The Woman in White - 22

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The mention of the Count's name, and the discovery that he and his wife are likely to meet the bride and bridegroom on the continent, puts Laura's marriage, for the first time, in a distinctly favourable light. It is likely to be the means of healing a family feud. Hitherto Madame Fosco has chosen to forget her obligations as Laura's aunt out of sheer spite against the late Mr. Fairlie for his conduct in the affair of the legacy. Now however, she can persist in this course of conduct no longer. Sir Percival and Count Fosco are old and fast friends, and their wives will have no choice but to meet on civil terms. Madame Fosco in her maiden days was one of the most impertinent women I ever met with—capricious, exacting, and vain to the last degree of absurdity. If her husband has succeeded in bringing her to her senses, he deserves the gratitude of every member of the family, and he may have mine to begin with.

I am becoming anxious to know the Count. He is the most intimate friend of Laura's husband, and in that capacity he excites my strongest interest. Neither Laura nor I have ever seen him. All I know of him is that his accidental presence, years ago, on the steps of the Trinita del Monte at Rome, assisted Sir Percival's escape from robbery and assassination at the critical moment when he was wounded in the hand, and might the next instant have been wounded in the heart. I remember also that, at the time of the late Mr. Fairlie's absurd objections to his sister's marriage, the Count wrote him a very temperate and sensible letter on the subject, which, I am ashamed to say, remained unanswered. This is all I know of Sir Percival's friend. I wonder if he will ever come to England? I wonder if I shall like him?

My pen is running away into mere speculation. Let me return to sober matter of fact. It is certain that Sir Percival's reception of my venturesome proposal to live with his wife was more than kind, it was almost affectionate. I am sure Laura's husband will have no reason to complain of me if I can only go on as I have begun. I have already declared him to be handsome, agreeable, full of good feeling towards the unfortunate and full of affectionate kindness towards me. Really, I hardly know myself again, in my new character of Sir Percival's warmest friend.

 

20th.—I hate Sir Percival! I flatly deny his good looks. I consider him to be eminently ill-tempered and disagreeable, and totally wanting in kindness and good feeling. Last night the cards for the married couple were sent home. Laura opened the packet and saw her future name in print for the first time. Sir Percival looked over her shoulder familiarly at the new card which had already transformed Miss Fairlie into Lady Glyde—smiled with the most odious self-complacency, and whispered something in her ear. I don't know what it was—Laura has refused to tell me—but I saw her face turn to such a deadly whiteness that I thought she would have fainted. He took no notice of the change—he seemed to be barbarously unconscious that he had said anything to pain her. All my old feelings of hostility towards him revived on the instant, and all the hours that have passed since have done nothing to dissipate them. I am more unreasonable and more unjust than ever. In three words—how glibly my pen writes them!—in three words, I hate him.

 

21st.—Have the anxieties of this anxious time shaken me a little, at last? I have been writing, for the last few days, in a tone of levity which, Heaven knows, is far enough from my heart, and which it has rather shocked me to discover on looking back at the entries in my journal.

Perhaps I may have caught the feverish excitement of Laura's spirits for the last week. If so, the fit has already passed away from me, and has left me in a very strange state of mind. A persistent idea has been forcing itself on my attention, ever since last night, that something will yet happen to prevent the marriage. What has produced this singular fancy? Is it the indirect result of my apprehensions for Laura's future? Or has it been unconsciously suggested to me by the increasing restlessness and irritability which I have certainly observed in Sir Percival's manner as the wedding-day draws nearer and nearer? Impossible to say. I know that I have the idea—surely the wildest idea, under the circumstances, that ever entered a woman's head?—but try as I may, I cannot trace it back to its source.

This last day has been all confusion and wretchedness. How can I write about it?—and yet, I must write. Anything is better than brooding over my own gloomy thoughts.

