The Catcher in the Rye - 13

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"G'night, sir. Thanks a lot."
He went out in the kitchen and I went in the bathroom and got undressed and all. I
couldn't brush my teeth because I didn't have any toothbrush with me. I didn't have any
pajamas either and Mr. Antolini forgot to lend me some. So I just went back in the living
room and turned off this little lamp next to the couch, and then I got in bed with just my
shorts on. It was way too short for me, the couch, but I really could've slept standing up
without batting an eyelash. I laid awake for just a couple of seconds thinking about all
that stuff Mr. Antolini'd told me. About finding out the size of your mind and all. He was
really a pretty smart guy. But I couldn't keep my goddam eyes open, and I fell asleep.
Then something happened. I don't even like to talk about it.
I woke up all of a sudden. I don't know what time it was or anything, but I woke
up. I felt something on my head, some guy's hand. Boy, it really scared hell out of me.
What it was, it was Mr. Antolini's hand. What he was doing was, he was sitting on the
floor right next to the couch, in the dark and all, and he was sort of petting me or patting
me on the goddam head. Boy, I'll bet I jumped about a thousand feet.
"What the hellya doing?" I said.
"Nothing! I'm simply sitting here, admiring--"
"What're ya doing, anyway?" I said over again. I didn't know what the hell to say-
-I mean I was embarrassed as hell.
"How 'bout keeping your voice down? I'm simply sitting here--"
"I have to go, anyway," I said--boy, was I nervous! I started putting on my damn
pants in the dark. I could hardly get them on I was so damn nervous. I know more damn
perverts, at schools and all, than anybody you ever met, and they're always being perverty
when I'm around.
"You have to go where?" Mr. Antolini said. He was trying to act very goddam
casual and cool and all, but he wasn't any too goddam cool. Take my word.
"I left my bags and all at the station. I think maybe I'd better go down and get
them. I have all my stuff in them."
"They'll be there in the morning. Now, go back to bed. I'm going to bed myself.
What's the matter with you?"
"Nothing's the matter, it's just that all my money and stuff's in one of my bags. I'll
be right back. I'll get a cab and be right back," I said. Boy, I was falling all over myself in
the dark. "The thing is, it isn't mine, the money. It's my mother's, and I--"
"Don't be ridiculous, Holden. Get back in that bed. I'm going to bed myself. The
money will be there safe and sound in the morn--"
"No, no kidding. I gotta get going. I really do." I was damn near all dressed
already, except that I couldn't find my tie. I couldn't remember where I'd put my tie. I put
on my jacket and all without it. Old Mr. Antolini was sitting now in the big chair a little
ways away from me, watching me. It was dark and all and I couldn't see him so hot, but I
knew he was watching me, all right. He was still boozing, too. I could see his trusty
highball glass in his hand.
"You're a very, very strange boy."
"I know it," I said. I didn't even look around much for my tie. So I went without it.
"Good-by, sir," I said, "Thanks a lot. No kidding."
He kept walking right behind me when I went to the front door, and when I rang
the elevator bell he stayed in the damn doorway. All he said was that business about my
being a "very, very strange boy" again. Strange, my ass. Then he waited in the doorway
and all till the goddam elevator came. I never waited so long for an elevator in my whole
goddam life. I swear.
I didn't know what the hell to talk about while I was waiting for the elevator, and
he kept standing there, so I said, "I'm gonna start reading some good books. I really am."
I mean you had to say something. It was very embarrassing.
"You grab your bags and scoot right on back here again. I'll leave the door
unlatched."
"Thanks a lot," I said. "G'by!" The elevator was finally there. I got in and went
down. Boy, I was shaking like a madman. I was sweating, too. When something perverty
like that happens, I start sweating like a bastard. That kind of stuff's happened to me
about twenty times since I was a kid. I can't stand it.
25
When I got outside, it was just getting light out. It was pretty cold, too, but it felt
good because I was sweating so much.
