The Woman in White - 66

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The slim man with the scar on his cheek was still close by us. He had apparently drawn his inference from the effect produced on the Count by the sight of Pesca as I had drawn mine. He was a mild, gentlemanlike man, looking like a foreigner, and his interest in our proceedings was not expressed in anything approaching to an offensive manner.

For my own part I was so startled by the change in the Count's face, so astounded at the entirely unexpected turn which events had taken, that I knew neither what to say or do next. Pesca roused me by stepping back to his former place at my side and speaking first.

"How the fat man stares!" he exclaimed. "Is it at me? Am I famous? How can he know me when I don't know him?"

I kept my eye still on the Count. I saw him move for the first time when Pesca moved, so as not to lose sight of the little man in the lower position in which he now stood. I was curious to see what would happen if Pesca's attention under these circumstances was withdrawn from him, and I accordingly asked the Professor if he recognised any of his pupils that evening among the ladies in the boxes. Pesca immediately raised the large opera-glass to his eyes, and moved it slowly all round the upper part of the theatre, searching for his pupils with the most conscientious scrutiny.

The moment he showed himself to be thus engaged the Count turned round, slipped past the persons who occupied seats on the farther side of him from where we stood, and disappeared in the middle passage down the centre of the pit. I caught Pesca by the arm, and to his inexpressible astonishment, hurried him round with me to the back of the pit to intercept the Count before he could get to the door. Somewhat to my surprise, the slim man hastened out before us, avoiding a stoppage caused by some people on our side of the pit leaving their places, by which Pesca and myself were delayed. When we reached the lobby the Count had disappeared, and the foreigner with the scar was gone too.

"Come home," I said; "come home, Pesca to your lodgings. I must speak to you in private—I must speak directly."

"My-soul-bless-my-soul!" cried the Professor, in a state of the extremest bewilderment. "What on earth is the matter?"

I walked on rapidly without answering. The circumstances under which the Count had left the theatre suggested to me that his extraordinary anxiety to escape Pesca might carry him to further extremities still. He might escape me, too, by leaving London. I doubted the future if I allowed him so much as a day's freedom to act as he pleased. And I doubted that foreign stranger, who had got the start of us, and whom I suspected of intentionally following him out.

With this double distrust in my mind, I was not long in making Pesca understand what I wanted. As soon as we two were alone in his room, I increased his confusion and amazement a hundredfold by telling him what my purpose was as plainly and unreservedly as I have acknowledged it here.

"My friend, what can I do?" cried the Professor, piteously appealing to me with both hands. "Deuce-what-the-deuce! how can I help you, Walter, when I don't know the man?"

"He knows you—he is afraid of you—he has left the theatre to escape you. Pesca! there must be a reason for this. Look back into your own life before you came to England. You left Italy, as you have told me yourself, for political reasons. You have never mentioned those reasons to me, and I don't inquire into them now. I only ask you to consult your own recollections, and to say if they suggest no past cause for the terror which the first sight of you produced in that man."

To my unutterable surprise, these words, harmless as they appeared to me, produced the same astounding effect on Pesca which the sight of Pesca had produced on the Count. The rosy face of my little friend whitened in an instant, and he drew back from me slowly, trembling from head to foot.

"Walter!" he said. "You don't know what you ask."

He spoke in a whisper—he looked at me as if I had suddenly revealed to him some hidden danger to both of us. In less than one minute of time he was so altered from the easy, lively, quaint little man of all my past experience, that if I had met him in the street, changed as I saw him now, I should most certainly not have known him again.

"Forgive me, if I have unintentionally pained and shocked you," I replied. "Remember the cruel wrong my wife has suffered at Count Fosco's hands. Remember that the wrong can never be redressed, unless the means are in my power of forcing him to do her justice. I spoke in her interests, Pesca—I ask you again to forgive me—I can say no more."

I rose to go. He stopped me before I reached the door.

"Wait," he said. "You have shaken me from head to foot. You don't know how I left my country, and why I left my country. Let me compose myself, let me think, if I can."