Kind Mrs. Vesey, whom we have all too much overlooked and forgotten of late, innocently caused us a sad morning to begin with. She has been, for months past, secretly making a warm Shetland shawl for her dear pupil—a most beautiful and surprising piece of work to be done by a woman at her age and with her habits. The gift was presented this morning, and poor warm-hearted Laura completely broke down when the shawl was put proudly on her shoulders by the loving old friend and guardian of her motherless childhood. I was hardly allowed time to quiet them both, or even to dry my own eyes, when I was sent for by Mr. Fairlie, to be favoured with a long recital of his arrangements for the preservation of his own tranquillity on the wedding-day.

"Dear Laura" was to receive his present—a shabby ring, with her affectionate uncle's hair for an ornament, instead of a precious stone, and with a heartless French inscription inside, about congenial sentiments and eternal friendship—"dear Laura" was to receive this tender tribute from my hands immediately, so that she might have plenty of time to recover from the agitation produced by the gift before she appeared in Mr. Fairlie's presence. "Dear Laura" was to pay him a little visit that evening, and to be kind enough not to make a scene. "Dear Laura" was to pay him another little visit in her wedding-dress the next morning, and to be kind enough, again, not to make a scene. "Dear Laura" was to look in once more, for the third time, before going away, but without harrowing his feelings by saying when she was going away, and without tears—"in the name of pity, in the name of everything, dear Marian, that is most affectionate and most domestic, and most delightfully and charmingly self-composed, without tears!" I was so exasperated by this miserable selfish trifling, at such a time, that I should certainly have shocked Mr. Fairlie by some of the hardest and rudest truths he has ever heard in his life, if the arrival of Mr. Arnold from Polesdean had not called me away to new duties downstairs.

The rest of the day is indescribable. I believe no one in the house really knew how it passed. The confusion of small events, all huddled together one on the other, bewildered everybody. There were dresses sent home that had been forgotten—there were trunks to be packed and unpacked and packed again—there were presents from friends far and near, friends high and low. We were all needlessly hurried, all nervously expectant of the morrow. Sir Percival, especially, was too restless now to remain five minutes together in the same place. That short, sharp cough of his troubled him more than ever. He was in and out of doors all day long, and he seemed to grow so inquisitive on a sudden, that he questioned the very strangers who came on small errands to the house. Add to all this, the one perpetual thought in Laura's mind and mine, that we were to part the next day, and the haunting dread, unexpressed by either of us, and yet ever present to both, that this deplorable marriage might prove to be the one fatal error of her life and the one hopeless sorrow of mine. For the first time in all the years of our close and happy intercourse we almost avoided looking each other in the face, and we refrained, by common consent, from speaking together in private through the whole evening. I can dwell on it no longer. Whatever future sorrows may be in store for me, I shall always look back on this twenty-first of December as the most comfortless and most miserable day of my life.

I am writing these lines in the solitude of my own room, long after midnight, having just come back from a stolen look at Laura in her pretty little white bed—the bed she has occupied since the days of her girlhood.

There she lay, unconscious that I was looking at her—quiet, more quiet than I had dared to hope, but not sleeping. The glimmer of the night-light showed me that her eyes were only partially closed—the traces of tears glistened between her eyelids. My little keepsake—only a brooch—lay on the table at her bedside, with her prayer-book, and the miniature portrait of her father which she takes with her wherever she goes. I waited a moment, looking at her from behind her pillow, as she lay beneath me, with one arm and hand resting on the white coverlid, so still, so quietly breathing, that the frill on her night-dress never moved—I waited, looking at her, as I have seen her thousands of times, as I shall never see her again—and then stole back to my room. My own love! with all your wealth, and all your beauty, how friendless you are! The one man who would give his heart's life to serve you is far away, tossing, this stormy night, on the awful sea. Who else is left to you? No father, no brother—no living creature but the helpless, useless woman who writes these sad lines, and watches by you for the morning, in sorrow that she cannot compose, in doubt that she cannot conquer. Oh, what a trust is to be placed in that man's hands to-morrow! If ever he forgets it—if ever he injures a hair of her head!——

 

THE TWENTY-SECOND OF DECEMBER. Seven o'clock. A wild, unsettled morning. She has just risen—better and calmer, now that the time has come, than she was yesterday.



