The Woman in White - 21

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I hesitated. I had been afraid to tell her of his absence from England, or of the manner in which my exertions to serve his new hopes and projects had connected me with his departure. What answer could I make? He was gone where no letters could reach him for months, perhaps for years, to come.

"Suppose I do mean to write to him again," I said at last. "What then, Laura?"

Her cheek grew burning hot against my neck, and her arms trembled and tightened round me.

"Don't tell him about the twenty-second," she whispered. "Promise, Marian—pray promise you will not even mention my name to him when you write next."

I gave the promise. No words can say how sorrowfully I gave it. She instantly took her arm from my waist, walked away to the window, and stood looking out with her back to me. After a moment she spoke once more, but without turning round, without allowing me to catch the smallest glimpse of her face.

"Are you going to my uncle's room?" she asked. "Will you say that I consent to whatever arrangement he may think best? Never mind leaving me, Marian. I shall be better alone for a little while."

I went out. If, as soon as I got into the passage, I could have transported Mr. Fairlie and Sir Percival Glyde to the uttermost ends of the earth by lifting one of my fingers, that finger would have been raised without an instant's hesitation. For once my unhappy temper now stood my friend. I should have broken down altogether and burst into a violent fit of crying, if my tears had not been all burnt up in the heat of my anger. As it was, I dashed into Mr. Fairlie's room—called to him as harshly as possible, "Laura consents to the twenty-second"—and dashed out again without waiting for a word of answer. I banged the door after me, and I hope I shattered Mr. Fairlie's nervous system for the rest of the day.

 

28th.—This morning I read poor Hartright's farewell letter over again, a doubt having crossed my mind since yesterday, whether I am acting wisely in concealing the fact of his departure from Laura.

On reflection, I still think I am right. The allusions in his letter to the preparations made for the expedition to Central America, all show that the leaders of it know it to be dangerous. If the discovery of this makes me uneasy, what would it make her? It is bad enough to feel that his departure has deprived us of the friend of all others to whose devotion we could trust in the hour of need, if ever that hour comes and finds us helpless; but it is far worse to know that he has gone from us to face the perils of a bad climate, a wild country, and a disturbed population. Surely it would be a cruel candour to tell Laura this, without a pressing and a positive necessity for it?

I almost doubt whether I ought not to go a step farther, and burn the letter at once, for fear of its one day falling into wrong hands. It not only refers to Laura in terms which ought to remain a secret for ever between the writer and me, but it reiterates his suspicion—so obstinate, so unaccountable, and so alarming—that he has been secretly watched since he left Limmeridge. He declares that he saw the faces of the two strange men who followed him about the streets of London,       watching him among the crowd which gathered at Liverpool to see the expedition embark, and he positively asserts that he heard the name of Anne Catherick pronounced behind him as he got into the boat. His own words are, "These events have a meaning, these events must lead to a result. The mystery of Anne Catherick is not cleared up yet. She may never cross my path again, but if ever she crosses yours, make better use of the opportunity, Miss Halcombe, than I made of it. I speak on strong conviction—I entreat you to remember what I say." These are his own expressions. There is no danger of my forgetting them—my memory is only too ready to dwell on any words of Hartright's that refer to Anne Catherick. But there is danger in my keeping the letter. The merest accident might place it at the mercy of strangers. I may fall ill—I may die. Better to burn it at once, and have one anxiety the less.

It is burnt. The ashes of his farewell letter—the last he may ever write to me—lie in a few black fragments on the hearth. Is this the sad end to all that sad story? Oh, not the end—surely, surely not the end already!

 

29th.—The preparations for the marriage have begun. The dressmaker has come to receive her orders. Laura is perfectly impassive, perfectly careless about the question of all others in which a woman's personal interests are most closely bound up. She has left it all to the dressmaker and to me. If poor Hartright had been the baronet, and the husband of her father's choice, how differently she would have behaved! How anxious and capricious she would have been, and what a hard task the best of dressmakers would have found it to please her!