I didn't know where the hell to go. I didn't want to go to another hotel and spend
all Phoebe's dough. So finally all I did was I walked over to Lexington and took the
subway down to Grand Central. My bags were there and all, and I figured I'd sleep in that
crazy waiting room where all the benches are. So that's what I did. It wasn't too bad for a
while because there weren't many people around and I could stick my feet up. But I don't
feel much like discussing it. It wasn't too nice. Don't ever try it. I mean it. It'll depress
you.
I only slept till around nine o'clock because a million people started coming in the
waiting room and I had to take my feet down. I can't sleep so hot if I have to keep my feet
on the floor. So I sat up. I still had that headache. It was even worse. And I think I was
more depressed than I ever was in my whole life.
I didn't want to, but I started thinking about old Mr. Antolini and I wondered what
he'd tell Mrs. Antolini when she saw I hadn't slept there or anything. That part didn't
worry me too much, though, because I knew Mr. Antolini was very smart and that he
could make up something to tell her. He could tell her I'd gone home or something. That
part didn't worry me much. But what did worry me was the part about how I'd woke up
and found him patting me on the head and all. I mean I wondered if just maybe I was
wrong about thinking be was making a flitty pass at ne. I wondered if maybe he just liked
to pat guys on the head when they're asleep. I mean how can you tell about that stuff for
sure? You can't. I even started wondering if maybe I should've got my bags and gone
back to his house, the way I'd said I would. I mean I started thinking that even if he was a
flit he certainly'd been very nice to me. I thought how he hadn't minded it when I'd called
him up so late, and how he'd told me to come right over if I felt like it. And how he went
to all that trouble giving me that advice about finding out the size of your mind and all,
and how he was the only guy that'd even gone near that boy James Castle I told you about
when he was dead. I thought about all that stuff. And the more I thought about it, the
more depressed I got. I mean I started thinking maybe I should've gone back to his house.
Maybe he was only patting my head just for the hell of it. The more I thought about it,
though, the more depressed and screwed up about it I got. What made it even worse, my
eyes were sore as hell. They felt sore and burny from not getting too much sleep. Besides
that, I was getting sort of a cold, and I didn't even have a goddam handkerchief with me. I
had some in my suitcase, but I didn't feel like taking it out of that strong box and opening
it up right in public and all.
There was this magazine that somebody'd left on the bench next to me, so I
started reading it, thinking it'd make me stop thinking about Mr. Antolini and a million
other things for at least a little while. But this damn article I started reading made me feel
almost worse. It was all about hormones. It described how you should look, your face and
eyes and all, if your hormones were in good shape, and I didn't look that way at all. I
looked exactly like the guy in the article with lousy hormones. So I started getting
worried about my hormones. Then I read this other article about how you can tell if you
have cancer or not. It said if you had any sores in your mouth that didn't heal pretty
quickly, it was a sign that you probably had cancer. I'd had this sore on the inside of my
lip for about two weeks. So figured I was getting cancer. That magazine was some little
cheerer upper. I finally quit reading it and went outside for a walk. I figured I'd be dead in
a couple of months because I had cancer. I really did. I was even positive I would be. It
certainly didn't make me feel too gorgeous. It'sort of looked like it was going to rain, but I
went for this walk anyway. For one thing, I figured I ought to get some breakfast. I wasn't
at all hungry, but I figured I ought to at least eat something. I mean at least get something
with some vitamins in it. So I started walking way over east, where the pretty cheap
restaurants are, because I didn't want to spend a lot of dough.
While I was walking, I passed these two guys that were unloading this big
Christmas tree off a truck. One guy kept saying to the other guy, "Hold the sonuvabitch
up! Hold it up, for Chrissake!" It certainly was a gorgeous way to talk about a Christmas
tree. It was sort of funny, though, in an awful way, and I started to sort of laugh. It was
about the worst thing I could've done, because the minute I started to laugh I thought I
was going to vomit. I really did. I even started to, but it went away. I don't know why. I
mean I hadn't eaten anything unsanitary or like that and usually I have quite a strong
stomach. Anyway, I got over it, and I figured I'd feel better if I had something to eat. So I
went in this very cheap-looking restaurant and had doughnuts and coffee. Only, I didn't
eat the doughnuts. I couldn't swallow them too well. The thing is, if you get very
depressed about something, it's hard as hell to swallow. The waiter was very nice,
though. He took them back without charging me. I just drank the coffee. Then I left and
started walking over toward Fifth Avenue.