I returned to my chair. He walked up and down the room, talking to himself incoherently in his own language. After several turns backwards and forwards, he suddenly came up to me, and laid his little hands with a strange tenderness and solemnity on my breast.

"On your heart and soul, Walter," he said, "is there no other way to get to that man but the chance-way through me?"

"There is no other way," I answered.

He left me again, opened the door of the room and looked out cautiously into the passage, closed it once more, and came back.

"You won your right over me, Walter," he said, "on the day when you saved my life. It was yours from that moment, when you pleased to take it. Take it now. Yes! I mean what I say. My next words, as true as the good God is above us, will put my life into your hands."

The trembling earnestness with which he uttered this extraordinary warning, carried with it, to my mind, the conviction that he spoke the truth.

"Mind this!" he went on, shaking his hands at me in the vehemence of his agitation. "I hold no thread, in my own mind, between that man Fosco, and the past time which I call back to me for your sake. If you find the thread, keep it to yourself—tell me nothing—on my knees I beg and pray, let me be ignorant, let me be innocent, let me be blind to all the future as I am now!"

He said a few words more, hesitatingly and disconnectedly, then stopped again.

I saw that the effort of expressing himself in English, on an occasion too serious to permit him the use of the quaint turns and phrases of his ordinary vocabulary, was painfully increasing the difficulty he had felt from the first in speaking to me at all. Having learnt to read and understand his native language (though not to speak it), in the earlier days of our intimate companionship, I now suggested to him that he should express himself in Italian, while I used English in putting any questions which might be necessary to my enlightenment. He accepted the proposal. In his smooth-flowing language, spoken with a vehement agitation which betrayed itself in the perpetual working of his features, in the wildness and the suddenness of his foreign gesticulations, but never in the raising of his voice, I now heard the words which armed me to meet the last struggle, that is left for this story to record.[3]

[3] It is only right to mention here, that I repeat Pesco's statement to me with the careful suppressions and alterations which the serious nature of the subject and my own sense of duty to my friend demand. My first and last concealments from the reader are those which caution renders absolutely necessary in this portion of the narrative.

"You know nothing of my motive for leaving Italy," he began, "except that it was for political reasons. If I had been driven to this country by the persecution of my government, I should not have kept those reasons a secret from you or from any one. I have concealed them because no government authority has pronounced the sentence of my exile. You have heard, Walter, of the political societies that are hidden in every great city on the continent of Europe? To one of those societies I belonged in Italy—and belong still in England. When I came to this country, I came by the direction of my chief. I was over-zealous in my younger time—I ran the risk of compromising myself and others. For those reasons I was ordered to emigrate to England and to wait. I emigrated—I have waited—I wait still. To-morrow I may be called away—ten years hence I may be called away. It is all one to me—I am here, I support myself by teaching, and I wait. I violate no oath (you shall hear why presently) in making my confidence complete by telling you the name of the society to which I belong. All I do is to put my life in your hands. If what I say to you now is ever known by others to have passed my lips, as certainly as we two sit here, I am a dead man."

He whispered the next words in my ear. I keep the secret which he thus communicated. The society to which he belonged will be sufficiently individualised for the purpose of these pages, if I call it "The Brotherhood," on the few occasions when any reference to the subject will be needed in this place.

"The object of the Brotherhood," Pesca went on, "is, briefly, the object of other political societies of the same sort—the destruction of tyranny and the assertion of the rights of the people. The principles of the Brotherhood are two. So long as a man's life is useful, or even harmless only, he has the right to enjoy it. But, if his life inflicts injury on the well-being of his fellow-men, from that moment he forfeits the right, and it is not only no crime, but a positive merit, to deprive him of it. It is not for me to say in what frightful circumstances of oppression and suffering this society took its rise. It is not for you to say—you Englishmen, who have conquered your freedom so long ago, that you have conveniently forgotten what blood you shed, and what extremities you proceeded to in the conquering—it is not for you to say how far the worst of all exasperations may, or may not, carry the maddened men of an enslaved nation. The iron that has entered into our souls has gone too deep for you to find it. Leave the refugee alone! Laugh at him, distrust him, open your eyes in wonder at that secret self which smoulders in him, sometimes under the everyday respectability and tranquillity of a man like me—sometimes under the grinding poverty, the fierce squalor, of men less lucky, less pliable, less patient than I am—but judge us not! In the time of your first Charles you might have done us justice—the long luxury of your own freedom has made you incapable of doing us justice now."