Ten o'clock. She is dressed. We have kissed each other—we have promised each other not to lose courage. I am away for a moment in my own room. In the whirl and confusion of my thoughts, I can detect that strange fancy of some hindrance happening to stop the marriage still hanging about my mind. Is it hanging about his mind too? I see him from the window, moving hither and thither uneasily among the carriages at the door.—How can I write such folly! The marriage is a certainty. In less than half an hour we start for the church.

 

Eleven o'clock. It is all over. They are married.

 

Three o'clock. They are gone! I am blind with crying—I can write no more——


 

[The First Epoch of the Story closes here.]




THE SECOND EPOCH

THE STORY CONTINUED BY MARIAN HALCOMBE.



I

BLACKWATER PARK, HAMPSHIRE.

 

June 11th, 1850.—Six months to look back on—six long, lonely months since Laura and I last saw each other!

How many days have I still to wait? Only one! To-morrow, the twelfth, the travellers return to England. I can hardly realise my own happiness—I can hardly believe that the next four-and-twenty hours will complete the last day of separation between Laura and me.

She and her husband have been in Italy all the winter, and afterwards in the Tyrol. They come back, accompanied by Count Fosco and his wife, who propose to settle somewhere in the neighbourhood of London, and who have engaged to stay at Blackwater Park for the summer months before deciding on a place of residence. So long as Laura returns, no matter who returns with her. Sir Percival may fill the house from floor to ceiling, if he likes, on condition that his wife and I inhabit it together.

Meanwhile, here I am, established at Blackwater Park, "the ancient and interesting seat" (as the county history obligingly informs me) "of Sir Percival Glyde, Bart.," and the future abiding-place (as I may now venture to add on my account) of plain Marian Halcombe, spinster, now settled in a snug little sitting-room, with a cup of tea by her side, and all her earthly possessions ranged round her in three boxes and a bag.

I left Limmeridge yesterday, having received Laura's delightful letter from Paris the day before. I had been previously uncertain whether I was to meet them in London or in Hampshire, but this last letter informed me that Sir Percival proposed to land at Southampton, and to travel straight on to his country-house. He has spent so much money abroad that he has none left to defray the expenses of living in London for the remainder of the season, and he is economically resolved to pass the summer and autumn quietly at Blackwater. Laura has had more than enough of excitement and change of scene, and is pleased at the prospect of country tranquillity and retirement which her husband's prudence provides for her. As for me, I am ready to be happy anywhere in her society. We are all, therefore, well contented in our various ways, to begin with.

Last night I slept in London, and was delayed there so long to-day by various calls and commissions, that I did not reach Blackwater this evening till after dusk.

Judging by my vague impressions of the place thus far, it is the exact opposite of Limmeridge.

The house is situated on a dead flat, and seems to be shut in—almost suffocated, to my north-country notions, by trees. I have seen nobody but the man-servant who opened the door to me, and the housekeeper, a very civil person, who showed me the way to my own room, and got me my tea. I have a nice little boudoir and bedroom, at the end of a long passage on the first floor. The servants and some of the spare rooms are on the second floor, and all the living rooms are on the ground floor. I have not seen one of them yet, and I know nothing about the house, except that one wing of it is said to be five hundred years old, that it had a moat round it once, and that it gets its name of Blackwater from a lake in the park.

Eleven o'clock has just struck, in a ghostly and solemn manner, from a turret over the centre of the house, which I saw when I came in. A large dog has been woke, apparently by the sound of the bell, and is howling and yawning drearily, somewhere round a corner. I hear echoing footsteps in the passages below, and the iron thumping of bolts and bars at the house door. The servants are evidently going to bed. Shall I follow their example?

