Caesar and Cleopatra - 2

CLEOPATRA (flinging her arms in terror round him). No: you shan’t leave me. No, no, no: don’t go. I’m afraid—afraid of the Romans.

CAESAR (as the conviction that he is really awake forces itself on him). Cleopatra: can you see my face well?

CLEOPATRA. Yes. It is so white in the moonlight.

CAESAR. Are you sure it is the moonlight that makes me look whiter than an Egyptian? (Grimly) Do you notice that I have a rather long nose?

CLEOPATRA (recoiling, paralyzed by a terrible suspicion). Oh!

CAESAR. It is a Roman nose, Cleopatra.

CLEOPATRA. Ah! (With a piercing scream she springs up; darts round the left shoulder of the Sphinx; scrambles down to the sand; and falls on her knees in frantic supplication, shrieking) Bite him in two, Sphinx: bite him in two. I meant to sacrifice the white cat—I did indeed—I (Caesar, who has slipped down from the pedestal, touches her on the shoulder) Ah! (She buries her head in her arms.)

CAESAR. Cleopatra: shall I teach you a way to prevent Caesar from eating you?

CLEOPATRA (clinging to him piteously). Oh do, do, do. I will steal Ftatateeta’s jewels and give them to you. I will make the river Nile water your lands twice a year.

CAESAR. Peace, peace, my child. Your gods are afraid of the Romans: you see the Sphinx dare not bite me, nor prevent me carrying you off to Julius Caesar.

CLEOPATRA (in pleading murmurings). You won’t, you won’t. You said you wouldn’t.

CAESAR. Caesar never eats women.

CLEOPATRA (springing up full of hope). What!

CAESAR (impressively). But he eats girls (she relapses) and cats. Now you are a silly little girl; and you are descended from the black kitten. You are both a girl and a cat.

CLEOPATRA (trembling). And will he eat me?

CAESAR. Yes; unless you make him believe that you are a woman.

CLEOPATRA. Oh, you must get a sorcerer to make a woman of me. Are you a sorcerer?

CAESAR. Perhaps. But it will take a long time; and this very night you must stand face to face with Caesar in the palace of your fathers.

CLEOPATRA. No, no. I daren’t.

CAESAR. Whatever dread may be in your soul—however terrible Caesar may be to you—you must confront him as a brave woman and a great queen; and you must feel no fear. If your hand shakes: if your voice quavers; then—night and death! (She moans.) But if he thinks you worthy to rule, he will set you on the throne by his side and make you the real ruler of Egypt.

CLEOPATRA (despairingly). No: he will find me out: he will find me out.

CAESAR (rather mournfully). He is easily deceived by women. Their eyes dazzle him; and he sees them not as they are, but as he wishes them to appear to him.

CLEOPATRA (hopefully). Then we will cheat him. I will put on Ftatateeta’s head-dress; and he will think me quite an old woman.

CAESAR. If you do that he will eat you at one mouthful.

CLEOPATRA. But I will give him a cake with my magic opal and seven hairs of the white cat baked in it; and——

CAESAR (abruptly). Pah! you are a little fool. He will eat your cake and you too. (He turns contemptuously from her.)

CLEOPATRA (running after him and clinging to him). Oh, please, please! I will do whatever you tell me. I will be good! I will be your slave. (Again the terrible bellowing note sounds across the desert, now closer at hand. It is the bucina, the Roman war trumpet.)

CAESAR. Hark!

CLEOPATRA (trembling). What was that?

CAESAR. Caesar’s voice.

CLEOPATRA (pulling at his hand). Let us run away. Come. Oh, come.

CAESAR. You are safe with me until you stand on your throne to receive Caesar. Now lead me thither.

CLEOPATRA (only too glad to get away). I will, I will. (Again the bucina.) Oh, come, come, come: the gods are angry. Do you feel the earth shaking?

CAESAR. It is the tread of Caesar’s legions.

CLEOPATRA (drawing him away). This way, quickly. And let us look for the white cat as we go. It is he that has turned you into a Roman.

