The Woman in White - 29

Total number of words is 3192
Total number of unique words is 998
64.3 of words are in the 2000 most common words
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"You heard what he said to me?" she went on quickly and vehemently. "You heard the words—but you don't know what they meant—you don't know why I threw down the pen and turned my back on him." She rose in sudden agitation, and walked about the room. "I have kept many things from your knowledge, Marian, for fear of distressing you, and making you unhappy at the outset of our new lives. You don't know how he has used me. And yet you ought to know, for you saw how he used me to-day. You heard him sneer at my presuming to be scrupulous—you heard him say I had made a virtue of necessity in marrying him." She sat down again, her face flushed deeply, and her hands twisted and twined together in her lap. "I can't tell you about it now," she said; "I shall burst out crying if I tell you now—later, Marian, when I am more sure of myself. My poor head aches, darling—aches, aches, aches. Where is your smelling-bottle? Let me talk to you about yourself. I wish I had given him my signature, for your sake. Shall I give it to him to-morrow? I would rather compromise myself than compromise you. After your taking my part against him, he will lay all the blame on you if I refuse again. What shall we do? Oh, for a friend to help us and advise us!—a friend we could really trust!"

She sighed bitterly. I saw in her face that she was thinking of Hartright—saw it the more plainly because her last words set me thinking of him too. In six months only from her marriage we wanted the faithful service he had offered to us in his farewell words. How little I once thought that we should ever want it at all!

"We must do what we can to help ourselves," I said. "Let us try to talk it over calmly, Laura—let us do all in our power to decide for the best."

Putting what she knew of her husband's embarrassments and what I had heard of his conversation with the lawyer together, we arrived necessarily at the conclusion that the parchment in the library had been drawn up for the purpose of borrowing money, and that Laura's signature was absolutely necessary to fit it for the attainment of Sir Percival's object.

The second question, concerning the nature of the legal contract by which the money was to be obtained, and the degree of personal responsibility to which Laura might subject herself if she signed it in the dark, involved considerations which lay far beyond any knowledge and experience that either of us possessed. My own convictions led me to believe that the hidden contents of the parchment concealed a transaction of the meanest and the most fraudulent kind.

I had not formed this conclusion in consequence of Sir Percival's refusal to show the writing or to explain it, for that refusal might well have proceeded from his obstinate disposition and his domineering temper alone. My sole motive for distrusting his honesty sprang from the change which I had observed in his language and his manners at Blackwater Park, a change which convinced me that he had been acting a part throughout the whole period of his probation at Limmeridge House. His elaborate delicacy, his ceremonious politeness which harmonised so agreeably with Mr. Gilmore's old-fashioned notions, his modesty with Laura, his candour with me, his moderation with Mr. Fairlie—all these were the artifices of a mean, cunning, and brutal man, who had dropped his disguise when his practised duplicity had gained its end, and had openly shown himself in the library on that very day. I say nothing of the grief which this discovery caused me on Laura's account, for it is not to be expressed by any words of mine. I only refer to it at all, because it decided me to oppose her signing the parchment, whatever the consequences might be, unless she was first made acquainted with the contents.

Under these circumstances, the one chance for us when to-morrow came was to be provided with an objection to giving the signature, which might rest on sufficiently firm commercial or legal grounds to shake Sir Percival's resolution, and to make him suspect that we two women understood the laws and obligations of business as well as himself.

After some pondering, I determined to write to the only honest man within reach whom we could trust to help us discreetly in our forlorn situation. That man was Mr. Gilmore's partner, Mr. Kyrle, who conducted the business now that our old friend had been obliged to withdraw from it, and to leave London on account of his health. I explained to Laura that I had Mr. Gilmore's own authority for placing implicit confidence in his partner's integrity, discretion, and accurate knowledge of all her affairs, and with her full approval I sat down at once to write the letter, I began by stating our position to Mr. Kyrle exactly as it was, and then asked for his advice in return, expressed in plain, downright terms which he could comprehend without any danger of misinterpretations and mistakes. My letter was as short as I could possibly make it, and was, I hope, unencumbered by needless apologies and needless details.

Just as I was about to put the address on the envelope an obstacle was discovered by Laura, which in the effort and preoccupation of writing had escaped my mind altogether.

"How are we to get the answer in time?" she asked. "Your letter will not be delivered in London before to-morrow morning, and the post will not bring the reply here till the morning after."

The only way of overcoming this difficulty was to have the answer brought to us from the lawyer's office by a special messenger. I wrote a postscript to that effect, begging that the messenger might be despatched with the reply by the eleven o'clock morning train, which would bring him to our station at twenty minutes past one, and so enable him to reach Blackwater Park by two o'clock at the latest. He was to be directed to ask for me, to answer no questions addressed to him by any one else, and to deliver his letter into no hands but mine.

