The Woman in White - 63

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Total number of unique words is 1018
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"No, they were talking together as if they had accidentally met in the street. I remained at the window looking at them from behind the curtain. If I had turned round, and if Laura had seen my face at that moment——Thank God, she was absorbed over her drawing! They soon parted. The man from the Asylum went one way, and the Count the other. I began to hope they were in the street by chance, till I saw the Count come back, stop opposite to us again, take out his card-case and pencil, write something, and then cross the road to the shop below us. I ran past Laura before she could see me, and said I had forgotten something upstairs. As soon as I was out of the room I went down to the first landing and waited—I was determined to stop him if he tried to come upstairs. He made no such attempt. The girl from the shop came through the door into the passage, with his card in her hand—a large gilt card with his name, and a coronet above it, and these lines underneath in pencil: 'Dear lady' (yes! the villain could address me in that way still)—'dear lady, one word, I implore you, on a matter serious to us both.' If one can think at all, in serious difficulties, one thinks quick. I felt directly that it might be a fatal mistake to leave myself and to leave you in the dark, where such a man as the Count was concerned. I felt that the doubt of what he might do, in your absence, would be ten times more trying to me if I declined to see him than if I consented. 'Ask the gentleman to wait in the shop,' I said. 'I will be with him in a moment.' I ran upstairs for my bonnet, being determined not to let him speak to me indoors. I knew his deep ringing voice, and I was afraid Laura might hear it, even in the shop. In less than a minute I was down again in the passage, and had opened the door into the street. He came round to meet me from the shop. There he was in deep mourning, with his smooth bow and his deadly smile, and some idle boys and women near him, staring at his great size, his fine black clothes, and his large cane with the gold knob to it. All the horrible time at Blackwater came back to me the moment I set eyes on him. All the old loathing crept and crawled through me, when he took off his hat with a flourish and spoke to me, as if we had parted on the friendliest terms hardly a day since."

"You remember what he said?"

"I can't repeat it, Walter. You shall know directly what he said about you—-but I can't repeat what he said to me. It was worse than the polite insolence of his letter. My hands tingled to strike him, as if I had been a man! I only kept them quiet by tearing his card to pieces under my shawl. Without saying a word on my side, I walked away from the house (for fear of Laura seeing us), and he followed, protesting softly all the way. In the first by-street I turned, and asked him what he wanted with me. He wanted two things. First, if I had no objection, to express his sentiments. I declined to hear them. Secondly, to repeat the warning in his letter. I asked, what occasion there was for repeating it. He bowed and smiled, and said he would explain. The explanation exactly confirmed the fears I expressed before you left us. I told you, if you remember, that Sir Percival would be too headstrong to take his friend's advice where you were concerned, and that there was no danger to be dreaded from the Count till his own interests were threatened, and he was roused into acting for himself?"

"I recollect, Marian."

"Well, so it has really turned out. The Count offered his advice, but it was refused. Sir Percival would only take counsel of his own violence, his own obstinacy, and his own hatred of you. The Count let him have his way, first privately ascertaining, in case of his own interests being threatened next, where we lived. You were followed, Walter, on returning here, after your first journey to Hampshire, by the lawyer's men for some distance from the railway, and by the Count himself to the door of the house. How he contrived to escape being seen by you he did not tell me, but he found us out on that occasion, and in that way. Having made the discovery, he took no advantage of it till the news reached him of Sir Percival's death, and then, as I told you, he acted for himself, because he believed you would next proceed against the dead man's partner in the conspiracy. He at once made his arrangements to meet the owner of the Asylum in London, and to take him to the place where his runaway patient was hidden, believing that the results, whichever way they ended, would be to involve you in interminable legal disputes and difficulties, and to tie your hands for all purposes of offence, so far as he was concerned. That was his purpose, on his own confession to me. The only consideration which made him hesitate, at the last moment——"

"Yes?"

