The Woman in White - 70

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Total number of unique words is 1077
55.1 of words are in the 2000 most common words
75.5 of words are in the 5000 most common words
83.7 of words are in the 8000 most common words
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I had myself previously recommended sending for advice to London. This course had been now taken. The physician, on his arrival, confirmed my view of the case. The crisis was serious. But we had hope of our charming patient on the fifth day from the appearance of the typhus. I was only once absent from Blackwater at this time—when I went to London by the morning train to make the final arrangements at my house in St. John's Wood, to assure myself by private inquiry that Mrs. Clements had not moved, and to settle one or two little preliminary matters with the husband of Madame Rubelle. I returned at night. Five days afterwards the physician pronounced our interesting Marian to be out of all danger, and to be in need of nothing but careful nursing. This was the time I had waited for. Now that medical attendance was no longer indispensable, I played the first move in the game by asserting myself against the doctor. He was one among many witnesses in my way whom it was necessary to remove. A lively altercation between us (in which Percival, previously instructed by me, refused to interfere) served the purpose in view. I descended on the miserable man in an irresistible avalanche of indignation, and swept him from the house.

The servants were the next encumbrances to get rid of. Again I instructed Percival (whose moral courage required perpetual stimulants), and Mrs. Michelson was amazed, one day, by hearing from her master that the establishment was to be broken up. We cleared the house of all the servants but one, who was kept for domestic purposes, and whose lumpish stupidity we could trust to make no embarrassing discoveries. When they were gone, nothing remained but to relieve ourselves of Mrs. Michelson—a result which was easily achieved by sending this amiable lady to find lodgings for her mistress at the sea-side.

The circumstances were now exactly what they were required to be. Lady Glyde was confined to her room by nervous illness, and the lumpish housemaid (I forget her name) was shut up there at night in attendance on her mistress. Marian, though fast recovering, still kept her bed, with Mrs. Rubelle for nurse. No other living creatures but my wife, myself, and Percival were in the house. With all the chances thus in our favour I confronted the next emergency, and played the second move in the game.

The object of the second move was to induce Lady Glyde to leave Blackwater unaccompanied by her sister. Unless we could persuade her that Marian had gone on to Cumberland first, there was no chance of removing her, of her own free will, from the house. To produce this necessary operation in her mind, we concealed our interesting invalid in one of the uninhabited bedrooms at Blackwater. At the dead of night Madame Fosco, Madame Rubelle, and myself (Percival not being cool enough to be trusted) accomplished the concealment. The scene was picturesque, mysterious, dramatic in the highest degree. By my directions the bed had been made, in the morning, on a strong movable framework of wood. We had only to lift the framework gently at the head and foot, and to transport our patient where we pleased, without disturbing herself or her bed. No chemical assistance was needed or used in this case. Our interesting Marian lay in the deep repose of convalescence. We placed the candles and opened the doors beforehand. I, in right of my great personal strength, took the head of the framework—my wife and Madame Rubelle took the foot. I bore my share of that inestimably precious burden with a manly tenderness, with a fatherly care. Where is the modern Rembrandt who could depict our midnight procession? Alas for the Arts! alas for this most pictorial of subjects! The modern Rembrandt is nowhere to be found.

The next morning my wife and I started for London, leaving Marian secluded, in the uninhabited middle of the house, under care of Madame Rubelle, who kindly consented to imprison herself with her patient for two or three days. Before taking our departure I gave Percival Mr. Fairlie's letter of invitation to his niece (instructing her to sleep on the journey to Cumberland at her aunt's house), with directions to show it to Lady Glyde on hearing from me. I also obtained from him the address of the Asylum in which Anne Catherick had been confined, and a letter to the proprietor, announcing to that gentleman the return of his runaway patient to medical care.

I had arranged, at my last visit to the metropolis, to have our modest domestic establishment ready to receive us when we arrived in London by the early train. In consequence of this wise precaution, we were enabled that same day to play the third move in the game—the getting possession of Anne Catherick.

Dates are of importance here. I combine in myself the opposite characteristics of a Man of Sentiment and a Man of Business. I have all the dates at my fingers' ends.