It was Monday and all, and pretty near Christmas, and all the stores were open. So
it wasn't too bad walking on Fifth Avenue. It was fairly Christmasy. All those scraggylooking Santa Clauses were standing on corners ringing those bells, and the Salvation
Army girls, the ones that don't wear any lipstick or anything, were tinging bells too. I sort
of kept looking around for those two nuns I'd met at breakfast the day before, but I didn't
see them. I knew I wouldn't, because they'd told me they'd come to New York to be
schoolteachers, but I kept looking for them anyway. Anyway, it was pretty Christmasy all
of a sudden. A million little kids were downtown with their mothers, getting on and off
buses and coming in and out of stores. I wished old Phoebe was around. She's not little
enough any more to go stark staring mad in the toy department, but she enjoys horsing
around and looking at the people. The Christmas before last I took her downtown
shopping with me. We had a helluva time. I think it was in Bloomingdale's. We went in
the shoe department and we pretended she--old Phoebe-- wanted to get a pair of those
very high storm shoes, the kind that have about a million holes to lace up. We had the
poor salesman guy going crazy. Old Phoebe tried on about twenty pairs, and each time
the poor guy had to lace one shoe all the way up. It was a dirty trick, but it killed old
Phoebe. We finally bought a pair of moccasins and charged them. The salesman was very
nice about it. I think he knew we were horsing around, because old Phoebe always starts
giggling.
Anyway, I kept walking and walking up Fifth Avenue, without any tie on or
anything. Then all of a sudden, something very spooky started happening. Every time I
came to the end of a block and stepped off the goddam curb, I had this feeling that I'd
never get to the other side of the street. I thought I'd just go down, down, down, and
nobody'd ever see me again. Boy, did it scare me. You can't imagine. I started sweating
like a bastard--my whole shirt and underwear and everything. Then I started doing
something else. Every time I'd get to the end of a block I'd make believe I was talking to
my brother Allie. I'd say to him, "Allie, don't let me disappear. Allie, don't let me
disappear. Allie, don't let me disappear. Please, Allie." And then when I'd reach the other
side of the street without disappearing, I'd thank him. Then it would start all over again as
soon as I got to the next corner. But I kept going and all. I was sort of afraid to stop, I
think--I don't remember, to tell you the truth. I know I didn't stop till I was way up in the
Sixties, past the zoo and all. Then I sat down on this bench. I could hardly get my breath,
and I was still sweating like a bastard. I sat there, I guess, for about an hour. Finally, what
I decided I'd do, I decided I'd go away. I decided I'd never go home again and I'd never
go away to another school again. I decided I'd just see old Phoebe and sort of say goodby to her and all, and give her back her Christmas dough, and then I'd start hitchhiking
my way out West. What I'd do, I figured, I'd go down to the Holland Tunnel and bum a
ride, and then I'd bum another one, and another one, and another one, and in a few days
I'd be somewhere out West where it was very pretty and sunny and where nobody'd know
me and I'd get a job. I figured I could get a job at a filling station somewhere, putting gas
and oil in people's cars. I didn't care what kind of job it was, though. Just so people didn't
know me and I didn't know anybody. I thought what I'd do was, I'd pretend I was one of
those deaf-mutes. That way I wouldn't have to have any goddam stupid useless
conversations with anybody. If anybody wanted to tell me something, they'd have to
write it on a piece of paper and shove it over to me. They'd get bored as hell doing that
after a while, and then I'd be through with having conversations for the rest of my life.
Everybody'd think I was just a poor deaf-mute bastard and they'd leave me alone. They'd
let me put gas and oil in their stupid cars, and they'd pay me a salary and all for it, and I'd
build me a little cabin somewhere with the dough I made and live there for the rest of my
life. I'd build it right near the woods, but not right in them, because I'd want it to be sunny
as hell all the time. I'd cook all my own food, and later on, if I wanted to get married or
something, I'd meet this beautiful girl that was also a deaf-mute and we'd get married.