No, I am not half sleepy enough. Sleepy, did I say? I feel as if I should never close my eyes again. The bare anticipation of seeing that dear face, and hearing that well-known voice to-morrow, keeps me in a perpetual fever of excitement. If I only had the privileges of a man, I would order out Sir Percival's best horse instantly, and tear away on a night-gallop, eastward, to meet the rising sun—a long, hard, heavy, ceaseless gallop of hours and hours, like the famous highwayman's ride to York. Being, however, nothing but a woman, condemned to patience, propriety, and petticoats for life, I must respect the house-keeper's opinions, and try to compose myself in some feeble and feminine way.

Reading is out of the question—I can't fix my attention on books. Let me try if I can write myself into sleepiness and fatigue. My journal has been very much neglected of late. What can I recall—standing, as I now do, on the threshold of a new life—of persons and events, of chances and changes, during the past six months—the long, weary, empty interval since Laura's wedding-day?

 

Walter Hartright is uppermost in my memory, and he passes first in the shadowy procession of my absent friends. I received a few lines from him, after the landing of the expedition in Honduras, written more cheerfully and hopefully than he has written yet. A month or six weeks later I saw an extract from an American newspaper, describing the departure of the adventurers on their inland journey. They were last seen entering a wild primeval forest, each man with his rifle on his shoulder and his baggage at his back. Since that time, civilisation has lost all trace of them. Not a line more have I received from Walter, not a fragment of news from the expedition has appeared in any of the public journals.

The same dense, disheartening obscurity hangs over the fate and fortunes of Anne Catherick, and her companion, Mrs. Clements. Nothing whatever has been heard of either of them. Whether they are in the country or out of it, whether they are living or dead, no one knows. Even Sir Percival's solicitor has lost all hope, and has ordered the useless search after the fugitives to be finally given up.

Our good old friend Mr. Gilmore has met with a sad check in his active professional career. Early in the spring we were alarmed by hearing that he had been found insensible at his desk, and that the seizure was pronounced to be an apoplectic fit. He had been long complaining of fulness and oppression in the head, and his doctor had warned him of the consequences that would follow his persistency in continuing to work, early and late, as if he were still a young man. The result now is that he has been positively ordered to keep out of his office for a year to come, at least, and to seek repose of body and relief of mind by altogether changing his usual mode of life. The business is left, accordingly, to be carried on by his partner, and he is himself, at this moment, away in Germany, visiting some relations who are settled there in mercantile pursuits. Thus another true friend and trustworthy adviser is lost to us—lost, I earnestly hope and trust, for a time only.

Poor Mrs. Vesey travelled with me as far as London. It was impossible to abandon her to solitude at Limmeridge after Laura and I had both left the house, and we have arranged that she is to live with an unmarried younger sister of hers, who keeps a school at Clapham. She is to come here this autumn to visit her pupil—I might almost say her adopted child. I saw the good old lady safe to her destination, and left her in the care of her relative, quietly happy at the prospect of seeing Laura again in a few months' time.