"It is hard to acknowledge it, Walter, and yet I must. I was the only consideration. No words can say how degraded I feel in my own estimation when I think of it, but the one weak point in that man's iron character is the horrible admiration he feels for me. I have tried, for the sake of my own self-respect, to disbelieve it as long as I could; but his looks, his actions, force on me the shameful conviction of the truth. The eyes of that monster of wickedness moistened while he was speaking to me—they did, Walter! He declared that at the moment of pointing out the house to the doctor, he thought of my misery if I was separated from Laura, of my responsibility if I was called on to answer for effecting her escape, and he risked the worst that you could do to him, the second time, for my sake. All he asked was that I would remember the sacrifice, and restrain your rashness, in my own interests—interests which he might never be able to consult again. I made no such bargain with him—I would have died first. But believe him or not, whether it is true or false that he sent the doctor away with an excuse, one thing is certain, I saw the man leave him without so much as a glance at our window, or even at our side of the way."

"I believe it, Marian. The best men are not consistent in good—why should the worst men be consistent in evil? At the same time, I suspect him of merely attempting to frighten you, by threatening what he cannot really do. I doubt his power of annoying us, by means of the owner of the Asylum, now that Sir Percival is dead, and Mrs. Catherick is free from all control. But let me hear more. What did the Count say of me?"

"He spoke last of you. His eyes brightened and hardened, and his manner changed to what I remember it in past times—to that mixture of pitiless resolution and mountebank mockery which makes it so impossible to fathom him. 'Warn Mr. Hartright!' he said in his loftiest manner. 'He has a man of brains to deal with, a man who snaps his big fingers at the laws and conventions of society, when he measures himself with ME. If my lamented friend had taken my advice, the business of the inquest would have been with the body of Mr. Hartright. But my lamented friend was obstinate. See! I mourn his loss—inwardly in my soul, outwardly on my hat. This trivial crape expresses sensibilities which I summon Mr. Hartright to respect. They may be transformed to immeasurable enmities if he ventures to disturb them. Let him be content with what he has got—with what I leave unmolested, for your sake, to him and to you. Say to him (with my compliments), if he stirs me, he has Fosco to deal with. In the English of the Popular Tongue, I inform him—Fosco sticks at nothing. Dear lady, good morning.' His cold grey eyes settled on my face—he took off his hat solemnly—bowed, bare-headed—and left me."

"Without returning? without saying more last words?"

"He turned at the corner of the street, and waved his hand, and then struck it theatrically on his breast. I lost sight of him after that. He disappeared in the opposite direction to our house, and I ran back to Laura. Before I was indoors again, I had made up my mind that we must go. The house (especially in your absence) was a place of danger instead of a place of safety, now that the Count had discovered it. If I could have felt certain of your return, I should have risked waiting till you came back. But I was certain of nothing, and I acted at once on my own impulse. You had spoken, before leaving us, of moving into a quieter neighbourhood and purer air, for the sake of Laura's health. I had only to remind her of that, and to suggest surprising you and saving you trouble by managing the move in your absence, to make her quite as anxious for the change as I was. She helped me to pack up your things, and she has arranged them all for you in your new working-room here."

"What made you think of coming to this place?"

"My ignorance of other localities in the neighbourhood of London. I felt the necessity of getting as far away as possible from our old lodgings, and I knew something of Fulham, because I had once been at school there. I despatched a messenger with a note, on the chance that the school might still be in existence. It was in existence—the daughters of my old mistress were carrying it on for her, and they engaged this place from the instructions I had sent. It was just post-time when the messenger returned to me with the address of the house. We moved after dark—we came here quite unobserved. Have I done right, Walter? Have I justified your trust in me?"

I answered her warmly and gratefully, as I really felt. But the anxious look still remained on her face while I was speaking, and the first question she asked, when I had done, related to Count Fosco.

I saw that she was thinking of him now with a changed mind. No fresh outbreak of anger against him, no new appeal to me to hasten the day of reckoning escaped her. Her conviction that the man's hateful admiration of herself was really sincere, seemed to have increased a hundredfold her distrust of his unfathomable cunning, her inborn dread of the wicked energy and vigilance of all his faculties. Her voice fell low, her manner was hesitating, her eyes searched into mine with an eager fear when she asked me what I thought of his message, and what I meant to do next after hearing it.