She'd come and live in my cabin with me, and if she wanted to say anything to me, she'd
have to write it on a goddam piece of paper, like everybody else. If we had any children,
we'd hide them somewhere. We could buy them a lot of books and teach them how to
read and write by ourselves.
I got excited as hell thinking about it. I really did. I knew the part about
pretending I was a deaf-mute was crazy, but I liked thinking about it anyway. But I really
decided to go out West and all. All I wanted to do first was say good-by to old Phoebe.
So all of a sudden, I ran like a madman across the street--I damn near got killed doing it,
if you want to know the truth--and went in this stationery store and bought a pad and
pencil. I figured I'd write her a note telling her where to meet me so I could say good-by
to her and give her back her Christmas dough, and then I'd take the note up to her school
and get somebody in the principal's office to give it to her. But I just put the pad and
pencil in my pocket and started walking fast as hell up to her school--I was too excited to
write the note right in the stationery store. I walked fast because I wanted her to get the
note before she went home for lunch, and I didn't have any too much time.
I knew where her school was, naturally, because I went there myself when I was a
kid. When I got there, it felt funny. I wasn't sure I'd remember what it was like inside, but
I did. It was exactly the same as it was when I went there. They had that same big yard
inside, that was always sort of dark, with those cages around the light bulbs so they
wouldn't break if they got hit with a ball. They had those same white circles painted all
over the floor, for games and stuff. And those same old basketball rings without any nets-
-just the backboards and the rings.
Nobody was around at all, probably because it wasn't recess period, and it wasn't
lunchtime yet. All I saw was one little kid, a colored kid, on his way to the bathroom. He
had one of those wooden passes sticking out of his hip pocket, the same way we used to
have, to show he had permission and all to go to the bathroom.
I was still sweating, but not so bad any more. I went over to the stairs and sat
down on the first step and took out the pad and pencil I'd bought. The stairs had the same
smell they used to have when I went there. Like somebody'd just taken a leak on them.
School stairs always smell like that. Anyway, I sat there and wrote this note:
DEAR PHOEBE,
I can't wait around till Wednesday any more so I will
probably hitch hike out west this afternoon. Meet me at the
Museum of art near the door at quarter past 12 if you can and I
will give you your Christmas dough back. I didn't spend much.
Love,
HOLDEN
Her school was practically right near the museum, and she had to pass it on her
way home for lunch anyway, so I knew she could meet me all right.
Then I started walking up the stairs to the principal's office so I could give the
note to somebody that would bring it to her in her classroom. I folded it about ten times
so nobody'd open it. You can't trust anybody in a goddam school. But I knew they'd give
it to her if I was her brother and all.
While I was walking up the stairs, though, all of a sudden I thought I was going to
puke again. Only, I didn't. I sat down for a second, and then I felt better. But while I was
sitting down, I saw something that drove me crazy. Somebody'd written ".... you" on the
wall. It drove me damn near crazy. I thought how Phoebe and all the other little kids
would see it, and how they'd wonder what the hell it meant, and then finally some dirty
kid would tell them--all cockeyed, naturally--what it meant, and how they'd all think
about it and maybe even worry about it for a couple of days. I kept wanting to kill
whoever'd written it. I figured it was some perverty bum that'd sneaked in the school late
at night to take a leak or something and then wrote it on the wall. I kept picturing myself
catching him at it, and how I'd smash his head on the stone steps till he was good and
goddam dead and bloody. But I knew, too, I wouldn't have the guts to do it. I knew that.
That made me even more depressed. I hardly even had the guts to rub it off the wall with
my hand, if you want to know the truth. I was afraid some teacher would catch me
rubbing it off and would think I'd written it. But I rubbed it out anyway, finally. Then I
went on up to the principal's office.