CAESAR. Incorrigible, oh, incorrigible! Away! (He follows her, the bucina sounding louder as they steal across the desert. The moonlight wanes: the horizon again shows black against the sky, broken only by the fantastic silhouette of the Sphinx. The sky itself vanishes in darkness, from which there is no relief until the gleam of a distant torch falls on great Egyptian pillars supporting the roof of a majestic corridor. At the further end of this corridor a Nubian slave appears carrying the torch. Caesar, still led by Cleopatra, follows him. They come down the corridor, Caesar peering keenly about at the strange architecture, and at the pillar shadows between which, as the passing torch makes them hurry noiselessly backwards, figures of men with wings and hawks’ heads, and vast black marble cats, seem to flit in and out of ambush. Further along, the wall turns a corner and makes a spacious transept in which Caesar sees, on his right, a throne, and behind the throne a door. On each side of the throne is a slender pillar with a lamp on it.)

CAESAR. What place is this?

CLEOPATRA. This is where I sit on the throne when I am allowed to wear my crown and robes. (The slave holds his torch to shew the throne.)

CAESAR. Order the slave to light the lamps.

CLEOPATRA (shyly). Do you think I may?

CAESAR. Of course. You are the Queen. (She hesitates.) Go on.

CLEOPATRA (timidly, to the slave). Light all the lamps.

FTATATEETA (suddenly coming from behind the throne). Stop. (The slave stops. She turns sternly to Cleopatra, who quails like a naughty child.) Who is this you have with you; and how dare you order the lamps to be lighted without my permission? (Cleopatra is dumb with apprehension.)

CAESAR. Who is she?

CLEOPATRA. Ftatateeta.

FTATATEETA (arrogantly). Chief nurse to——

CAESAR (cutting her short). I speak to the Queen. Be silent. (To Cleopatra) Is this how your servants know their places? Send her away; and you (to the slave) do as the Queen has bidden. (The slave lights the lamps. Meanwhile Cleopatra stands hesitating, afraid of Ftatateeta.) You are the Queen: send her away.

CLEOPATRA (cajoling). Ftatateeta, dear: you must go away—just for a little.

CAESAR. You are not commanding her to go away: you are begging her. You are no Queen. You will be eaten. Farewell. (He turns to go.)

CLEOPATRA (clutching him). No, no, no. Don’t leave me.

CAESAR. A Roman does not stay with queens who are afraid of their slaves.

CLEOPATRA. I am not afraid. Indeed I am not afraid.

FTATATEETA. We shall see who is afraid here. (Menacingly) Cleopatra——

CAESAR. On your knees, woman: am I also a child that you dare trifle with me? (He points to the floor at Cleopatra’s feet. Ftatateeta, half cowed, half savage, hesitates. Caesar calls to the Nubian) Slave. (The Nubian comes to him.) Can you cut off a head? (The Nubian nods and grins ecstatically, showing all his teeth. Caesar takes his sword by the scabbard, ready to offer the hilt to the Nubian, and turns again to Ftatateeta, repeating his gesture.) Have you remembered yourself, mistress?

Ftatateeta, crushed, kneels before Cleopatra, who can hardly believe her eyes.

FTATATEETA (hoarsely). O Queen, forget not thy servant in the days of thy greatness.

CLEOPATRA (blazing with excitement). Go. Begone. Go away. (Ftatateeta rises with stooped head, and moves backwards towards the door. Cleopatra watches her submission eagerly, almost clapping her hands, which are trembling. Suddenly she cries) Give me something to beat her with. (She snatches a snake-skin from the throne and dashes after Ftatateeta, whirling it like a scourge in the air. Caesar makes a bound and manages to catch her and hold her while Ftatateeta escapes.)

CAESAR. You scratch, kitten, do you?