"Not many weeks have passed, Marian," I answered, "since my interview with Mr. Kyrle. When he and I parted, the last words I said to him about Laura were these: 'Her uncle's house shall open to receive her, in the presence of every soul who followed the false funeral to the grave; the lie that records her death shall be publicly erased from the tombstone by the authority of the head of the family, and the two men who have wronged her shall answer for their crime to ME, though the justice that sits in tribunals is powerless to pursue them.' One of those men is beyond mortal reach. The other remains, and my resolution remains."

Her eyes lit up—her colour rose. She said nothing, but I saw all her sympathies gathering to mine in her face.

"I don't disguise from myself, or from you," I went on, "that the prospect before us is more than doubtful. The risks we have run already are, it may be, trifles compared with the risks that threaten us in the future, but the venture shall be tried, Marian, for all that. I am not rash enough to measure myself against such a man as the Count before I am well prepared for him. I have learnt patience—I can wait my time. Let him believe that his message has produced its effect—let him know nothing of us, and hear nothing of us—let us give him full time to feel secure—his own boastful nature, unless I seriously mistake him, will hasten that result. This is one reason for waiting, but there is another more important still. My position, Marian, towards you and towards Laura ought to be a stronger one than it is now before I try our last chance."

She leaned near to me, with a look of surprise.

"How can it be stronger?" she asked.

"I will tell you," I replied, "when the time comes. It has not come yet—it may never come at all. I may be silent about it to Laura for ever—I must be silent now, even to you, till I see for myself that I can harmlessly and honourably speak. Let us leave that subject. There is another which has more pressing claims on our attention. You have kept Laura, mercifully kept her, in ignorance of her husband's death——"

"Oh, Walter, surely it must be long yet before we tell her of it?"

"No, Marian. Better that you should reveal it to her now, than that accident, which no one can guard against, should reveal it to her at some future time. Spare her all the details—break it to her very tenderly, but tell her that he is dead."

"You have a reason, Walter, for wishing her to know of her husband's death besides the reason you have just mentioned?"

"I have."

"A reason connected with that subject which must not be mentioned between us yet?—which may never be mentioned to Laura at all?"

She dwelt on the last words meaningly. When I answered her in the affirmative, I dwelt on them too.

Her face grew pale. For a while she looked at me with a sad, hesitating interest. An unaccustomed tenderness trembled in her dark eyes and softened her firm lips, as she glanced aside at the empty chair in which the dear companion of all our joys and sorrows had been sitting.

"I think I understand," she said. "I think I owe it to her and to you, Walter, to tell her of her husband's death."

She sighed, and held my hand fast for a moment—then dropped it abruptly, and left the room. On the next day Laura knew that his death had released her, and that the error and the calamity of her life lay buried in his tomb.

 

His name was mentioned among us no more. Thenceforward, we shrank from the slightest approach to the subject of his death, and in the same scrupulous manner, Marian and I avoided all further reference to that other subject, which, by her consent and mine, was not to be mentioned between us yet. It was not the less present in our minds—it was rather kept alive in them by the restraint which we had imposed on ourselves. We both watched Laura more anxiously than ever, sometimes waiting and hoping, sometimes waiting and fearing, till the time came.

By degrees we returned to our accustomed way of life. I resumed the daily work, which had been suspended during my absence in Hampshire. Our new lodgings cost us more than the smaller and less convenient rooms which we had left, and the claim thus implied on my increased exertions was strengthened by the doubtfulness of our future prospects. Emergencies might yet happen which would exhaust our little fund at the banker's, and the work of my hands might be, ultimately, all we had to look to for support. More permanent and more lucrative employment than had yet been offered to me was a necessity of our position—a necessity for which I now diligently set myself to provide.

It must not be supposed that the interval of rest and seclusion of which I am now writing, entirely suspended, on my part, all pursuit of the one absorbing purpose with which my thoughts and actions are associated in these pages. That purpose was, for months and months yet, never to relax its claims on me. The slow ripening of it still left me a measure of precaution to take, an obligation of gratitude to perform, and a doubtful question to solve.