"In case Sir Percival should come back to-morrow before two o'clock," I said to Laura, "the wisest plan for you to adopt is to be out in the grounds all the morning with your book or your work, and not to appear at the house till the messenger has had time to arrive with the letter. I will wait here for him all the morning, to guard against any misadventures or mistakes. By following this arrangement I hope and believe we shall avoid being taken by surprise. Let us go down to the drawing-room now. We may excite suspicion if we remain shut up together too long."

"Suspicion?" she repeated. "Whose suspicion can we excite, now that Sir Percival has left the house? Do you mean Count Fosco?"

"Perhaps I do, Laura."

"You are beginning to dislike him as much as I do, Marian."

"No, not to dislike him. Dislike is always more or less associated with contempt—I can see nothing in the Count to despise."

"You are not afraid of him, are you?"

"Perhaps I am—a little."

"Afraid of him, after his interference in our favour to-day!"

"Yes. I am more afraid of his interference than I am of Sir Percival's violence. Remember what I said to you in the library. Whatever you do, Laura, don't make an enemy of the Count!"

We went downstairs. Laura entered the drawing-room, while I proceeded across the hall, with my letter in my hand, to put it into the post-bag, which hung against the wall opposite to me.

The house door was open, and as I crossed past it, I saw Count Fosco and his wife standing talking together on the steps outside, with their faces turned towards me.

The Countess came into the hall rather hastily, and asked if I had leisure enough for five minutes' private conversation. Feeling a little surprised by such an appeal from such a person, I put my letter into the bag, and replied that I was quite at her disposal. She took my arm with unaccustomed friendliness and familiarity, and instead of leading me into an empty room, drew me out with her to the belt of turf which surrounded the large fish-pond.

As we passed the Count on the steps he bowed and smiled, and then went at once into the house, pushing the hall door to after him, but not actually closing it.

The Countess walked me gently round the fish-pond. I expected to be made the depositary of some extraordinary confidence, and I was astonished to find that Madame Fosco's communication for my private ear was nothing more than a polite assurance of her sympathy for me, after what had happened in the library. Her husband had told her of all that had passed, and of the insolent manner in which Sir Percival had spoken to me. This information had so shocked and distressed her, on my account and on Laura's, that she had made up her mind, if anything of the sort happened again, to mark her sense of Sir Percival's outrageous conduct by leaving the house. The Count had approved of her idea, and she now hoped that I approved of it too.

I thought this a very strange proceeding on the part of such a remarkably reserved woman as Madame Fosco, especially after the interchange of sharp speeches which had passed between us during the conversation in the boat-house on that very morning. However, it was my plain duty to meet a polite and friendly advance on the part of one of my elders with a polite and friendly reply. I answered the Countess accordingly in her own tone, and then, thinking we had said all that was necessary on either side, made an attempt to get back to the house.

But Madame Fosco seemed resolved not to part with me, and to my unspeakable amazement, resolved also to talk. Hitherto the most silent of women, she now persecuted me with fluent conventionalities on the subject of married life, on the subject of Sir Percival and Laura, on the subject of her own happiness, on the subject of the late Mr. Fairlie's conduct to her in the matter of her legacy, and on half a dozen other subjects besides, until she had detained me walking round and round the fish-pond for more than half an hour, and had quite wearied me out. Whether she discovered this or not, I cannot say, but she stopped as abruptly as she had begun—looked towards the house door, resumed her icy manner in a moment, and dropped my arm of her own accord before I could think of an excuse for accomplishing my own release from her.

As I pushed open the door and entered the hall, I found myself suddenly face to face with the Count again. He was just putting a letter into the post-bag.

After he had dropped it in and had closed the bag, he asked me where I had left Madame Fosco. I told him, and he went out at the hall door immediately to join his wife. His manner when he spoke to me was so unusually quiet and subdued that I turned and looked after him, wondering if he were ill or out of spirits.

Why my next proceeding was to go straight up to the post-bag and take out my own letter and look at it again, with a vague distrust on me, and why the looking at it for the second time instantly suggested the idea to my mind of sealing the envelope for its greater security—are mysteries which are either too deep or too shallow for me to fathom. Women, as everybody knows, constantly act on impulses which they cannot explain even to themselves, and I can only suppose that one of those impulses was the hidden cause of my unaccountable conduct on this occasion.

Whatever influence animated me, I found cause to congratulate myself on having obeyed it as soon as I prepared to seal the letter in my own room. I had originally closed the envelope in the usual way by moistening the adhesive point and pressing it on the paper beneath, and when I now tried it with my finger, after a lapse of full three-quarters of an hour, the envelope opened on the instant, without sticking or tearing. Perhaps I had fastened it insufficiently? Perhaps there might have been some defect in the adhesive gum?

