,' she went on. I told her I was grieved to see that she looked very sorrowful and very ill. She smiled for the first time. 'Ill?' she repeated; 'I'm dying. You know why I'm not afraid of him now. Do you think I shall meet your mother in heaven? Will she forgive me if I do?' I was so shocked and so startled, that I could make no reply. 'I have been thinking of it,' she went on, 'all the time I have been in hiding from your husband, all the time I lay ill. My thoughts have driven me here—I want to make atonement—I want to undo all I can of the harm I once did.' I begged her as earnestly as I could to tell me what she meant. She still looked at me with fixed vacant eyes. 'Shall I undo the harm?' she said to herself doubtfully. 'You have friends to take your part. If you know his Secret, he will be afraid of you, he won't dare use you as he used me. He must treat you mercifully for his own sake, if he is afraid of you and your friends. And if he treats you mercifully, and if I can say it was my doing——' I listened eagerly for more, but she stopped at those words."

"You tried to make her go on?"

"I tried, but she only drew herself away from me again, and leaned her face and arms against the side of the boat-house. 'Oh!' I heard her say, with a dreadful, distracted tenderness in her voice, 'oh! if I could only be buried with your mother! If I could only wake at her side, when the angel's trumpet sounds, and the graves give up their dead at the resurrection!'—Marian! I trembled from head to foot—it was horrible to hear her. 'But there is no hope of that,' she said, moving a little, so as to look at me again, 'no hope for a poor stranger like me. I shall not rest under the marble cross that I washed with my own hands, and made so white and pure for her sake. Oh no! oh no! God's mercy, not man's, will take me to her, where the wicked cease from troubling and the weary are at rest.' She spoke those words quietly and sorrowfully, with a heavy, hopeless sigh, and then waited a little. Her face was confused and troubled, she seemed to be thinking, or trying to think. 'What was it I said just now?' she asked after a while. 'When your mother is in my mind, everything else goes out of it. What was I saying? what was I saying?' I reminded the poor creature, as kindly and delicately as I could. 'Ah, yes, yes,' she said, still in a vacant, perplexed manner. 'You are helpless with your wicked husband. Yes. And I must do what I have come to do here—I must make it up to you for having been afraid to speak out at a better time.' 'What is it you have to tell me?' I asked. 'The Secret that your cruel husband is afraid of,' she answered. 'I once threatened him with the Secret, and frightened him. You shall threaten him with the Secret, and frighten him too.' Her face darkened, and a hard, angry stare fixed itself in her eyes. She began waving her hand at me in a vacant, unmeaning manner. 'My mother knows the Secret,' she said. 'My mother has wasted under the Secret half her lifetime. One day, when I was grown up, she said something to me. And the next day your husband——'"

"Yes! yes! Go on. What did she tell you about your husband?"

"She stopped again, Marian, at that point——"

"And said no more?"

"And listened eagerly. 'Hush!' she whispered, still waving her hand at me. 'Hush!' She moved aside out of the doorway, moved slowly and stealthily, step by step, till I lost her past the edge of the boat-house."

"Surely you followed her?"

"Yes, my anxiety made me bold enough to rise and follow her. Just as I reached the entrance, she appeared again suddenly, round the side of the boat-house. 'The Secret,' I whispered to her—'wait and tell me the Secret!' She caught hold of my arm, and looked at me with wild frightened eyes. 'Not now,' she said, 'we are not alone—we are watched. Come here to-morrow at this time—by yourself—mind—by yourself.' She pushed me roughly into the boat-house again, and I saw her no more."

"Oh, Laura, Laura, another chance lost! If I had only been near you she should not have escaped us. On which side did you lose sight of her?"

"On the left side, where the ground sinks and the wood is thickest."

"Did you run out again? did you call after her?"

"How could I? I was too terrified to move or speak."

"But when you did move—when you came out?"

"I ran back here, to tell you what had happened."

"Did you see any one, or hear any one, in the plantation?"

"No, it seemed to be all still and quiet when I passed through it."

I waited for a moment to consider. Was this third person, supposed to have been secretly present at the interview, a reality, or the creature of Anne Catherick's excited fancy? It was impossible to determine. The one thing certain was, that we had failed again on the very brink of discovery—failed utterly and irretrievably, unless Anne Catherick kept her appointment at the boat-house for the next day.

"Are you quite sure you have told me everything that passed? Every word that was said?" I inquired.

"I think so," she answered. "My powers of memory, Marian, are not like yours. But I was so strongly impressed, so deeply interested, that nothing of any importance can possibly have escaped me."

"My dear Laura, the merest trifles are of importance where Anne Catherick is concerned. Think again. Did no chance reference escape her as to the place in which she is living at the present time?"

"None that I can remember."

"Did she not mention a companion and friend—a woman named Mrs. Clements?"

"Oh yes! yes! I forgot that. She told me Mrs. Clements wanted sadly to go with her to the lake and take care of her, and begged and prayed that she would not venture into this neighbourhood alone."

"Was that all she said about Mrs. Clements?"

"Yes, that was all."