All the deepest feelings of his nature seemed to force themselves to the surface in those words—all his heart was poured out to me for the first time in our lives—but still his voice never rose, still his dread of the terrible revelation he was making to me never left him.

"So far," he resumed, "you think the society like other societies. Its object (in your English opinion) is anarchy and revolution. It takes the life of a bad king or a bad minister, as if the one and the other were dangerous wild beasts to be shot at the first opportunity. I grant you this. But the laws of the Brotherhood are the laws of no other political society on the face of the earth. The members are not known to one another. There is a president in Italy; there are presidents abroad. Each of these has his secretary. The presidents and the secretaries know the members, but the members, among themselves, are all strangers, until their chiefs see fit, in the political necessity of the time, or in the private necessity of the society, to make them known to each other. With such a safeguard as this there is no oath among us on admittance. We are identified with the Brotherhood by a secret mark, which we all bear, which lasts while our lives last. We are told to go about our ordinary business, and to report ourselves to the president, or the secretary, four times a year, in the event of our services being required. We are warned, if we betray the Brotherhood, or if we injure it by serving other interests, that we die by the principles of the Brotherhood—die by the hand of a stranger who may be sent from the other end of the world to strike the blow—or by the hand of our own bosom-friend, who may have been a member unknown to us through all the years of our intimacy. Sometimes the death is delayed—sometimes it follows close on the treachery. It is our first business to know how to wait—our second business to know how to obey when the word is spoken. Some of us may wait our lives through, and may not be wanted. Some of us may be called to the work, or to the preparation for the work, the very day of our admission. I myself—the little, easy, cheerful man you know, who, of his own accord, would hardly lift up his handkerchief to strike down the fly that buzzes about his face—I, in my younger time, under provocation so dreadful that I will not tell you of it, entered the Brotherhood by an impulse, as I might have killed myself by an impulse. I must remain in it now—it has got me, whatever I may think of it in my better circumstances and my cooler manhood, to my dying day. While I was still in Italy I was chosen secretary, and all the members of that time, who were brought face to face with my president, were brought face to face also with me."

I began to understand him—I saw the end towards which his extraordinary disclosure was now tending. He waited a moment, watching me earnestly—watching till he had evidently guessed what was passing in my mind before he resumed.

"You have drawn your own conclusion already," he said. "I see it in your face. Tell me nothing—keep me out of the secret of your thoughts. Let me make my one last sacrifice of myself, for your sake, and then have done with this subject, never to return to it again."

He signed to me not to answer him—rose—removed his coat—and rolled up the shirt-sleeve on his left arm.

"I promised you that this confidence should be complete," he whispered, speaking close at my ear, with his eyes looking watchfully at the door. "Whatever comes of it you shall not reproach me with having hidden anything from you which it was necessary to your interests to know. I have said that the Brotherhood identifies its members by a mark that lasts for life. See the place, and the mark on it for yourself."

He raised his bare arm, and showed me, high on the upper part of it and in the inner side, a brand deeply burnt in the flesh and stained of a bright blood-red colour. I abstain from describing the device which the brand represented. It will be sufficient to say that it was circular in form, and so small that it would have been completely covered by a shilling coin.

"A man who has this mark, branded in this place," he said, covering his arm again, "is a member of the Brotherhood. A man who has been false to the Brotherhood is discovered sooner or later by the chiefs who know him—presidents or secretaries, as the case may be. And a man discovered by the chiefs is dead. No human laws can protect him. Remember what you have seen and heard—draw what conclusions you like—act as you please. But, in the name of God, whatever you discover, whatever you do, tell me nothing! Let me remain free from a responsibility which it horrifies me to think of—which I know, in my conscience, is not my responsibility now. For the last time I say it—on my honour as a gentleman, on my oath as a Christian, if the man you pointed out at the Opera knows me, he is so altered, or so disguised, that I do not know him. I am ignorant of his proceedings or his purposes in England. I never saw him, I never heard the name he goes by, to my knowledge, before to-night. I say no more. Leave me a little, Walter. I am overpowered by what has happened—I am shaken by what I have said. Let me try to be like myself again when we meet next."