Or, perhaps——No! it is quite revolting enough to feel that third conjecture stirring in my mind. I would rather not see it confronting me in plain black and white.

I almost dread to-morrow—so much depends on my discretion and self-control. There are two precautions, at all events, which I am sure not to forget. I must be careful to keep up friendly appearances with the Count, and I must be well on my guard when the messenger from the office comes here with the answer to my letter.



V

June 17th.—When the dinner hour brought us together again, Count Fosco was in his usual excellent spirits. He exerted himself to interest and amuse us, as if he was determined to efface from our memories all recollection of what had passed in the library that afternoon. Lively descriptions of his adventures in travelling, amusing anecdotes of remarkable people whom he had met with abroad, quaint comparisons between the social customs of various nations, illustrated by examples drawn from men and women indiscriminately all over Europe, humorous confessions of the innocent follies of his own early life, when he ruled the fashions of a second-rate Italian town, and wrote preposterous romances on the French model for a second-rate Italian newspaper—all flowed in succession so easily and so gaily from his lips, and all addressed our various curiosities and various interests so directly and so delicately, that Laura and I listened to him with as much attention and, inconsistent as it may seem, with as much admiration also, as Madame Fosco herself. Women can resist a man's love, a man's fame, a man's personal appearance, and a man's money, but they cannot resist a man's tongue when he knows how to talk to them.

After dinner, while the favourable impression which he had produced on us was still vivid in our minds, the Count modestly withdrew to read in the library.

Laura proposed a stroll in the grounds to enjoy the close of the long evening. It was necessary in common politeness to ask Madame Fosco to join us, but this time she had apparently received her orders beforehand, and she begged we would kindly excuse her. "The Count will probably want a fresh supply of cigarettes," she remarked by way of apology, "and nobody can make them to his satisfaction but myself." Her cold blue eyes almost warmed as she spoke the words—she looked actually proud of being the officiating medium through which her lord and master composed himself with tobacco-smoke!

Laura and I went out together alone.

It was a misty, heavy evening. There was a sense of blight in the air; the flowers were drooping in the garden, and the ground was parched and dewless. The western heaven, as we saw it over the quiet trees, was of a pale yellow hue, and the sun was setting faintly in a haze. Coming rain seemed near—it would fall probably with the fall of night.

"Which way shall we go?" I asked

"Towards the lake, Marian, if you like," she answered.

"You seem unaccountably fond, Laura, of that dismal lake."

"No, not of the lake but of the scenery about it. The sand and heath and the fir-trees are the only objects I can discover, in all this large place, to remind me of Limmeridge. But we will walk in some other direction if you prefer it."

"I have no favourite walks at Blackwater Park, my love. One is the same as another to me. Let us go to the lake—we may find it cooler in the open space than we find it here."

We walked through the shadowy plantation in silence. The heaviness in the evening air oppressed us both, and when we reached the boat-house we were glad to sit down and rest inside.

A white fog hung low over the lake. The dense brown line of the trees on the opposite bank appeared above it, like a dwarf forest floating in the sky. The sandy ground, shelving downward from where we sat, was lost mysteriously in the outward layers of the fog. The silence was horrible. No rustling of the leaves—no bird's note in the wood—no cry of water-fowl from the pools of the hidden lake. Even the croaking of the frogs had ceased to-night.

"It is very desolate and gloomy," said Laura. "But we can be more alone here than anywhere else."

She spoke quietly and looked at the wilderness of sand and mist with steady, thoughtful eyes. I could see that her mind was too much occupied to feel the dreary impressions from without which had fastened themselves already on mine.

"I promised, Marian, to tell you the truth about my married life, instead of leaving you any longer to guess it for yourself," she began. "That secret is the first I have ever had from you, love, and I am determined it shall be the last. I was silent, as you know, for your sake—and perhaps a little for my own sake as well. It is very hard for a woman to confess that the man to whom she has given her whole life is the man of all others who cares least for the gift. If you were married yourself, Marian—and especially if you were happily married—you would feel for me as no single woman can feel, however kind and true she may be."

What answer could I make? I could only take her hand and look at her with my whole heart as well as my eyes would let me.

"How often," she went on, "I have heard you laughing over what you used to call your 'poverty!' how often you have made me mock-speeches of congratulation on my wealth! Oh, Marian, never laugh again. Thank God for your poverty—it has made you your own mistress, and has saved you from the lot that has fallen on me."

A sad beginning on the lips of a young wife!—sad in its quiet plain-spoken truth. The few days we had all passed together at Blackwater Park had been many enough to show me—to show any one—what her husband had married her for.