"She told you nothing about the place in which she took refuge after leaving Todd's Corner?"

"Nothing—I am quite sure."

"Nor where she has lived since? Nor what her illness had been?"

"No, Marian, not a word. Tell me, pray tell me, what you think about it. I don't know what to think, or what to do next."

"You must do this, my love: You must carefully keep the appointment at the boat-house to-morrow. It is impossible to say what interests may not depend on your seeing that woman again. You shall not be left to yourself a second time. I will follow you at a safe distance. Nobody shall see me, but I will keep within hearing of your voice, if anything happens. Anne Catherick has escaped Walter Hartright, and has escaped you. Whatever happens, she shall not escape me."

Laura's eyes read mine attentively.

"You believe," she said, "in this secret that my husband is afraid of? Suppose, Marian, it should only exist after all in Anne Catherick's fancy? Suppose she only wanted to see me and to speak to me, for the sake of old remembrances? Her manner was so strange—I almost doubted her. Would you trust her in other things?"

"I trust nothing, Laura, but my own observation of your husband's conduct. I judge Anne Catherick's words by his actions, and I believe there is a secret."

I said no more, and got up to leave the room. Thoughts were troubling me which I might have told her if we had spoken together longer, and which it might have been dangerous for her to know. The influence of the terrible dream from which she had awakened me hung darkly and heavily over every fresh impression which the progress of her narrative produced on my mind. I felt the ominous future coming close, chilling me with an unutterable awe, forcing on me the conviction of an unseen design in the long series of complications which had now fastened round us. I thought of Hartright—as I saw him in the body when he said farewell; as I saw him in the spirit in my dream—and I too began to doubt now whether we were not advancing blindfold to an appointed and an inevitable end.

Leaving Laura to go upstairs alone, I went out to look about me in the walks near the house. The circumstances under which Anne Catherick had parted from her had made me secretly anxious to know how Count Fosco was passing the afternoon, and had rendered me secretly distrustful of the results of that solitary journey from which Sir Percival had returned but a few hours since.

After looking for them in every direction and discovering nothing, I returned to the house, and entered the different rooms on the ground floor one after another. They were all empty. I came out again into the hall, and went upstairs to return to Laura. Madame Fosco opened her door as I passed it in my way along the passage, and I stopped to see if she could inform me of the whereabouts of her husband and Sir Percival. Yes, she had seen them both from her window more than an hour since. The Count had looked up with his customary kindness, and had mentioned with his habitual attention to her in the smallest trifles, that he and his friend were going out together for a long walk.

For a long walk! They had never yet been in each other's company with that object in my experience of them. Sir Percival cared for no exercise but riding, and the Count (except when he was polite enough to be my escort) cared for no exercise at all.

When I joined Laura again, I found that she had called to mind in my absence the impending question of the signature to the deed, which, in the interest of discussing her interview with Anne Catherick, we had hitherto overlooked. Her first words when I saw her expressed her surprise at the absence of the expected summons to attend Sir Percival in the library.

"You may make your mind easy on that subject," I said. "For the present, at least, neither your resolution nor mine will be exposed to any further trial. Sir Percival has altered his plans—the business of the signature is put off."

"Put off?" Laura repeated amazedly. "Who told you so?"

"My authority is Count Fosco. I believe it is to his interference that we are indebted for your husband's sudden change of purpose."

"It seems impossible, Marian. If the object of my signing was, as we suppose, to obtain money for Sir Percival that he urgently wanted, how can the matter be put off?"

"I think, Laura, we have the means at hand of setting that doubt at rest. Have you forgotten the conversation that I heard between Sir Percival and the lawyer as they were crossing the hall?"

"No, but I don't remember——"

"I do. There were two alternatives proposed. One was to obtain your signature to the parchment. The other was to gain time by giving bills at three months. The last resource is evidently the resource now adopted, and we may fairly hope to be relieved from our share in Sir Percival's embarrassments for some time to come."

"Oh, Marian, it sounds too good to be true!"

"Does it, my love? You complimented me on my ready memory not long since, but you seem to doubt it now. I will get my journal, and you shall see if I am right or wrong."

I went away and got the book at once.