CLEOPATRA (breaking from him). I will beat somebody. I will beat him. (She attacks the slave.) There, there, there! (The slave flies for his life up the corridor and vanishes. She throws the snake-skin away and jumps on the step of the throne with her arms waving, crying) I am a real Queen at last—a real, real Queen! Cleopatra the Queen! (Caesar shakes his head dubiously, the advantage of the change seeming open to question from the point of view of the general welfare of Egypt. She turns and looks at him exultantly. Then she jumps down from the step, runs to him, and flings her arms round him rapturously, crying) Oh, I love you for making me a Queen.

CAESAR. But queens love only kings.

CLEOPATRA. I will make all the men I love kings. I will make you a king. I will have many young kings, with round, strong arms; and when I am tired of them I will whip them to death; but you shall always be my king: my nice, kind, wise, good old king.

CAESAR. Oh, my wrinkles, my wrinkles! And my child’s heart! You will be the most dangerous of all Caesar’s conquests.

CLEOPATRA (appalled). Caesar! I forgot Caesar. (Anxiously) You will tell him that I am a Queen, will you not?—a real Queen. Listen! (stealthily coaxing him) let us run away and hide until Caesar is gone.

CAESAR. If you fear Caesar, you are no true Queen; and though you were to hide beneath a pyramid, he would go straight to it and lift it with one hand. And then—! (He chops his teeth together.)

CLEOPATRA (trembling). Oh!

CAESAR. Be afraid if you dare. (The note of the bucina resounds again in the distance. She moans with fear. Caesar exalts in it, exclaiming) Aha! Caesar approaches the throne of Cleopatra. Come: take your place. (He takes her hand and leads her to the throne. She is too downcast to speak.) Ho, there, Teetatota. How do you call your slaves?

CLEOPATRA (spiritlessly, as she sinks on the throne and cowers there, shaking). Clap your hands.

He claps his hands. Ftatateeta returns.

CAESAR. Bring the Queen’s robes, and her crown, and her women; and prepare her.

CLEOPATRA (eagerly—recovering herself a little). Yes, the crown, Ftatateeta: I shall wear the crown.

FTATATEETA. For whom must the Queen put on her state?

CAESAR. For a citizen of Rome. A king of kings, Totateeta.

CLEOPATRA (stamping at her). How dare you ask questions? Go and do as you are told. (Ftatateeta goes out with a grim smile. Cleopatra goes on eagerly, to Caesar) Caesar will know that I am a Queen when he sees my crown and robes, will he not?

CAESAR. No. How shall he know that you are not a slave dressed up in the Queen’s ornaments?

CLEOPATRA. You must tell him.

CAESAR. He will not ask me. He will know Cleopatra by her pride, her courage, her majesty, and her beauty. (She looks very doubtful.) Are you trembling?

CLEOPATRA (shivering with dread). No, I—I—(in a very sickly voice) No.

Ftatateeta and three women come in with the regalia.

FTATATEETA. Of all the Queen’s women, these three alone are left. The rest are fled. (They begin to deck Cleopatra, who submits, pale and motionless.)

CAESAR. Good, good. Three are enough. Poor Caesar generally has to dress himself.

FTATATEETA (contemptuously). The Queen of Egypt is not a Roman barbarian. (To Cleopatra) Be brave, my nursling. Hold up your head before this stranger.

CAESAR (admiring Cleopatra, and placing the crown on her head). Is it sweet or bitter to be a Queen, Cleopatra?

CLEOPATRA. Bitter.

CAESAR. Cast out fear; and you will conquer Caesar. Tota: are the Romans at hand?

FTATATEETA. They are at hand; and the guard has fled.

THE WOMEN (wailing subduedly). Woe to us!

The Nubian comes running down the hall.

NUBIAN. The Romans are in the courtyard. (He bolts through the door. With a shriek, the women fly after him. Ftatateeta’s jaw expresses savage resolution: she does not budge. Cleopatra can hardly restrain herself from following them. Caesar grips her wrist, and looks steadfastly at her. She stands like a martyr.)

CAESAR. The Queen must face Caesar alone. Answer “So be it.”

CLEOPATRA (white). So be it.

CAESAR (releasing her). Good.