The measure of precaution related, necessarily, to the Count. It was of the last importance to ascertain, if possible, whether his plans committed him to remaining in England—or, in other words, to remaining within my reach. I contrived to set this doubt at rest by very simple means. His address in St. John's Wood being known to me, I inquired in the neighbourhood, and having found out the agent who had the disposal of the furnished house in which he lived, I asked if number five, Forest Road, was likely to be let within a reasonable time. The reply was in the negative. I was informed that the foreign gentleman then residing in the house had renewed his term of occupation for another six months, and would remain in possession until the end of June in the following year. We were then at the beginning of December only. I left the agent with my mind relieved from all present fear of the Count's escaping me.

The obligation I had to perform took me once more into the presence of Mrs. Clements. I had promised to return, and to confide to her those particulars relating to the death and burial of Anne Catherick which I had been obliged to withhold at our first interview. Changed as circumstances now were, there was no hindrance to my trusting the good woman with as much of the story of the conspiracy as it was necessary to tell. I had every reason that sympathy and friendly feeling could suggest to urge on me the speedy performance of my promise, and I did conscientiously and carefully perform it. There is no need to burden these pages with any statement of what passed at the interview. It will be more to the purpose to say, that the interview itself necessarily brought to my mind the one doubtful question still remaining to be solved—the question of Anne Catherick's parentage on the father's side.

A multitude of small considerations in connection with this subject—trifling enough in themselves, but strikingly important when massed together—had latterly led my mind to a conclusion which I resolved to verify. I obtained Marian's permission to write to Major Donthorne, of Varneck Hall (where Mrs. Catherick had lived in service for some years previous to her marriage), to ask him certain questions. I made the inquiries in Marian's name, and described them as relating to matters of personal history in her family, which might explain and excuse my application. When I wrote the letter I had no certain knowledge that Major Donthorne was still alive—I despatched it on the chance that he might be living, and able and willing to reply.

After a lapse of two days proof came, in the shape of a letter, that the Major was living, and that he was ready to help us.

The idea in my mind when I wrote to him, and the nature of my inquiries will be easily inferred from his reply. His letter answered my questions by communicating these important facts—

In the first place, "the late Sir Percival Glyde, of Blackwater Park," had never set foot in Varneck Hall. The deceased gentleman was a total stranger to Major Donthorne, and to all his family.

In the second place, "the late Mr. Philip Fairlie, of Limmeridge House," had been, in his younger days, the intimate friend and constant guest of Major Donthorne. Having refreshed his memory by looking back to old letters and other papers, the Major was in a position to say positively that Mr. Philip Fairlie was staying at Varneck Hall in the month of August, eighteen hundred and twenty-six, and that he remained there for the shooting during the month of September and part of October following. He then left, to the best of the Major's belief, for Scotland, and did not return to Varneck Hall till after a lapse of time, when he reappeared in the character of a newly-married man.

Taken by itself, this statement was, perhaps, of little positive value, but taken in connection with certain facts, every one of which either Marian or I knew to be true, it suggested one plain conclusion that was, to our minds, irresistible.