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  • The Woman in White - 01
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    89.2 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 38
    Total number of words is 3417
    Total number of unique words is 974
    62.1 of words are in the 2000 most common words
    80.7 of words are in the 5000 most common words
    88.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 39
    Total number of words is 3271
    Total number of unique words is 927
    60.3 of words are in the 2000 most common words
    78.6 of words are in the 5000 most common words
    86.6 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 40
    Total number of words is 3421
    Total number of unique words is 992
    61.4 of words are in the 2000 most common words
    79.9 of words are in the 5000 most common words
    88.4 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 41
    Total number of words is 3415
    Total number of unique words is 1031
    58.7 of words are in the 2000 most common words
    78.5 of words are in the 5000 most common words
    86.4 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 42
    Total number of words is 3408
    Total number of unique words is 890
    66.3 of words are in the 2000 most common words
    85.5 of words are in the 5000 most common words
    91.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 43
    Total number of words is 3436
    Total number of unique words is 917
    61.1 of words are in the 2000 most common words
    81.6 of words are in the 5000 most common words
    88.2 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 44
    Total number of words is 3532
    Total number of unique words is 887
    69.0 of words are in the 2000 most common words
    85.2 of words are in the 5000 most common words
    91.2 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 45
    Total number of words is 3582
    Total number of unique words is 951
    62.8 of words are in the 2000 most common words
    81.1 of words are in the 5000 most common words
    88.2 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 46
    Total number of words is 3612
    Total number of unique words is 926
    68.2 of words are in the 2000 most common words
    84.4 of words are in the 5000 most common words
    88.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 47
    Total number of words is 3410
    Total number of unique words is 1024
    60.0 of words are in the 2000 most common words
    78.4 of words are in the 5000 most common words
    85.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 48
    Total number of words is 3365
    Total number of unique words is 962
    61.0 of words are in the 2000 most common words
    79.6 of words are in the 5000 most common words
    87.6 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 49
    Total number of words is 3404
    Total number of unique words is 999
    60.5 of words are in the 2000 most common words
    79.6 of words are in the 5000 most common words
    87.0 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 50
    Total number of words is 3494
    Total number of unique words is 978
    60.7 of words are in the 2000 most common words
    81.6 of words are in the 5000 most common words
    88.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 51
    Total number of words is 3477
    Total number of unique words is 942
    64.2 of words are in the 2000 most common words
    81.5 of words are in the 5000 most common words
    89.4 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 52
    Total number of words is 3477
    Total number of unique words is 967
    61.5 of words are in the 2000 most common words
    80.9 of words are in the 5000 most common words
    86.9 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 53
    Total number of words is 3639
    Total number of unique words is 890
    70.7 of words are in the 2000 most common words
    86.3 of words are in the 5000 most common words
    91.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 54
    Total number of words is 3501
    Total number of unique words is 871
    67.6 of words are in the 2000 most common words
    84.9 of words are in the 5000 most common words
    90.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 55
    Total number of words is 3370
    Total number of unique words is 984
    61.3 of words are in the 2000 most common words
    79.3 of words are in the 5000 most common words
    85.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 56
    Total number of words is 3510
    Total number of unique words is 985
    63.2 of words are in the 2000 most common words
    81.1 of words are in the 5000 most common words
    87.6 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 57
    Total number of words is 3447
    Total number of unique words is 955
    60.7 of words are in the 2000 most common words
    77.7 of words are in the 5000 most common words
    83.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 58
    Total number of words is 3569
    Total number of unique words is 1010
    60.2 of words are in the 2000 most common words
    78.4 of words are in the 5000 most common words
    85.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 59
    Total number of words is 3408
    Total number of unique words is 892
    59.6 of words are in the 2000 most common words
    76.9 of words are in the 5000 most common words
    84.3 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 60
    Total number of words is 3518
    Total number of unique words is 988
    60.7 of words are in the 2000 most common words
    79.1 of words are in the 5000 most common words
    85.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 61
    Total number of words is 3658
    Total number of unique words is 923
    66.2 of words are in the 2000 most common words
    82.4 of words are in the 5000 most common words
    88.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 62
    Total number of words is 3130
    Total number of unique words is 994
    61.3 of words are in the 2000 most common words
    79.8 of words are in the 5000 most common words
    87.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 63
    Total number of words is 3594
    Total number of unique words is 1018
    61.3 of words are in the 2000 most common words
    80.6 of words are in the 5000 most common words
    87.3 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 64
    Total number of words is 3499
    Total number of unique words is 1045
    59.9 of words are in the 2000 most common words
    79.0 of words are in the 5000 most common words
    85.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 65
    Total number of words is 3497
    Total number of unique words is 1074
    56.4 of words are in the 2000 most common words
    74.0 of words are in the 5000 most common words
    83.6 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 66
    Total number of words is 3548
    Total number of unique words is 925
    66.3 of words are in the 2000 most common words
    83.0 of words are in the 5000 most common words
    88.9 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 67
    Total number of words is 3481
    Total number of unique words is 930
    64.6 of words are in the 2000 most common words
    82.8 of words are in the 5000 most common words
    88.9 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 68
    Total number of words is 3398
    Total number of unique words is 1028
    57.6 of words are in the 2000 most common words
    76.6 of words are in the 5000 most common words
    84.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 69
    Total number of words is 3247
    Total number of unique words is 1087
    53.2 of words are in the 2000 most common words
    72.3 of words are in the 5000 most common words
    80.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 70
    Total number of words is 3422
    Total number of unique words is 1077
    55.1 of words are in the 2000 most common words
    75.5 of words are in the 5000 most common words
    83.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 71
    Total number of words is 3518
    Total number of unique words is 1048
    60.5 of words are in the 2000 most common words
    78.8 of words are in the 5000 most common words
    86.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 72
    Total number of words is 1680
    Total number of unique words is 653
    65.4 of words are in the 2000 most common words
    79.3 of words are in the 5000 most common words
    86.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.