A tramp and tumult of armed men is heard. Cleopatra’s terror increases. The bucina sounds close at hand, followed by a formidable clangor of trumpets. This is too much for Cleopatra: she utters a cry and darts towards the door. Ftatateeta stops her ruthlessly.

FTATATEETA. You are my nursling. You have said “So be it”; and if you die for it, you must make the Queen’s word good. (She hands Cleopatra to Caesar, who takes her back, almost beside herself with apprehension, to the throne.)

CAESAR. Now, if you quail—! (He seats himself on the throne.)

She stands on the step, all but unconscious, waiting for death. The Roman soldiers troop in tumultuously through the corridor, headed by their ensign with his eagle, and their bucinator, a burly fellow with his instrument coiled round his body, its brazen bell shaped like the head of a howling wolf. When they reach the transept, they stare in amazement at the throne; dress into ordered rank opposite it; draw their swords and lift them in the air with a shout of Hail, Caesar. Cleopatra turns and stares wildly at Caesar; grasps the situation; and, with a great sob of relief, falls into his arms.






ACT II

Alexandria. A hall on the first floor of the Palace, ending in a loggia approached by two steps. Through the arches of the loggia the Mediterranean can be seen, bright in the morning sun. The clean lofty walls, painted with a procession of the Egyptian theocracy, presented in profile as flat ornament, and the absence of mirrors, sham perspectives, stuffy upholstery and textiles, make the place handsome, wholesome, simple and cool, or, as a rich English manufacturer would express it, poor, bare, ridiculous and unhomely. For Tottenham Court Road civilization is to this Egyptian civilization as glass bead and tattoo civilization is to Tottenham Court Road.

The young king Ptolemy Dionysus (aged ten) is at the top of the steps, on his way in through the loggia, led by his guardian Pothinus, who has him by the hand. The court is assembled to receive him. It is made up of men and women (some of the women being officials) of various complexions and races, mostly Egyptian; some of them, comparatively fair, from lower Egypt; some, much darker, from upper Egypt; with a few Greeks and Jews. Prominent in a group on Ptolemy’s right hand is Theodotus, Ptolemy’s tutor. Another group, on Ptolemy’s left, is headed by Achillas, the general of Ptolemy’s troops. Theodotus is a little old man, whose features are as cramped and wizened as his limbs, except his tall straight forehead, which occupies more space than all the rest of his face. He maintains an air of magpie keenness and profundity, listening to what the others say with the sarcastic vigilance of a philosopher listening to the exercises of his disciples. Achillas is a tall handsome man of thirty-five, with a fine black beard curled like the coat of a poodle. Apparently not a clever man, but distinguished and dignified. Pothinus is a vigorous man of fifty, a eunuch, passionate, energetic and quick witted, but of common mind and character; impatient and unable to control his temper. He has fine tawny hair, like fur. Ptolemy, the King, looks much older than an English boy of ten; but he has the childish air, the habit of being in leading strings, the mixture of impotence and petulance, the appearance of being excessively washed, combed and dressed by other hands, which is exhibited by court-bred princes of all ages.

All receive the King with reverences. He comes down the steps to a chair of state which stands a little to his right, the only seat in the hall. Taking his place before it, he looks nervously for instructions to Pothinus, who places himself at his left hand.




POTHINUS. The King of Egypt has a word to speak.

THEODOTUS (in a squeak which he makes impressive by sheer self-opinionativeness). Peace for the King’s word!

PTOLEMY (without any vocal inflexions: he is evidently repeating a lesson). Take notice of this all of you. I am the firstborn son of Auletes the Flute Blower who was your King. My sister Berenice drove him from his throne and reigned in his stead but—but (he hesitates)——

POTHINUS (stealthily prompting).—but the gods would not suffer——

PTOLEMY. Yes—the gods would not suffer—not suffer—(he stops; then, crestfallen) I forget what the gods would not suffer.

THEODOTUS. Let Pothinus, the King’s guardian, speak for the King.