On Wednesday, the 24th of July 1850, I sent my wife in a cab to clear Mrs. Clements out of the way, in the first place. A supposed message from Lady Glyde in London was sufficient to obtain this result. Mrs. Clements was taken away in the cab, and was left in the cab, while my wife (on pretence of purchasing something at a shop) gave her the slip, and returned to receive her expected visitor at our house in St. John's Wood. It is hardly necessary to add that the visitor had been described to the servants as "Lady Glyde."

In the meanwhile I had followed in another cab, with a note for Anne Catherick, merely mentioning that Lady Glyde intended to keep Mrs. Clements to spend the day with her, and that she was to join them under care of the good gentleman waiting outside, who had already saved her from discovery in Hampshire by Sir Percival. The "good gentleman" sent in this note by a street boy, and paused for results a door or two farther on. At the moment when Anne appeared at the house door and closed it this excellent man had the cab door open ready for her, absorbed her into the vehicle, and drove off.

(Pass me, here, one exclamation in parenthesis. How interesting this is!)

On the way to Forest Road my companion showed no fear. I can be paternal—no man more so—when I please, and I was intensely paternal on this occasion. What titles I had to her confidence! I had compounded the medicine which had done her good—I had warned her of her danger from Sir Percival. Perhaps I trusted too implicitly to these titles—perhaps I underrated the keenness of the lower instincts in persons of weak intellect—it is certain that I neglected to prepare her sufficiently for a disappointment on entering my house. When I took her into the drawing-room—when she saw no one present but Madame Fosco, who was a stranger to her—she exhibited the most violent agitation; if she had scented danger in the air, as a dog scents the presence of some creature unseen, her alarm could not have displayed itself more suddenly and more causelessly. I interposed in vain. The fear from which she was suffering I might have soothed, but the serious heart-disease, under which she laboured, was beyond the reach of all moral palliatives. To my unspeakable horror she was seized with convulsions—a shock to the system, in her condition, which might have laid her dead at any moment at our feet.

The nearest doctor was sent for, and was told that "Lady Glyde" required his immediate services. To my infinite relief, he was a capable man. I represented my visitor to him as a person of weak intellect, and subject to delusions, and I arranged that no nurse but my wife should watch in the sick-room. The unhappy woman was too ill, however, to cause any anxiety about what she might say. The one dread which now oppressed me was the dread that the false Lady Glyde might die before the true Lady Glyde arrived in London.

I had written a note in the morning to Madame Rubelle, telling her to join me at her husband's house on the evening of Friday the 26th, with another note to Percival, warning him to show his wife her uncle's letter of invitation, to assert that Marian had gone on before her, and to despatch her to town by the midday train, on the 26th, also. On reflection I had felt the necessity, in Anne Catherick's state of health, of precipitating events, and of having Lady Glyde at my disposal earlier than I had originally contemplated. What fresh directions, in the terrible uncertainty of my position, could I now issue? I could do nothing but trust to chance and the doctor. My emotions expressed themselves in pathetic apostrophes, which I was just self-possessed enough to couple, in the hearing of other people, with the name of "Lady Glyde." In all other respects Fosco, on that memorable day, was Fosco shrouded in total eclipse.

She passed a bad night, she awoke worn out, but later in the day she revived amazingly. My elastic spirits revived with her. I could receive no answers from Percival and Madame Rubelle till the morning of the next day, the 26th. In anticipation of their following my directions, which, accident apart, I knew they would do, I went to secure a fly to fetch Lady Glyde from the railway, directing it to be at my house on the 26th, at two o'clock. After seeing the order entered in the book, I went on to arrange matters with Monsieur Rubelle. I also procured the services of two gentlemen who could furnish me with the necessary certificates of lunacy. One of them I knew personally—the other was known to Monsieur Rubelle. Both were men whose vigorous minds soared superior to narrow scruples—both were labouring under temporary embarrassments—both believed in ME.

It was past five o'clock in the afternoon before I returned from the performance of these duties. When I got back Anne Catherick was dead. Dead on the 25th, and Lady Glyde was not to arrive in London till the 26th!

I was stunned. Meditate on that. Fosco stunned!

It was too late to retrace our steps. Before my return the doctor had officiously undertaken to save me all trouble by registering the death, on the date when it happened, with his own hand. My grand scheme, unassailable hitherto, had its weak place now—no efforts on my part could alter the fatal event of the 25th. I turned manfully to the future. Percival's interests and mine being still at stake, nothing was left but to play the game through to the end. I recalled my impenetrable calm—and played it.