 

30th.—We hear every day from Sir Percival. The last news is that the alterations in his house will occupy from four to six months before they can be properly completed. If painters, paperhangers, and upholsterers could make happiness as well as splendour, I should be interested about their proceedings in Laura's future home. As it is, the only part of Sir Percival's last letter which does not leave me as it found me, perfectly indifferent to all his plans and projects, is the part which refers to the wedding tour. He proposes, as Laura is delicate, and as the winter threatens to be unusually severe, to take her to Rome, and to remain in Italy until the early part of next summer. If this plan should not be approved, he is equally ready, although he has no establishment of his own in town, to spend the season in London, in the most suitable furnished house that can be obtained for the purpose.

Putting myself and my own feelings entirely out of the question (which it is my duty to do, and which I have done), I, for one, have no doubt of the propriety of adopting the first of these proposals. In either case a separation between Laura and me is inevitable. It will be a longer separation, in the event of their going abroad, than it would be in the event of their remaining in London—but we must set against this disadvantage the benefit to Laura, on the other side, of passing the winter in a mild climate, and more than that, the immense assistance in raising her spirits, and reconciling her to her new existence, which the mere wonder and excitement of travelling for the first time in her life in the most interesting country in the world, must surely afford. She is not of a disposition to find resources in the conventional gaieties and excitements of London. They would only make the first oppression of this lamentable marriage fall the heavier on her. I dread the beginning of her new life more than words can tell, but I see some hope for her if she travels—none if she remains at home.

It is strange to look back at this latest entry in my journal, and to find that I am writing of the marriage and the parting with Laura, as people write of a settled thing. It seems so cold and so unfeeling to be looking at the future already in this cruelly composed way. But what other way is possible, now that the time is drawing so near? Before another month is over our heads she will be his Laura instead of mine! His Laura! I am as little able to realise the idea which those two words convey—my mind feels almost as dulled and stunned by it—as if writing of her marriage were like writing of her death.

 

December 1st.—A sad, sad day—a day that I have no heart to describe at any length. After weakly putting it off last night, I was obliged to speak to her this morning of Sir Percival's proposal about the wedding tour.

In the full conviction that I should be with her wherever she went, the poor child—for a child she is still in many things—was almost happy at the prospect of seeing the wonders of Florence and Rome and Naples. It nearly broke my heart to dispel her delusion, and to bring her face to face with the hard truth. I was obliged to tell her that no man tolerates a rival—not even a woman rival—in his wife's affections, when he first marries, whatever he may do afterwards. I was obliged to warn her that my chance of living with her permanently under her own roof, depended entirely on my not arousing Sir Percival's jealousy and distrust by standing between them at the beginning of their marriage, in the position of the chosen depositary of his wife's closest secrets. Drop by drop I poured the profaning bitterness of this world's wisdom into that pure heart and that innocent mind, while every higher and better feeling within me recoiled from my miserable task. It is over now. She has learnt her hard, her inevitable lesson. The simple illusions of her girlhood are gone, and my hand has stripped them off. Better mine than his—that is all my consolation—better mine than his.

So the first proposal is the proposal accepted. They are to go to Italy, and I am to arrange, with Sir Percival's permission, for meeting them and staying with them when they return to England. In other words, I am to ask a personal favour, for the first time in my life, and to ask it of the man of all others to whom I least desire to owe a serious obligation of any kind. Well! I think I could do even more than that, for Laura's sake.

 

2nd.—On looking back, I find myself always referring to Sir Percival in disparaging terms. In the turn affairs have now taken. I must and will root out my prejudice against him, I cannot think how it first got into my mind. It certainly never existed in former times.

Is it Laura's reluctance to become his wife that has set me against him? Have Hartright's perfectly intelligible prejudices infected me without my suspecting their influence? Does that letter of Anne Catherick's still leave a lurking distrust in my mind, in spite of Sir Percival's explanation, and of the proof in my possession of the truth of it? I cannot account for the state of my own feelings; the one thing I am certain of is, that it is my duty—doubly my duty now—not to wrong Sir Percival by unjustly distrusting him. If it has got to be a habit with me always to write of him in the same unfavourable manner, I must and will break myself of this unworthy tendency, even though the effort should force me to close the pages of my journal till the marriage is over! I am seriously dissatisfied with myself—I will write no more to-day.