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    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 43
    Total number of words is 3436
    Total number of unique words is 917
    61.1 of words are in the 2000 most common words
    81.6 of words are in the 5000 most common words
    88.2 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 44
    Total number of words is 3532
    Total number of unique words is 887
    69.0 of words are in the 2000 most common words
    85.2 of words are in the 5000 most common words
    91.2 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 45
    Total number of words is 3582
    Total number of unique words is 951
    62.8 of words are in the 2000 most common words
    81.1 of words are in the 5000 most common words
    88.2 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 46
    Total number of words is 3612
    Total number of unique words is 926
    68.2 of words are in the 2000 most common words
    84.4 of words are in the 5000 most common words
    88.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 47
    Total number of words is 3410
    Total number of unique words is 1024
    60.0 of words are in the 2000 most common words
    78.4 of words are in the 5000 most common words
    85.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 48
    Total number of words is 3365
    Total number of unique words is 962
    61.0 of words are in the 2000 most common words
    79.6 of words are in the 5000 most common words
    87.6 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 49
    Total number of words is 3404
    Total number of unique words is 999
    60.5 of words are in the 2000 most common words
    79.6 of words are in the 5000 most common words
    87.0 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 50
    Total number of words is 3494
    Total number of unique words is 978
    60.7 of words are in the 2000 most common words
    81.6 of words are in the 5000 most common words
    88.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 51
    Total number of words is 3477
    Total number of unique words is 942
    64.2 of words are in the 2000 most common words
    81.5 of words are in the 5000 most common words
    89.4 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 52
    Total number of words is 3477
    Total number of unique words is 967
    61.5 of words are in the 2000 most common words
    80.9 of words are in the 5000 most common words
    86.9 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 53
    Total number of words is 3639
    Total number of unique words is 890
    70.7 of words are in the 2000 most common words
    86.3 of words are in the 5000 most common words
    91.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 54
    Total number of words is 3501
    Total number of unique words is 871
    67.6 of words are in the 2000 most common words
    84.9 of words are in the 5000 most common words
    90.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 55
    Total number of words is 3370
    Total number of unique words is 984
    61.3 of words are in the 2000 most common words
    79.3 of words are in the 5000 most common words
    85.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 56
    Total number of words is 3510
    Total number of unique words is 985
    63.2 of words are in the 2000 most common words
    81.1 of words are in the 5000 most common words
    87.6 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 57
    Total number of words is 3447
    Total number of unique words is 955
    60.7 of words are in the 2000 most common words
    77.7 of words are in the 5000 most common words
    83.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 58
    Total number of words is 3569
    Total number of unique words is 1010
    60.2 of words are in the 2000 most common words
    78.4 of words are in the 5000 most common words
    85.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 59
    Total number of words is 3408
    Total number of unique words is 892
    59.6 of words are in the 2000 most common words
    76.9 of words are in the 5000 most common words
    84.3 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 60
    Total number of words is 3518
    Total number of unique words is 988
    60.7 of words are in the 2000 most common words
    79.1 of words are in the 5000 most common words
    85.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 61
    Total number of words is 3658
    Total number of unique words is 923
    66.2 of words are in the 2000 most common words
    82.4 of words are in the 5000 most common words
    88.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 62
    Total number of words is 3130
    Total number of unique words is 994
    61.3 of words are in the 2000 most common words
    79.8 of words are in the 5000 most common words
    87.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 63
    Total number of words is 3594
    Total number of unique words is 1018
    61.3 of words are in the 2000 most common words
    80.6 of words are in the 5000 most common words
    87.3 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 64
    Total number of words is 3499
    Total number of unique words is 1045
    59.9 of words are in the 2000 most common words
    79.0 of words are in the 5000 most common words
    85.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 65
    Total number of words is 3497
    Total number of unique words is 1074
    56.4 of words are in the 2000 most common words
    74.0 of words are in the 5000 most common words
    83.6 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 66
    Total number of words is 3548
    Total number of unique words is 925
    66.3 of words are in the 2000 most common words
    83.0 of words are in the 5000 most common words
    88.9 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 67
    Total number of words is 3481
    Total number of unique words is 930
    64.6 of words are in the 2000 most common words
    82.8 of words are in the 5000 most common words
    88.9 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 68
    Total number of words is 3398
    Total number of unique words is 1028
    57.6 of words are in the 2000 most common words
    76.6 of words are in the 5000 most common words
    84.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 69
    Total number of words is 3247
    Total number of unique words is 1087
    53.2 of words are in the 2000 most common words
    72.3 of words are in the 5000 most common words
    80.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 70
    Total number of words is 3422
    Total number of unique words is 1077
    55.1 of words are in the 2000 most common words
    75.5 of words are in the 5000 most common words
    83.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 71
    Total number of words is 3518
    Total number of unique words is 1048
    60.5 of words are in the 2000 most common words
    78.8 of words are in the 5000 most common words
    86.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 72
    Total number of words is 1680
    Total number of unique words is 653
    65.4 of words are in the 2000 most common words
    79.3 of words are in the 5000 most common words
    86.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.