The principal didn't seem to be around, but some old lady around a hundred years
old was sitting at a typewriter. I told her I was Phoebe Caulfield's brother, in 4B-1, and I
asked her to please give Phoebe the note. I said it was very important because my mother
was sick and wouldn't have lunch ready for Phoebe and that she'd have to meet me and
have lunch in a drugstore. She was very nice about it, the old lady. She took the note off
me and called some other lady, from the next office, and the other lady went to give it to
Phoebe. Then the old lady that was around a hundred years old and I shot the breeze for a
while, She was pretty nice, and I told her how I'd gone there to school, too, and my
brothers. She asked me where I went to school now, and I told her Pencey, and she said
Pencey was a very good school. Even if I'd wanted to, I wouldn't have had the strength to
straighten her out. Besides, if she thought Pencey was a very good school, let her think it.
You hate to tell new stuff to somebody around a hundred years old. They don't like to
hear it. Then, after a while, I left. It was funny. She yelled "Good luck!" at me the same
way old Spencer did when I left Pencey. God, how I hate it when somebody yells "Good
luck!" at me when I'm leaving somewhere. It's depressing.
I went down by a different staircase, and I saw another ".... you" on the wall. I
tried to rub it off with my hand again, but this one was scratched on, with a knife or
something. It wouldn't come off. It's hopeless, anyway. If you had a million years to do
it in, you couldn't rub out even half the ".... you" signs in the world. It's impossible.
I looked at the clock in the recess yard, and it was only twenty to twelve, so I had
quite a lot of time to kill before I met old Phoebe. But I just walked over to the museum
anyway. There wasn't anyplace else to go. I thought maybe I might stop in a phone booth
and give old Jane Gallagher a buzz before I started bumming my way west, but I wasn't
in the mood. For one thing, I wasn't even sure she was home for vacation yet. So I just
went over to the museum, and hung around.
While I was waiting around for Phoebe in the museum, right inside the doors and
all, these two little kids came up to me and asked me if I knew where the mummies were.
The one little kid, the one that asked me, had his pants open. I told him about it. So he
buttoned them up right where he was standing talking to me--he didn't even bother to go
behind a post or anything. He killed me. I would've laughed, but I was afraid I'd feel like
vomiting again, so I didn't. "Where're the mummies, fella?" the kid said again. "Ya
know?"
I horsed around with the two of them a little bit. "The mummies? What're they?" I
asked the one kid.
"You know. The mummies--them dead guys. That get buried in them toons and
all."
Toons. That killed me. He meant tombs.
"How come you two guys aren't in school?" I said.
"No school t'day," the kid that did all the talking said. He was lying, sure as I'm
alive, the little bastard. I didn't have anything to do, though, till old Phoebe showed up, so
I helped them find the place where the mummies were. Boy, I used to know exactly
where they were, but I hadn't been in that museum in years.
"You two guys so interested in mummies?" I said.
"Yeah."
"Can't your friend talk?" I said.
"He ain't my friend. He's my brudda."
"Can't he talk?" I looked at the one that wasn't doing any talking. "Can't you talk
at all?" I asked him.
"Yeah," he said. "I don't feel like it."
Finally we found the place where the mummies were, and we went in.
"You know how the Egyptians buried their dead?" I asked the one kid.
"Naa."
"Well, you should. It's very interesting. They wrapped their faces up in these
cloths that were treated with some secret chemical. That way they could be buried in their
tombs for thousands of years and their faces wouldn't rot or anything. Nobody knows
how to do it except the Egyptians. Even modern science."
To get to where the mummies were, you had to go down this very narrow sort of
hall with stones on the side that they'd taken right out of this Pharaoh's tomb and all. It
was pretty spooky, and you could tell the two hot-shots I was with weren't enjoying it too
much. They stuck close as hell to me, and the one that didn't talk at all practically was
holding onto my sleeve. "Let's go," he said to his brother. "I seen 'em awreddy. C'mon,
hey." He turned around and beat it.
"He's got a yella streak a mile wide," the other one said. "So long!" He beat it too.