December 16th.—A whole fortnight has passed, and I have not once opened these pages. I have been long enough away from my journal to come back to it with a healthier and better mind, I hope, so far as Sir Percival is concerned.

There is not much to record of the past two weeks. The dresses are almost all finished, and the new travelling trunks have been sent here from London. Poor dear Laura hardly leaves me for a moment all day, and last night, when neither of us could sleep, she came and crept into my bed to talk to me there. "I shall lose you so soon, Marian," she said; "I must make the most of you while I can."

They are to be married at Limmeridge Church, and thank Heaven, not one of the neighbours is to be invited to the ceremony. The only visitor will be our old friend, Mr. Arnold, who is to come from Polesdean to give Laura away, her uncle being far too delicate to trust himself outside the door in such inclement weather as we now have. If I were not determined, from this day forth, to see nothing but the bright side of our prospects, the melancholy absence of any male relative of Laura's, at the most important moment of her life, would make me very gloomy and very distrustful of the future. But I have done with gloom and distrust—that is to say, I have done with writing about either the one or the other in this journal.

Sir Percival is to arrive to-morrow. He offered, in case we wished to treat him on terms of rigid etiquette, to write and ask our clergyman to grant him the hospitality of the rectory, during the short period of his sojourn at Limmeridge, before the marriage. Under the circumstances, neither Mr. Fairlie nor I thought it at all necessary for us to trouble ourselves about attending to trifling forms and ceremonies. In our wild moorland country, and in this great lonely house, we may well claim to be beyond the reach of the trivial conventionalities which hamper people in other places. I wrote to Sir Percival to thank him for his polite offer, and to beg that he would occupy his old rooms, just as usual, at Limmeridge House.

 

17th.—He arrived to-day, looking, as I thought, a little worn and anxious, but still talking and laughing like a man in the best possible spirits. He brought with him some really beautiful presents in jewellery, which Laura received with her best grace, and, outwardly at least, with perfect self-possession. The only sign I can detect of the struggle it must cost her to preserve appearances at this trying time, expresses itself in a sudden unwillingness, on her part, ever to be left alone. Instead of retreating to her own room, as usual, she seems to dread going there. When I went upstairs to-day, after lunch, to put on my bonnet for a walk, she volunteered to join me, and again, before dinner, she threw the door open between our two rooms, so that we might talk to each other while we were dressing. "Keep me always doing something," she said; "keep me always in company with somebody. Don't let me think—that is all I ask now, Marian—don't let me think."

This sad change in her only increases her attractions for Sir Percival. He interprets it, I can see, to his own advantage. There is a feverish flush in her cheeks, a feverish brightness in her eyes, which he welcomes as the return of her beauty and the recovery of her spirits. She talked to-day at dinner with a gaiety and carelessness so false, so shockingly out of her character, that I secretly longed to silence her and take her away. Sir Percival's delight and surprise appeared to be beyond all expression. The anxiety which I had noticed on his face when he arrived totally disappeared from it, and he looked, even to my eyes, a good ten years younger than he really is.

There can be no doubt—though some strange perversity prevents me from seeing it myself—there can be no doubt that Laura's future husband is a very handsome man. Regular features form a personal advantage to begin with—and he has them. Bright brown eyes, either in man or woman, are a great attraction—and he has them. Even baldness, when it is only baldness over the forehead (as in his case), is rather becoming than not in a man, for it heightens the head and adds to the intelligence of the face. Grace and ease of movement, untiring animation of manner, ready, pliant, conversational powers—all these are unquestionable merits, and all these he certainly possesses. Surely Mr. Gilmore, ignorant as he is of Laura's secret, was not to blame for feeling surprised that she should repent of her marriage engagement? Any one else in his place would have shared our good old friend's opinion. If I were asked, at this moment, to say plainly what defects I have discovered in Sir Percival, I could only point out two. One, his incessant restlessness and excitability—which may be caused, naturally enough, by unusual energy of character. The other, his short, sharp, ill-tempered manner of speaking to the servants—which may be only a bad habit after all. No, I cannot dispute it, and I will not dispute it—Sir Percival is a very handsome and a very agreeable man. There! I have written it down at last, and I am glad it's over.