POTHINUS (suppressing his impatience with difficulty). The King wished to say that the gods would not suffer the impiety of his sister to go unpunished.

PTOLEMY (hastily). Yes: I remember the rest of it. (He resumes his monotone). Therefore the gods sent a stranger, one Mark Antony, a Roman captain of horsemen, across the sands of the desert and he set my father again upon the throne. And my father took Berenice my sister and struck her head off. And now that my father is dead yet another of his daughters, my sister Cleopatra, would snatch the kingdom from me and reign in my place. But the gods would not suffer (Pothinus coughs admonitorily)—the gods—the gods would not suffer——

POTHINUS (prompting).—will not maintain——

PTOLEMY. Oh yes—will not maintain such iniquity, they will give her head to the axe even as her sister’s. But with the help of the witch Ftatateeta she hath cast a spell on the Roman Julius Caesar to make him uphold her false pretence to rule in Egypt. Take notice then that I will not suffer—that I will not suffer—(pettishly, to Pothinus) What is it that I will not suffer?

POTHINUS (suddenly exploding with all the force and emphasis of political passion). The King will not suffer a foreigner to take from him the throne of our Egypt. (A shout of applause.) Tell the King, Achillas, how many soldiers and horsemen follow the Roman?

THEODOTUS. Let the King’s general speak!

ACHILLAS. But two Roman legions, O King. Three thousand soldiers and scarce a thousand horsemen.

The court breaks into derisive laughter; and a great chattering begins, amid which Rufio, a Roman officer, appears in the loggia. He is a burly, black-bearded man of middle age, very blunt, prompt and rough, with small clear eyes, and plump nose and cheeks, which, however, like the rest of his flesh, are in ironhard condition.

RUFIO (from the steps). Peace, ho! (The laughter and chatter cease abruptly.) Caesar approaches.

THEODOTUS (with much presence of mind). The King permits the Roman commander to enter!

Caesar, plainly dressed, but wearing an oak wreath to conceal his baldness, enters from, the loggia, attended by Britannus, his secretary, a Briton, about forty, tall, solemn, and already slightly bald, with a heavy, drooping, hazel-colored moustache trained so as to lose its ends in a pair of trim whiskers. He is carefully dressed in blue, with portfolio, inkhorn, and reed pen at his girdle. His serious air and sense of the importance of the business in hand is in marked contrast to the kindly interest of Caesar, who looks at the scene, which is new to him, with the frank curiosity of a child, and then turns to the King’s chair: Britannus and Rufio posting themselves near the steps at the other side.

CAESAR (looking at Pothinus and Ptolemy). Which is the King? the man or the boy?

POTHINUS. I am Pothinus, the guardian of my lord the King.

CAESAR (patting Ptolemy kindly on the shoulder). So you are the King. Dull work at your age, eh? (To Pothinus) your servant, Pothinus. (He turns away unconcernedly and comes slowly along the middle of the hall, looking from side to side at the courtiers until he reaches Achillas.) And this gentleman?

THEODOTUS. Achillas, the King’s general.

CAESAR (to Achillas, very friendly). A general, eh? I am a general myself. But I began too old, too old. Health and many victories, Achillas!

ACHILLAS. As the gods will, Caesar.

CAESAR (turning to Theodotus). And you, sir, are——?

THEODOTUS. Theodotus, the King’s tutor.

CAESAR. You teach men how to be kings, Theodotus. That is very clever of you. (Looking at the gods on the walls as he turns away from Theodotus and goes up again to Pothinus.) And this place?

POTHINUS. The council chamber of the chancellors of the King’s treasury, Caesar.

CAESAR. Ah! That reminds me. I want some money.

POTHINUS. The King’s treasury is poor, Caesar.

CAESAR. Yes: I notice that there is but one chair in it.

RUFIO (shouting gruffly). Bring a chair there, some of you, for Caesar.

PTOLEMY (rising shyly to offer his chair). Caesar——

CAESAR (kindly). No, no, my boy: that is your chair of state. Sit down.