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    Total number of words is 3421
    Total number of unique words is 992
    61.4 of words are in the 2000 most common words
    79.9 of words are in the 5000 most common words
    88.4 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 41
    Total number of words is 3415
    Total number of unique words is 1031
    58.7 of words are in the 2000 most common words
    78.5 of words are in the 5000 most common words
    86.4 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 42
    Total number of words is 3408
    Total number of unique words is 890
    66.3 of words are in the 2000 most common words
    85.5 of words are in the 5000 most common words
    91.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 43
    Total number of words is 3436
    Total number of unique words is 917
    61.1 of words are in the 2000 most common words
    81.6 of words are in the 5000 most common words
    88.2 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 44
    Total number of words is 3532
    Total number of unique words is 887
    69.0 of words are in the 2000 most common words
    85.2 of words are in the 5000 most common words
    91.2 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 45
    Total number of words is 3582
    Total number of unique words is 951
    62.8 of words are in the 2000 most common words
    81.1 of words are in the 5000 most common words
    88.2 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 46
    Total number of words is 3612
    Total number of unique words is 926
    68.2 of words are in the 2000 most common words
    84.4 of words are in the 5000 most common words
    88.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 47
    Total number of words is 3410
    Total number of unique words is 1024
    60.0 of words are in the 2000 most common words
    78.4 of words are in the 5000 most common words
    85.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 48
    Total number of words is 3365
    Total number of unique words is 962
    61.0 of words are in the 2000 most common words
    79.6 of words are in the 5000 most common words
    87.6 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 49
    Total number of words is 3404
    Total number of unique words is 999
    60.5 of words are in the 2000 most common words
    79.6 of words are in the 5000 most common words
    87.0 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 50
    Total number of words is 3494
    Total number of unique words is 978
    60.7 of words are in the 2000 most common words
    81.6 of words are in the 5000 most common words
    88.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 51
    Total number of words is 3477
    Total number of unique words is 942
    64.2 of words are in the 2000 most common words
    81.5 of words are in the 5000 most common words
    89.4 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 52
    Total number of words is 3477
    Total number of unique words is 967
    61.5 of words are in the 2000 most common words
    80.9 of words are in the 5000 most common words
    86.9 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 53
    Total number of words is 3639
    Total number of unique words is 890
    70.7 of words are in the 2000 most common words
    86.3 of words are in the 5000 most common words
    91.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 54
    Total number of words is 3501
    Total number of unique words is 871
    67.6 of words are in the 2000 most common words
    84.9 of words are in the 5000 most common words
    90.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 55
    Total number of words is 3370
    Total number of unique words is 984
    61.3 of words are in the 2000 most common words
    79.3 of words are in the 5000 most common words
    85.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 56
    Total number of words is 3510
    Total number of unique words is 985
    63.2 of words are in the 2000 most common words
    81.1 of words are in the 5000 most common words
    87.6 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 57
    Total number of words is 3447
    Total number of unique words is 955
    60.7 of words are in the 2000 most common words
    77.7 of words are in the 5000 most common words
    83.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 58
    Total number of words is 3569
    Total number of unique words is 1010
    60.2 of words are in the 2000 most common words
    78.4 of words are in the 5000 most common words
    85.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 59
    Total number of words is 3408
    Total number of unique words is 892
    59.6 of words are in the 2000 most common words
    76.9 of words are in the 5000 most common words
    84.3 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 60
    Total number of words is 3518
    Total number of unique words is 988
    60.7 of words are in the 2000 most common words
    79.1 of words are in the 5000 most common words
    85.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 61
    Total number of words is 3658
    Total number of unique words is 923
    66.2 of words are in the 2000 most common words
    82.4 of words are in the 5000 most common words
    88.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 62
    Total number of words is 3130
    Total number of unique words is 994
    61.3 of words are in the 2000 most common words
    79.8 of words are in the 5000 most common words
    87.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 63
    Total number of words is 3594
    Total number of unique words is 1018
    61.3 of words are in the 2000 most common words
    80.6 of words are in the 5000 most common words
    87.3 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 64
    Total number of words is 3499
    Total number of unique words is 1045
    59.9 of words are in the 2000 most common words
    79.0 of words are in the 5000 most common words
    85.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 65
    Total number of words is 3497
    Total number of unique words is 1074
    56.4 of words are in the 2000 most common words
    74.0 of words are in the 5000 most common words
    83.6 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 66
    Total number of words is 3548
    Total number of unique words is 925
    66.3 of words are in the 2000 most common words
    83.0 of words are in the 5000 most common words
    88.9 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 67
    Total number of words is 3481
    Total number of unique words is 930
    64.6 of words are in the 2000 most common words
    82.8 of words are in the 5000 most common words
    88.9 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 68
    Total number of words is 3398
    Total number of unique words is 1028
    57.6 of words are in the 2000 most common words
    76.6 of words are in the 5000 most common words
    84.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 69
    Total number of words is 3247
    Total number of unique words is 1087
    53.2 of words are in the 2000 most common words
    72.3 of words are in the 5000 most common words
    80.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 70
    Total number of words is 3422
    Total number of unique words is 1077
    55.1 of words are in the 2000 most common words
    75.5 of words are in the 5000 most common words
    83.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 71
    Total number of words is 3518
    Total number of unique words is 1048
    60.5 of words are in the 2000 most common words
    78.8 of words are in the 5000 most common words
    86.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 72
    Total number of words is 1680
    Total number of unique words is 653
    65.4 of words are in the 2000 most common words
    79.3 of words are in the 5000 most common words
    86.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.