 

18th.—Feeling weary and depressed this morning, I left Laura with Mrs. Vesey, and went out alone for one of my brisk midday walks, which I have discontinued too much of late. I took the dry airy road over the moor that leads to Todd's Corner. After having been out half an hour, I was excessively surprised to see Sir Percival approaching me from the direction of the farm. He was walking rapidly, swinging his stick, his head erect as usual, and his shooting jacket flying open in the wind. When we met he did not wait for me to ask any questions—he told me at once that he had been to the farm to inquire if Mr. or Mrs. Todd had received any tidings, since his last visit to Limmeridge, of Anne Catherick.

"You found, of course, that they had heard nothing?" I said.

"Nothing whatever," he replied. "I begin to be seriously afraid that we have lost her. Do you happen to know," he continued, looking me in the face very attentively "if the artist—Mr. Hartright—is in a position to give us any further information?"

"He has neither heard of her, nor seen her, since he left Cumberland," I answered.

"Very sad," said Sir Percival, speaking like a man who was disappointed, and yet, oddly enough, looking at the same time like a man who was relieved. "It is impossible to say what misfortunes may not have happened to the miserable creature. I am inexpressibly annoyed at the failure of all my efforts to restore her to the care and protection which she so urgently needs."

This time he really looked annoyed. I said a few sympathising words, and we then talked of other subjects on our way back to the house. Surely my chance meeting with him on the moor has disclosed another favourable trait in his character? Surely it was singularly considerate and unselfish of him to think of Anne Catherick on the eve of his marriage, and to go all the way to Todd's Corner to make inquiries about her, when he might have passed the time so much more agreeably in Laura's society? Considering that he can only have acted from motives of pure charity, his conduct, under the circumstances, shows unusual good feeling and deserves extraordinary praise. Well! I give him extraordinary praise—and there's an end of it.



19th.—More discoveries in the inexhaustible mine of Sir Percival's virtues.

To-day I approached the subject of my proposed sojourn under his wife's roof when he brings her back to England. I had hardly dropped my first hint in this direction before he caught me warmly by the hand, and said I had made the very offer to him which he had been, on his side, most anxious to make to me. I was the companion of all others whom he most sincerely longed to secure for his wife, and he begged me to believe that I had conferred a lasting favour on him by making the proposal to live with Laura after her marriage, exactly as I had always lived with her before it.

When I had thanked him in her name and mine for his considerate kindness to both of us, we passed next to the subject of his wedding tour, and began to talk of the English society in Rome to which Laura was to be introduced. He ran over the names of several friends whom he expected to meet abroad this winter. They were all English, as well as I can remember, with one exception. The one exception was Count Fosco.