On the morning of the 26th Percival's letter reached me, announcing his wife's arrival by the midday train. Madame Rubelle also wrote to say she would follow in the evening. I started in the fly, leaving the false Lady Glyde dead in the house, to receive the true Lady Glyde on her arrival by the railway at three o'clock. Hidden under the seat of the carriage, I carried with me all the clothes Anne Catherick had worn on coming into my house—they were destined to assist the resurrection of the woman who was dead in the person of the woman who was living. What a situation! I suggest it to the rising romance writers of England. I offer it, as totally new, to the worn-out dramatists of France.

Lady Glyde was at the station. There was great crowding and confusion, and more delay than I liked (in case any of her friends had happened to be on the spot), in reclaiming her luggage. Her first questions, as we drove off, implored me to tell her news of her sister. I invented news of the most pacifying kind, assuring her that she was about to see her sister at my house. My house, on this occasion only, was in the neighbourhood of Leicester Square, and was in the occupation of Monsieur Rubelle, who received us in the hall.

I took my visitor upstairs into a back room, the two medical gentlemen being there in waiting on the floor beneath to see the patient, and to give me their certificates. After quieting Lady Glyde by the necessary assurances about her sister, I introduced my friends separately to her presence. They performed the formalities of the occasion briefly, intelligently, conscientiously. I entered the room again as soon as they had left it, and at once precipitated events by a reference of the alarming kind to "Miss Halcombe's" state of health.

Results followed as I had anticipated. Lady Glyde became frightened, and turned faint. For the second time, and the last, I called Science to my assistance. A medicated glass of water and a medicated bottle of smelling-salts relieved her of all further embarrassment and alarm. Additional applications later in the evening procured her the inestimable blessing of a good night's rest. Madame Rubelle arrived in time to preside at Lady Glyde's toilet. Her own clothes were taken away from her at night, and Anne Catherick's were put on her in the morning, with the strictest regard to propriety, by the matronly hands of the good Rubelle. Throughout the day I kept our patient in a state of partially-suspended consciousness, until the dexterous assistance of my medical friends enabled me to procure the necessary order rather earlier than I had ventured to hope. That evening (the evening of the 27th) Madame Rubelle and I took our revived "Anne Catherick" to the Asylum. She was received with great surprise, but without suspicion, thanks to the order and certificates, to Percival's letter, to the likeness, to the clothes, and to the patient's own confused mental condition at the time. I returned at once to assist Madame Fosco in the preparations for the burial of the False "Lady Glyde," having the clothes and luggage of the true "Lady Glyde" in my possession. They were afterwards sent to Cumberland by the conveyance which was used for the funeral. I attended the funeral, with becoming dignity, attired in the deepest mourning.

 

My narrative of these remarkable events, written under equally remarkable circumstances, closes here. The minor precautions which I observed in communicating with Limmeridge House are already known, so is the magnificent success of my enterprise, so are the solid pecuniary results which followed it. I have to assert, with the whole force of my conviction, that the one weak place in my scheme would never have been found out if the one weak place in my heart had not been discovered first. Nothing but my fatal admiration for Marian restrained me from stepping in to my own rescue when she effected her sister's escape. I ran the risk, and trusted in the complete destruction of Lady Glyde's identity. If either Marian or Mr. Hartright attempted to assert that identity, they would publicly expose themselves to the imputation of sustaining a rank deception, they would be distrusted and discredited accordingly, and they would therefore be powerless to place my interests or Percival's secret in jeopardy. I committed one error in trusting myself to such a blindfold calculation of chances as this. I committed another when Percival had paid the penalty of his own obstinacy and violence, by granting Lady Glyde a second reprieve from the mad-house, and allowing Mr. Hartright a second chance of escaping me. In brief, Fosco, at this serious crisis, was untrue to himself. Deplorable and uncharacteristic fault! Behold the cause, in my heart—behold, in the image of Marian Halcombe, the first and last weakness of Fosco's life!

At the ripe age of sixty, I make this unparalleled confession. Youths! I invoke your sympathy. Maidens! I claim your tears.

A word more, and the attention of the reader (concentrated breathlessly on myself) shall be released.

My own mental insight informs me that three inevitable questions will be asked here by persons of inquiring minds. They shall be stated—they shall be answered.