He makes Ptolemy sit down again. Meanwhile Rufio, looking about him, sees in the nearest corner an image of the god Ra, represented as a seated man with the head of a hawk. Before the image is a bronze tripod, about as large as a three-legged stool, with a stick of incense burning on it. Rufio, with Roman resourcefulness and indifference to foreign superstitions, promptly seizes the tripod; shakes off the incense; blows away the ash; and dumps it down behind Caesar, nearly in the middle of the hall.

RUFIO. Sit on that, Caesar.

A shiver runs through the court, followed by a hissing whisper of Sacrilege!

CAESAR (seating himself). Now, Pothinus, to business. I am badly in want of money.

BRITANNUS (disapproving of these informal expressions). My master would say that there is a lawful debt due to Rome by Egypt, contracted by the King’s deceased father to the Triumvirate; and that it is Caesar’s duty to his country to require immediate payment.

CAESAR (blandly). Ah, I forgot. I have not made my companions known here. Pothinus: this is Britannus, my secretary. He is an islander from the western end of the world, a day’s voyage from Gaul. (Britannus bows stiffly.) This gentleman is Rufio, my comrade in arms. (Rufio nods.) Pothinus: I want 1,600 talents.

The courtiers, appalled, murmur loudly, and Theodotus and Achillas appeal mutely to one another against so monstrous a demand.

POTHINUS (aghast). Forty million sesterces! Impossible. There is not so much money in the King’s treasury.

CAESAR (encouragingly). Only sixteen hundred talents, Pothinus. Why count it in sesterces? A sestertius is only worth a loaf of bread.

POTHINUS. And a talent is worth a racehorse. I say it is impossible. We have been at strife here, because the King’s sister Cleopatra falsely claims his throne. The King’s taxes have not been collected for a whole year.

CAESAR. Yes they have, Pothinus. My officers have been collecting them all the morning. (Renewed whisper and sensation, not without some stifled laughter, among the courtiers.)

RUFIO (bluntly). You must pay, Pothinus. Why waste words? You are getting off cheaply enough.

POTHINUS (bitterly). Is it possible that Caesar, the conqueror of the world, has time to occupy himself with such a trifle as our taxes?

CAESAR. My friend: taxes are the chief business of a conqueror of the world.

POTHINUS. Then take warning, Caesar. This day, the treasures of the temples and the gold of the King’s treasury will be sent to the mint to be melted down for our ransom in the sight of the people. They shall see us sitting under bare walls and drinking from wooden cups. And their wrath be on your head, Caesar, if you force us to this sacrilege!

CAESAR. Do not fear, Pothinus: the people know how well wine tastes in wooden cups. In return for your bounty, I will settle this dispute about the throne for you, if you will. What say you?

POTHINUS. If I say no, will that hinder you?

RUFIO (defiantly). No.

CAESAR. You say the matter has been at issue for a year, Pothinus. May I have ten minutes at it?

POTHINUS. You will do your pleasure, doubtless.

CAESAR. Good! But first, let us have Cleopatra here.

THEODOTUS. She is not in Alexandria: she is fled into Syria.

CAESAR. I think not. (To Rufio) Call Totateeta.

RUFIO (calling). Ho there, Teetatota.

Ftatateeta enters the loggia, and stands arrogantly at the top of the steps.

FTATATEETA. Who pronounces the name of Ftatateeta, the Queen’s chief nurse?

CAESAR. Nobody can pronounce it, Tota, except yourself. Where is your mistress?

Cleopatra, who is hiding behind Ftafateeta, peeps out at them, laughing. Caesar rises.

CAESAR. Will the Queen favor us with her presence for a moment?

CLEOPATRA (pushing Ftatateeta aside and standing haughtily on the brink of the steps). Am I to behave like a Queen?

CAESAR. Yes.

Cleopatra immediately comes down to the chair of state; seizes Ptolemy and drags him out of his seat; then takes his place in the chair. Ftatateeta seats herself on the step of the loggia, and sits there, watching the scene with sybilline intensity.