I was the only one left in the tomb then. I sort of liked it, in a way. It was so nice
and peaceful. Then, all of a sudden, you'd never guess what I saw on the wall. Another
".... you." It was written with a red crayon or something, right under the glass part of
the wall, under the stones.
That's the whole trouble. You can't ever find a place that's nice and peaceful,
because there isn't any. You may think there is, but once you get there, when you're
not looking, somebody'll sneak up and write ".... you" right under your nose. Try it
sometime. I think, even, if I ever die, and they stick me in a cemetery, and I have a
tombstone and all, it'll say "Holden Caulfield" on it, and then what year I was born and
what year I died, and then right under that it'll say ".... you." I'm positive, in fact.
After I came out of the place where the mummies were, I had to go to the
bathroom. I sort of had diarrhea, if you want to know the truth. I didn't mind the diarrhea
part too much, but something else happened. When I was coming out of the can, right
before I got to the door, I sort of passed out. I was lucky, though. I mean I could've killed
myself when I hit the floor, but all I did was sort of land on my side. it was a funny thing,
though. I felt better after I passed out. I really did. My arm sort of hurt, from where I fell,
but I didn't feel so damn dizzy any more.
It was about ten after twelve or so then, and so I went back and stood by the door
and waited for old Phoebe. I thought how it might be the last time I'd ever see her again.
Any of my relatives, I mean. I figured I'd probably see them again, but not for years. I
might come home when I was about thirty-five. I figured, in case somebody got sick and
wanted to see me before they died, but that would be the only reason I'd leave my cabin
and come back. I even started picturing how it would be when I came back. I knew my
mother'd get nervous as hell and start to cry and beg me to stay home and not go back to
my cabin, but I'd go anyway. I'd be casual as hell. I'd make her calm down, and then I'd
go over to the other side of the living room and take out this cigarette case and light a
cigarette, cool as all hell. I'd ask them all to visit me sometime if they wanted to, but I
wouldn't insist or anything. What I'd do, I'd let old Phoebe come out and visit me in the
summertime and on Christmas vacation and Easter vacation. And I'd let D.B. come out
and visit me for a while if he wanted a nice, quiet place for his writing, but he couldn't
write any movies in my cabin, only stories and books. I'd have this rule that nobody could
do anything phony when they visited me. If anybody tried to do anything phony, they
couldn't stay.
All of a sudden I looked at the clock in the checkroom and it was twenty-five of
one. I began to get scared that maybe that old lady in the school had told that other lady
not to give old Phoebe my message. I began to get scared that maybe she'd told her to
burn it or something. It really scared hell out of me. I really wanted to see old Phoebe
before I hit the road. I mean I had her Christmas dough and all.
Finally, I saw her. I saw her through the glass part of the door. The reason I saw
her, she had my crazy hunting hat on--you could see that hat about ten miles away.
I went out the doors and started down these stone stairs to meet her. The thing I
couldn't understand, she had this big suitcase with her. She was just coming across Fifth
Avenue, and she was dragging this goddam big suitcase with her. She could hardly drag
it. When I got up closer, I saw it was my old suitcase, the one I used to use when I was at
Whooton. I couldn't figure out what the hell she was doing with it. "Hi," she said when
she got up close. She was all out of breath from that crazy suitcase.
"I thought maybe you weren't coming," I said. "What the hell's in that bag? I don't
need anything. I'm just going the way I am. I'm not even taking the bags I got at the
station. What the hellya got in there?"
She put the suitcase down. "My clothes," she said. "I'm going with you. Can I?
Okay?"
"What?" I said. I almost fell over when she said that. I swear to God I did. I got
sort of dizzy and I thought I was going to pass out or something again.
"I took them down the back elevator so Charlene wouldn't see me. It isn't heavy.
All I have in it is two dresses and my moccasins and my underwear and socks and some
other things. Feel it. It isn't heavy. Feel it once. . . Can't I go with you? Holden? Can't I?
Please."
"No. Shut up."
I thought I was going to pass out cold. I mean I didn't mean to tell her to shut up
and all, but I thought I was going to pass out again.
"Why can't I? Please, Holden! I won't do anything-- I'll just go with you, that's all!