He dropped into a chair, and turning away from me, hid his face in his hands. I gently opened the door so as not to disturb him, and spoke my few parting words in low tones, which he might hear or not, as he pleased.

"I will keep the memory of to-night in my heart of hearts," I said. "You shall never repent the trust you have reposed in me. May I come to you to-morrow? May I come as early as nine o'clock?"

"Yes, Walter," he replied, looking up at me kindly, and speaking in English once more, as if his one anxiety now was to get back to our former relations towards each other. "Come to my little bit of breakfast before I go my ways among the pupils that I teach."

"Good-night, Pesca."

"Good-night, my friend."



VI

MY first conviction as soon as I found myself outside the house, was that no alternative was left me but to act at once on the information I had received—to make sure of the Count that night, or to risk the loss, if I only delayed till the morning, of Laura's last chance. I looked at my watch—it was ten o'clock.

Not the shadow of a doubt crossed my mind of the purpose for which the Count had left the theatre. His escape from us, that evening, was beyond all question the preliminary only to his escape from London. The mark of the Brotherhood was on his arm—I felt as certain of it as if he had shown me the brand; and the betrayal of the Brotherhood was on his conscience—I had seen it in his recognition of Pesca.

It was easy to understand why that recognition had not been mutual. A man of the Count's character would never risk the terrible consequences of turning spy without looking to his personal security quite as carefully as he looked to his golden reward. The shaven face, which I had pointed out at the Opera, might have been covered by a beard in Pesca's time—his dark brown hair might be a wig—his name was evidently a false one. The accident of time might have helped him as well—his immense corpulence might have come with his later years. There was every reason why Pesca should not have known him again—every reason also why he should have known Pesca, whose singular personal appearance made a marked man of him, go where he might.

I have said that I felt certain of the purpose in the Count's mind when he escaped us at the theatre. How could I doubt it, when I saw, with my own eyes, that he believed himself, in spite of the change in his appearance, to have been recognised by Pesca, and to be therefore in danger of his life? If I could get speech of him that night, if I could show him that I, too knew of the mortal peril in which he stood, what result would follow? Plainly this. One of us must be master of the situation—one of us must inevitably be at the mercy of the other.

I owed it to myself to consider the chances against me before I confronted them. I owed it to my wife to do all that lay in my power to lessen the risk.