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    Total number of words is 3415
    Total number of unique words is 1031
    58.7 of words are in the 2000 most common words
    78.5 of words are in the 5000 most common words
    86.4 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 42
    Total number of words is 3408
    Total number of unique words is 890
    66.3 of words are in the 2000 most common words
    85.5 of words are in the 5000 most common words
    91.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 43
    Total number of words is 3436
    Total number of unique words is 917
    61.1 of words are in the 2000 most common words
    81.6 of words are in the 5000 most common words
    88.2 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 44
    Total number of words is 3532
    Total number of unique words is 887
    69.0 of words are in the 2000 most common words
    85.2 of words are in the 5000 most common words
    91.2 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 45
    Total number of words is 3582
    Total number of unique words is 951
    62.8 of words are in the 2000 most common words
    81.1 of words are in the 5000 most common words
    88.2 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 46
    Total number of words is 3612
    Total number of unique words is 926
    68.2 of words are in the 2000 most common words
    84.4 of words are in the 5000 most common words
    88.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 47
    Total number of words is 3410
    Total number of unique words is 1024
    60.0 of words are in the 2000 most common words
    78.4 of words are in the 5000 most common words
    85.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 48
    Total number of words is 3365
    Total number of unique words is 962
    61.0 of words are in the 2000 most common words
    79.6 of words are in the 5000 most common words
    87.6 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 49
    Total number of words is 3404
    Total number of unique words is 999
    60.5 of words are in the 2000 most common words
    79.6 of words are in the 5000 most common words
    87.0 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 50
    Total number of words is 3494
    Total number of unique words is 978
    60.7 of words are in the 2000 most common words
    81.6 of words are in the 5000 most common words
    88.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 51
    Total number of words is 3477
    Total number of unique words is 942
    64.2 of words are in the 2000 most common words
    81.5 of words are in the 5000 most common words
    89.4 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 52
    Total number of words is 3477
    Total number of unique words is 967
    61.5 of words are in the 2000 most common words
    80.9 of words are in the 5000 most common words
    86.9 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 53
    Total number of words is 3639
    Total number of unique words is 890
    70.7 of words are in the 2000 most common words
    86.3 of words are in the 5000 most common words
    91.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 54
    Total number of words is 3501
    Total number of unique words is 871
    67.6 of words are in the 2000 most common words
    84.9 of words are in the 5000 most common words
    90.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 55
    Total number of words is 3370
    Total number of unique words is 984
    61.3 of words are in the 2000 most common words
    79.3 of words are in the 5000 most common words
    85.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 56
    Total number of words is 3510
    Total number of unique words is 985
    63.2 of words are in the 2000 most common words
    81.1 of words are in the 5000 most common words
    87.6 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 57
    Total number of words is 3447
    Total number of unique words is 955
    60.7 of words are in the 2000 most common words
    77.7 of words are in the 5000 most common words
    83.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 58
    Total number of words is 3569
    Total number of unique words is 1010
    60.2 of words are in the 2000 most common words
    78.4 of words are in the 5000 most common words
    85.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 59
    Total number of words is 3408
    Total number of unique words is 892
    59.6 of words are in the 2000 most common words
    76.9 of words are in the 5000 most common words
    84.3 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 60
    Total number of words is 3518
    Total number of unique words is 988
    60.7 of words are in the 2000 most common words
    79.1 of words are in the 5000 most common words
    85.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 61
    Total number of words is 3658
    Total number of unique words is 923
    66.2 of words are in the 2000 most common words
    82.4 of words are in the 5000 most common words
    88.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 62
    Total number of words is 3130
    Total number of unique words is 994
    61.3 of words are in the 2000 most common words
    79.8 of words are in the 5000 most common words
    87.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 63
    Total number of words is 3594
    Total number of unique words is 1018
    61.3 of words are in the 2000 most common words
    80.6 of words are in the 5000 most common words
    87.3 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 64
    Total number of words is 3499
    Total number of unique words is 1045
    59.9 of words are in the 2000 most common words
    79.0 of words are in the 5000 most common words
    85.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 65
    Total number of words is 3497
    Total number of unique words is 1074
    56.4 of words are in the 2000 most common words
    74.0 of words are in the 5000 most common words
    83.6 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 66
    Total number of words is 3548
    Total number of unique words is 925
    66.3 of words are in the 2000 most common words
    83.0 of words are in the 5000 most common words
    88.9 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 67
    Total number of words is 3481
    Total number of unique words is 930
    64.6 of words are in the 2000 most common words
    82.8 of words are in the 5000 most common words
    88.9 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 68
    Total number of words is 3398
    Total number of unique words is 1028
    57.6 of words are in the 2000 most common words
    76.6 of words are in the 5000 most common words
    84.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 69
    Total number of words is 3247
    Total number of unique words is 1087
    53.2 of words are in the 2000 most common words
    72.3 of words are in the 5000 most common words
    80.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 70
    Total number of words is 3422
    Total number of unique words is 1077
    55.1 of words are in the 2000 most common words
    75.5 of words are in the 5000 most common words
    83.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 71
    Total number of words is 3518
    Total number of unique words is 1048
    60.5 of words are in the 2000 most common words
    78.8 of words are in the 5000 most common words
    86.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 72
    Total number of words is 1680
    Total number of unique words is 653
    65.4 of words are in the 2000 most common words
    79.3 of words are in the 5000 most common words
    86.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.