I won't even take my clothes with me if you don't want me to--I'll just take my--"
"You can't take anything. Because you're not going. I'm going alone. So shut up."
"Please, Holden. Please let me go. I'll be very, very, very--You won't even--"
"You're not going. Now, shut up! Gimme that bag," I said. I took the bag off her. I
was almost all set to hit her, I thought I was going to smack her for a second. I really did.
She started to cry.
"I thought you were supposed to be in a play at school and all I thought you were
supposed to be Benedict Arnold in that play and all," I said. I said it very nasty.
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Çirattagı - The Catcher in the Rye - 14
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    Süzlärneñ gomumi sanı 5458
    Unikal süzlärneñ gomumi sanı 1064
    57.8 süzlär 2000 iñ yış oçrıy torgan süzlärgä kerä.
    70.6 süzlär 5000 iñ yış oçrıy torgan süzlärgä kerä.
    76.8 süzlär 8000 iñ yış oçrıy torgan süzlärgä kerä.
    Härber sızık iñ yış oçrıy torgan 1000 süzlärneñ protsentnı kürsätä.
  • The Catcher in the Rye - 02
    Süzlärneñ gomumi sanı 5394
    Unikal süzlärneñ gomumi sanı 1022
    54.4 süzlär 2000 iñ yış oçrıy torgan süzlärgä kerä.
    67.3 süzlär 5000 iñ yış oçrıy torgan süzlärgä kerä.
    73.5 süzlär 8000 iñ yış oçrıy torgan süzlärgä kerä.
    Härber sızık iñ yış oçrıy torgan 1000 süzlärneñ protsentnı kürsätä.
  • The Catcher in the Rye - 03
    Süzlärneñ gomumi sanı 5476
    Unikal süzlärneñ gomumi sanı 948
    57.0 süzlär 2000 iñ yış oçrıy torgan süzlärgä kerä.
    69.7 süzlär 5000 iñ yış oçrıy torgan süzlärgä kerä.
    75.8 süzlär 8000 iñ yış oçrıy torgan süzlärgä kerä.
    Härber sızık iñ yış oçrıy torgan 1000 süzlärneñ protsentnı kürsätä.
  • The Catcher in the Rye - 04
    Süzlärneñ gomumi sanı 5460
    Unikal süzlärneñ gomumi sanı 1107
    54.9 süzlär 2000 iñ yış oçrıy torgan süzlärgä kerä.
    68.8 süzlär 5000 iñ yış oçrıy torgan süzlärgä kerä.
    74.5 süzlär 8000 iñ yış oçrıy torgan süzlärgä kerä.
    Härber sızık iñ yış oçrıy torgan 1000 süzlärneñ protsentnı kürsätä.
  • The Catcher in the Rye - 05
    Süzlärneñ gomumi sanı 5470
    Unikal süzlärneñ gomumi sanı 1047
    55.2 süzlär 2000 iñ yış oçrıy torgan süzlärgä kerä.
    68.3 süzlär 5000 iñ yış oçrıy torgan süzlärgä kerä.
    74.0 süzlär 8000 iñ yış oçrıy torgan süzlärgä kerä.
    Härber sızık iñ yış oçrıy torgan 1000 süzlärneñ protsentnı kürsätä.
  • The Catcher in the Rye - 06
    Süzlärneñ gomumi sanı 5473
    Unikal süzlärneñ gomumi sanı 1010
    56.9 süzlär 2000 iñ yış oçrıy torgan süzlärgä kerä.
    70.9 süzlär 5000 iñ yış oçrıy torgan süzlärgä kerä.
    75.5 süzlär 8000 iñ yış oçrıy torgan süzlärgä kerä.
    Härber sızık iñ yış oçrıy torgan 1000 süzlärneñ protsentnı kürsätä.
  • The Catcher in the Rye - 07
    Süzlärneñ gomumi sanı 5483
    Unikal süzlärneñ gomumi sanı 1075
    52.7 süzlär 2000 iñ yış oçrıy torgan süzlärgä kerä.