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  • The Woman in White - 45
    Total number of words is 3582
    Total number of unique words is 951
    62.8 of words are in the 2000 most common words
    81.1 of words are in the 5000 most common words
    88.2 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 46
    Total number of words is 3612
    Total number of unique words is 926
    68.2 of words are in the 2000 most common words
    84.4 of words are in the 5000 most common words
    88.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 47
    Total number of words is 3410
    Total number of unique words is 1024
    60.0 of words are in the 2000 most common words
    78.4 of words are in the 5000 most common words
    85.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 48
    Total number of words is 3365
    Total number of unique words is 962
    61.0 of words are in the 2000 most common words
    79.6 of words are in the 5000 most common words
    87.6 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 49
    Total number of words is 3404
    Total number of unique words is 999
    60.5 of words are in the 2000 most common words
    79.6 of words are in the 5000 most common words
    87.0 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 50
    Total number of words is 3494
    Total number of unique words is 978
    60.7 of words are in the 2000 most common words
    81.6 of words are in the 5000 most common words
    88.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 51
    Total number of words is 3477
    Total number of unique words is 942
    64.2 of words are in the 2000 most common words
    81.5 of words are in the 5000 most common words
    89.4 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 52
    Total number of words is 3477
    Total number of unique words is 967
    61.5 of words are in the 2000 most common words
    80.9 of words are in the 5000 most common words
    86.9 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 53
    Total number of words is 3639
    Total number of unique words is 890
    70.7 of words are in the 2000 most common words
    86.3 of words are in the 5000 most common words
    91.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 54
    Total number of words is 3501
    Total number of unique words is 871
    67.6 of words are in the 2000 most common words
    84.9 of words are in the 5000 most common words
    90.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 55
    Total number of words is 3370
    Total number of unique words is 984
    61.3 of words are in the 2000 most common words
    79.3 of words are in the 5000 most common words
    85.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 56
    Total number of words is 3510
    Total number of unique words is 985
    63.2 of words are in the 2000 most common words
    81.1 of words are in the 5000 most common words
    87.6 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 57
    Total number of words is 3447
    Total number of unique words is 955
    60.7 of words are in the 2000 most common words
    77.7 of words are in the 5000 most common words
    83.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 58
    Total number of words is 3569
    Total number of unique words is 1010
    60.2 of words are in the 2000 most common words
    78.4 of words are in the 5000 most common words
    85.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 59
    Total number of words is 3408
    Total number of unique words is 892
    59.6 of words are in the 2000 most common words
    76.9 of words are in the 5000 most common words
    84.3 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 60
    Total number of words is 3518
    Total number of unique words is 988
    60.7 of words are in the 2000 most common words
    79.1 of words are in the 5000 most common words
    85.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 61
    Total number of words is 3658
    Total number of unique words is 923
    66.2 of words are in the 2000 most common words
    82.4 of words are in the 5000 most common words
    88.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 62
    Total number of words is 3130
    Total number of unique words is 994
    61.3 of words are in the 2000 most common words
    79.8 of words are in the 5000 most common words
    87.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 63
    Total number of words is 3594
    Total number of unique words is 1018
    61.3 of words are in the 2000 most common words
    80.6 of words are in the 5000 most common words
    87.3 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 64
    Total number of words is 3499
    Total number of unique words is 1045
    59.9 of words are in the 2000 most common words
    79.0 of words are in the 5000 most common words
    85.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 65
    Total number of words is 3497
    Total number of unique words is 1074
    56.4 of words are in the 2000 most common words
    74.0 of words are in the 5000 most common words
    83.6 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 66
    Total number of words is 3548
    Total number of unique words is 925
    66.3 of words are in the 2000 most common words
    83.0 of words are in the 5000 most common words
    88.9 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 67
    Total number of words is 3481
    Total number of unique words is 930
    64.6 of words are in the 2000 most common words
    82.8 of words are in the 5000 most common words
    88.9 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 68
    Total number of words is 3398
    Total number of unique words is 1028
    57.6 of words are in the 2000 most common words
    76.6 of words are in the 5000 most common words
    84.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 69
    Total number of words is 3247
    Total number of unique words is 1087
    53.2 of words are in the 2000 most common words
    72.3 of words are in the 5000 most common words
    80.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 70
    Total number of words is 3422
    Total number of unique words is 1077
    55.1 of words are in the 2000 most common words
    75.5 of words are in the 5000 most common words
    83.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 71
    Total number of words is 3518
    Total number of unique words is 1048
    60.5 of words are in the 2000 most common words
    78.8 of words are in the 5000 most common words
    86.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • The Woman in White - 72
    Total number of words is 1680
    Total number of unique words is 653
    65.4 of words are in the 2000 most common words
    79.3 of words are in the 5000 most common words
    86.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.