First question. What is the secret of Madame Fosco's unhesitating devotion of herself to the fulfilment of my boldest wishes, to the furtherance of my deepest plans? I might answer this by simply referring to my own character, and by asking, in my turn, Where, in the history of the world, has a man of my order ever been found without a woman in the background self-immolated on the altar of his life? But I remember that I am writing in England, I remember that I was married in England, and I ask if a woman's marriage obligations in this country provide for her private opinion of her husband's principles? No! They charge her unreservedly to love, honour, and obey him. That is exactly what my wife has done. I stand here on a supreme moral elevation, and I loftily assert her accurate performance of her conjugal duties. Silence, Calumny! Your sympathy, Wives of England, for Madame Fosco!

Second question. If Anne Catherick had not died when she did, what should I have done? I should, in that case, have assisted worn-out Nature in finding permanent repose. I should have opened the doors of the Prison of Life, and have extended to the captive (incurably afflicted in mind and body both) a happy release.

Third question. On a calm revision of all the circumstances—Is my conduct worthy of any serious blame? Most emphatically, No! Have I not carefully avoided exposing myself to the odium of committing unnecessary crime? With my vast resources in chemistry, I might have taken Lady Glyde's life. At immense personal sacrifice I followed the dictates of my own ingenuity, my own humanity, my own caution, and took her identity instead. Judge me by what I might have done. How comparatively innocent! how indirectly virtuous I appear in what I really did!

I announced on beginning it that this narrative would be a remarkable document. It has entirely answered my expectations. Receive these fervid lines—my last legacy to the country I leave for ever. They are worthy of the occasion, and worthy of

FOSCO.




THE STORY CONCLUDED BY WALTER HARTRIGHT



I

When I closed the last leaf of the Count's manuscript the half-hour during which I had engaged to remain at Forest Road had expired. Monsieur Rubelle looked at his watch and bowed. I rose immediately, and left the agent in possession of the empty house. I never saw him again—I never heard more of him or of his wife. Out of the dark byways of villainy and deceit they had crawled across our path—into the same byways they crawled back secretly and were lost.

In a quarter of an hour after leaving Forest Road I was at home again.

But few words sufficed to tell Laura and Marian how my desperate venture had ended, and what the next event in our lives was likely to be. I left all details to be described later in the day, and hastened back to St. John's Wood, to see the person of whom Count Fosco had ordered the fly, when he went to meet Laura at the station.

The address in my possession led me to some "livery stables," about a quarter of a mile distant from Forest Road. The proprietor proved to be a civil and respectable man. When I explained that an important family matter obliged me to ask him to refer to his books for the purpose of ascertaining a date with which the record of his business transactions might supply me, he offered no objection to granting my request. The book was produced, and there, under the date of "July 26th, 1850," the order was entered in these words—

"Brougham to Count Fosco, 5 Forest Road. Two o'clock. (John Owen)."

I found on inquiry that the name of "John Owen," attached to the entry, referred to the man who had been employed to drive the fly. He was then at work in the stable-yard, and was sent for to see me at my request.

"Do you remember driving a gentleman, in the month of July last, from Number Five Forest Road to the Waterloo Bridge station?" I asked.