    67.6 süzlär 5000 iñ yış oçrıy torgan süzlärgä kerä.
    73.3 süzlär 8000 iñ yış oçrıy torgan süzlärgä kerä.
    Härber sızık iñ yış oçrıy torgan 1000 süzlärneñ protsentnı kürsätä.
  • The Catcher in the Rye - 08
    Süzlärneñ gomumi sanı 5521
    Unikal süzlärneñ gomumi sanı 1041
    56.7 süzlär 2000 iñ yış oçrıy torgan süzlärgä kerä.
    70.6 süzlär 5000 iñ yış oçrıy torgan süzlärgä kerä.
    75.6 süzlär 8000 iñ yış oçrıy torgan süzlärgä kerä.
    Härber sızık iñ yış oçrıy torgan 1000 süzlärneñ protsentnı kürsätä.
  • The Catcher in the Rye - 09
    Süzlärneñ gomumi sanı 5543
    Unikal süzlärneñ gomumi sanı 1111
    55.2 süzlär 2000 iñ yış oçrıy torgan süzlärgä kerä.
    68.7 süzlär 5000 iñ yış oçrıy torgan süzlärgä kerä.
    74.2 süzlär 8000 iñ yış oçrıy torgan süzlärgä kerä.
    Härber sızık iñ yış oçrıy torgan 1000 süzlärneñ protsentnı kürsätä.
  • The Catcher in the Rye - 10
    Süzlärneñ gomumi sanı 5488
    Unikal süzlärneñ gomumi sanı 1032
    55.4 süzlär 2000 iñ yış oçrıy torgan süzlärgä kerä.
    68.3 süzlär 5000 iñ yış oçrıy torgan süzlärgä kerä.
    74.1 süzlär 8000 iñ yış oçrıy torgan süzlärgä kerä.
    Härber sızık iñ yış oçrıy torgan 1000 süzlärneñ protsentnı kürsätä.
  • The Catcher in the Rye - 11
    Süzlärneñ gomumi sanı 5435
    Unikal süzlärneñ gomumi sanı 988
    55.4 süzlär 2000 iñ yış oçrıy torgan süzlärgä kerä.
    68.2 süzlär 5000 iñ yış oçrıy torgan süzlärgä kerä.
    73.7 süzlär 8000 iñ yış oçrıy torgan süzlärgä kerä.
    Härber sızık iñ yış oçrıy torgan 1000 süzlärneñ protsentnı kürsätä.
  • The Catcher in the Rye - 12
    Süzlärneñ gomumi sanı 5371
    Unikal süzlärneñ gomumi sanı 1077
    57.1 süzlär 2000 iñ yış oçrıy torgan süzlärgä kerä.
    73.0 süzlär 5000 iñ yış oçrıy torgan süzlärgä kerä.
    77.8 süzlär 8000 iñ yış oçrıy torgan süzlärgä kerä.
    Härber sızık iñ yış oçrıy torgan 1000 süzlärneñ protsentnı kürsätä.
  • The Catcher in the Rye - 13
    Süzlärneñ gomumi sanı 5633
    Unikal süzlärneñ gomumi sanı 973
    57.6 süzlär 2000 iñ yış oçrıy torgan süzlärgä kerä.
    71.4 süzlär 5000 iñ yış oçrıy torgan süzlärgä kerä.
    76.4 süzlär 8000 iñ yış oçrıy torgan süzlärgä kerä.
    Härber sızık iñ yış oçrıy torgan 1000 süzlärneñ protsentnı kürsätä.
  • The Catcher in the Rye - 14
    Süzlärneñ gomumi sanı 2485
    Unikal süzlärneñ gomumi sanı 522
    72.0 süzlär 2000 iñ yış oçrıy torgan süzlärgä kerä.
    83.7 süzlär 5000 iñ yış oçrıy torgan süzlärgä kerä.
    87.4 süzlär 8000 iñ yış oçrıy torgan süzlärgä kerä.
    Härber sızık iñ yış oçrıy torgan 1000 süzlärneñ protsentnı kürsätä.