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  • The Woman in White - 41
    Total number of words is 3415
    Total number of unique words is 1031
    58.7 of words are in the 2000 most common words
    78.5 of words are in the 5000 most common words
    86.4 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 42
    Total number of words is 3408
    Total number of unique words is 890
    66.3 of words are in the 2000 most common words
    85.5 of words are in the 5000 most common words
    91.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 43
    Total number of words is 3436
    Total number of unique words is 917
    61.1 of words are in the 2000 most common words
    81.6 of words are in the 5000 most common words
    88.2 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 44
    Total number of words is 3532
    Total number of unique words is 887
    69.0 of words are in the 2000 most common words
    85.2 of words are in the 5000 most common words
    91.2 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 45
    Total number of words is 3582
    Total number of unique words is 951
    62.8 of words are in the 2000 most common words
    81.1 of words are in the 5000 most common words
    88.2 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 46
    Total number of words is 3612
    Total number of unique words is 926
    68.2 of words are in the 2000 most common words
    84.4 of words are in the 5000 most common words
    88.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 47
    Total number of words is 3410
    Total number of unique words is 1024
    60.0 of words are in the 2000 most common words
    78.4 of words are in the 5000 most common words
    85.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 48
    Total number of words is 3365
    Total number of unique words is 962
    61.0 of words are in the 2000 most common words
    79.6 of words are in the 5000 most common words
    87.6 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 49
    Total number of words is 3404
    Total number of unique words is 999
    60.5 of words are in the 2000 most common words
    79.6 of words are in the 5000 most common words
    87.0 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 50
    Total number of words is 3494
    Total number of unique words is 978
    60.7 of words are in the 2000 most common words
    81.6 of words are in the 5000 most common words
    88.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 51
    Total number of words is 3477
    Total number of unique words is 942
    64.2 of words are in the 2000 most common words
    81.5 of words are in the 5000 most common words
    89.4 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 52
    Total number of words is 3477
    Total number of unique words is 967
    61.5 of words are in the 2000 most common words
    80.9 of words are in the 5000 most common words
    86.9 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 53
    Total number of words is 3639
    Total number of unique words is 890
    70.7 of words are in the 2000 most common words
    86.3 of words are in the 5000 most common words
    91.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 54
    Total number of words is 3501
    Total number of unique words is 871
    67.6 of words are in the 2000 most common words
    84.9 of words are in the 5000 most common words
    90.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 55
    Total number of words is 3370
    Total number of unique words is 984
    61.3 of words are in the 2000 most common words
    79.3 of words are in the 5000 most common words
    85.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 56
    Total number of words is 3510
    Total number of unique words is 985
    63.2 of words are in the 2000 most common words
    81.1 of words are in the 5000 most common words
    87.6 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 57
    Total number of words is 3447
    Total number of unique words is 955
    60.7 of words are in the 2000 most common words
    77.7 of words are in the 5000 most common words
    83.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 58
    Total number of words is 3569
    Total number of unique words is 1010
    60.2 of words are in the 2000 most common words
    78.4 of words are in the 5000 most common words
    85.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 59
    Total number of words is 3408
    Total number of unique words is 892
    59.6 of words are in the 2000 most common words
    76.9 of words are in the 5000 most common words
    84.3 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 60
    Total number of words is 3518
    Total number of unique words is 988
    60.7 of words are in the 2000 most common words
    79.1 of words are in the 5000 most common words
    85.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 61
    Total number of words is 3658
    Total number of unique words is 923
    66.2 of words are in the 2000 most common words
    82.4 of words are in the 5000 most common words
    88.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 62
    Total number of words is 3130
    Total number of unique words is 994
    61.3 of words are in the 2000 most common words
    79.8 of words are in the 5000 most common words
    87.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 63
    Total number of words is 3594
    Total number of unique words is 1018
    61.3 of words are in the 2000 most common words
    80.6 of words are in the 5000 most common words
    87.3 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 64
    Total number of words is 3499
    Total number of unique words is 1045
    59.9 of words are in the 2000 most common words
    79.0 of words are in the 5000 most common words
    85.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 65
    Total number of words is 3497
    Total number of unique words is 1074
    56.4 of words are in the 2000 most common words
    74.0 of words are in the 5000 most common words
    83.6 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 66
    Total number of words is 3548
    Total number of unique words is 925
    66.3 of words are in the 2000 most common words
    83.0 of words are in the 5000 most common words
    88.9 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 67
    Total number of words is 3481
    Total number of unique words is 930
    64.6 of words are in the 2000 most common words
    82.8 of words are in the 5000 most common words
    88.9 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 68
    Total number of words is 3398
    Total number of unique words is 1028
    57.6 of words are in the 2000 most common words
    76.6 of words are in the 5000 most common words
    84.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 69
    Total number of words is 3247
    Total number of unique words is 1087
    53.2 of words are in the 2000 most common words
    72.3 of words are in the 5000 most common words
    80.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 70
    Total number of words is 3422
    Total number of unique words is 1077
    55.1 of words are in the 2000 most common words
    75.5 of words are in the 5000 most common words
    83.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 71
    Total number of words is 3518
    Total number of unique words is 1048
    60.5 of words are in the 2000 most common words
    78.8 of words are in the 5000 most common words
    86.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 72
    Total number of words is 1680
    Total number of unique words is 653
    65.4 of words are in the 2000 most common words
    79.3 of words are in the 5000 most common words
    86.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.