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    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 41
    Total number of words is 3415
    Total number of unique words is 1031
    58.7 of words are in the 2000 most common words
    78.5 of words are in the 5000 most common words
    86.4 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 42
    Total number of words is 3408
    Total number of unique words is 890
    66.3 of words are in the 2000 most common words
    85.5 of words are in the 5000 most common words
    91.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 43
    Total number of words is 3436
    Total number of unique words is 917
    61.1 of words are in the 2000 most common words
    81.6 of words are in the 5000 most common words
    88.2 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 44
    Total number of words is 3532
    Total number of unique words is 887
    69.0 of words are in the 2000 most common words
    85.2 of words are in the 5000 most common words
    91.2 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 45
    Total number of words is 3582
    Total number of unique words is 951
    62.8 of words are in the 2000 most common words
    81.1 of words are in the 5000 most common words
    88.2 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 46
    Total number of words is 3612
    Total number of unique words is 926
    68.2 of words are in the 2000 most common words
    84.4 of words are in the 5000 most common words
    88.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 47
    Total number of words is 3410
    Total number of unique words is 1024
    60.0 of words are in the 2000 most common words
    78.4 of words are in the 5000 most common words
    85.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 48
    Total number of words is 3365
    Total number of unique words is 962
    61.0 of words are in the 2000 most common words
    79.6 of words are in the 5000 most common words
    87.6 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 49
    Total number of words is 3404
    Total number of unique words is 999
    60.5 of words are in the 2000 most common words
    79.6 of words are in the 5000 most common words
    87.0 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 50
    Total number of words is 3494
    Total number of unique words is 978
    60.7 of words are in the 2000 most common words
    81.6 of words are in the 5000 most common words
    88.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 51
    Total number of words is 3477
    Total number of unique words is 942
    64.2 of words are in the 2000 most common words
    81.5 of words are in the 5000 most common words
    89.4 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 52
    Total number of words is 3477
    Total number of unique words is 967
    61.5 of words are in the 2000 most common words
    80.9 of words are in the 5000 most common words
    86.9 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 53
    Total number of words is 3639
    Total number of unique words is 890
    70.7 of words are in the 2000 most common words
    86.3 of words are in the 5000 most common words
    91.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 54
    Total number of words is 3501
    Total number of unique words is 871
    67.6 of words are in the 2000 most common words
    84.9 of words are in the 5000 most common words
    90.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 55
    Total number of words is 3370
    Total number of unique words is 984
    61.3 of words are in the 2000 most common words
    79.3 of words are in the 5000 most common words
    85.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 56
    Total number of words is 3510
    Total number of unique words is 985
    63.2 of words are in the 2000 most common words
    81.1 of words are in the 5000 most common words
    87.6 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 57
    Total number of words is 3447
    Total number of unique words is 955
    60.7 of words are in the 2000 most common words
    77.7 of words are in the 5000 most common words
    83.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 58
    Total number of words is 3569
    Total number of unique words is 1010
    60.2 of words are in the 2000 most common words
    78.4 of words are in the 5000 most common words
    85.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 59
    Total number of words is 3408
    Total number of unique words is 892
    59.6 of words are in the 2000 most common words
    76.9 of words are in the 5000 most common words
    84.3 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 60
    Total number of words is 3518
    Total number of unique words is 988
    60.7 of words are in the 2000 most common words
    79.1 of words are in the 5000 most common words
    85.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 61
    Total number of words is 3658
    Total number of unique words is 923
    66.2 of words are in the 2000 most common words
    82.4 of words are in the 5000 most common words
    88.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 62
    Total number of words is 3130
    Total number of unique words is 994
    61.3 of words are in the 2000 most common words
    79.8 of words are in the 5000 most common words
    87.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 63
    Total number of words is 3594
    Total number of unique words is 1018
    61.3 of words are in the 2000 most common words
    80.6 of words are in the 5000 most common words
    87.3 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 64
    Total number of words is 3499
    Total number of unique words is 1045
    59.9 of words are in the 2000 most common words
    79.0 of words are in the 5000 most common words
    85.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 65
    Total number of words is 3497
    Total number of unique words is 1074
    56.4 of words are in the 2000 most common words
    74.0 of words are in the 5000 most common words
    83.6 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 66
    Total number of words is 3548
    Total number of unique words is 925
    66.3 of words are in the 2000 most common words
    83.0 of words are in the 5000 most common words
    88.9 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 67
    Total number of words is 3481
    Total number of unique words is 930
    64.6 of words are in the 2000 most common words
    82.8 of words are in the 5000 most common words
    88.9 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 68
    Total number of words is 3398
    Total number of unique words is 1028
    57.6 of words are in the 2000 most common words
    76.6 of words are in the 5000 most common words
    84.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 69
    Total number of words is 3247
    Total number of unique words is 1087
    53.2 of words are in the 2000 most common words
    72.3 of words are in the 5000 most common words
    80.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 70
    Total number of words is 3422
    Total number of unique words is 1077
    55.1 of words are in the 2000 most common words
    75.5 of words are in the 5000 most common words
    83.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 71
    Total number of words is 3518
    Total number of unique words is 1048
    60.5 of words are in the 2000 most common words
    78.8 of words are in the 5000 most common words
    86.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 72
    Total number of words is 1680
    Total number of unique words is 653
    65.4 of words are in the 2000 most common words
    79.3 of words are in the 5000 most common words
    86.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.