PTOLEMY (mortified, and struggling with his tears). Caesar: this is how she treats me always. If I am a King why is she allowed to take everything from me?

CLEOPATRA. You are not to be King, you little cry-baby. You are to be eaten by the Romans.

CAESAR (touched by Ptolemy’s distress). Come here, my boy, and stand by me.

Ptolemy goes over to Caesar, who, resuming his seat on the tripod, takes the boy’s hand to encourage him. Cleopatra, furiously jealous, rises and glares at them.

CLEOPATRA (with flaming cheeks). Take your throne: I don’t want it. (She flings away from the chair, and approaches Ptolemy, who shrinks from her.) Go this instant and sit down in your place.

CAESAR. Go, Ptolemy. Always take a throne when it is offered to you.

RUFIO. I hope you will have the good sense to follow your own advice when we return to Rome, Caesar.

Ptolemy slowly goes back to the throne, giving Cleopatra a wide berth, in evident fear of her hands. She takes his place beside Caesar.

CAESAR. Pothinus——

CLEOPATRA (interrupting him). Are you not going to speak to me?

CAESAR. Be quiet. Open your mouth again before I give you leave; and you shall be eaten.

CLEOPATRA. I am not afraid. A queen must not be afraid. Eat my husband there, if you like: he is afraid.

CAESAR (starting). Your husband! What do you mean?

CLEOPATRA (pointing to Ptolemy). That little thing.

The two Romans and the Briton stare at one another in amazement.

THEODOTUS. Caesar: you are a stranger here, and not conversant with our laws. The kings and queens of Egypt may not marry except with their own royal blood. Ptolemy and Cleopatra are born king and consort just as they are born brother and sister.

BRITANNUS (shocked). Caesar: this is not proper.

THEODOTUS (outraged). How!

CAESAR (recovering his self-possession). Pardon him, Theodotus: he is a barbarian, and thinks that the customs of his tribe and island are the laws of nature.

BRITANNUS. On the contrary, Caesar, it is these Egyptians who are barbarians; and you do wrong to encourage them. I say it is a scandal.

CAESAR. Scandal or not, my friend, it opens the gate of peace. (He rises and addresses Pothinus seriously.) Pothinus: hear what I propose.

RUFIO. Hear Caesar there.

CAESAR. Ptolemy and Cleopatra shall reign jointly in Egypt.

ACHILLAS. What of the King’s younger brother and Cleopatra’s younger sister?

RUFIO (explaining). There is another little Ptolemy, Caesar: so they tell me.

CAESAR. Well, the little Ptolemy can marry the other sister; and we will make them both a present of Cyprus.

POTHINUS (impatiently). Cyprus is of no use to anybody.

CAESAR. No matter: you shall have it for the sake of peace.

BRITANNUS (unconsciously anticipating a later statesman). Peace with honor, Pothinus.

POTHINUS (mutinously). Caesar: be honest. The money you demand is the price of our freedom. Take it; and leave us to settle our own affairs.

THE BOLDER COURTIERS (encouraged by Pothinus’s tone and Caesar’s quietness). Yes, yes. Egypt for the Egyptians!

The conference now becomes an altercation, the Egyptians becoming more and more heated. Caesar remains unruffled; but Rufio grows fiercer and doggeder, and Britannus haughtily indignant.

RUFIO (contemptuously). Egypt for the Egyptians! Do you forget that there is a Roman army of occupation here, left by Aulus Gabinius when he set up your toy king for you?

ACHILLAS (suddenly asserting himself). And now under my command. I am the Roman general here, Caesar.

CAESAR (tickled by the humor of the situation). And also the Egyptian general, eh?

POTHINUS (triumphantly). That is so, Caesar.

CAESAR (to Achillas). So you can make war on the Egyptians in the name of Rome, and on the Romans—on me, if necessary—in the name of Egypt?

ACHILLAS. That is so, Caesar.

CAESAR. And which side are you on at present, if I may presume to ask, general?

ACHILLAS. On the side of the right and of the gods.