Far from the Madding Crowd - 29

Directly he had gone, Bathsheba burst into great sobs—dry-eyed sobs, which cut as they came, without any softening by tears. But she determined to repress all evidences of feeling. She was conquered; but she would never own it as long as she lived. Her pride was indeed brought low by despairing discoveries of her spoliation by marriage with a less pure nature than her own. She chafed to and fro in rebelliousness, like a caged leopard; her whole soul was in arms, and the blood fired her face. Until she had met Troy, Bathsheba had been proud of her position as a woman; it had been a glory to her to know that her lips had been touched by no man's on earth—that her waist had never been encircled by a lover's arm. She hated herself now. In those earlier days she had always nourished a secret contempt for girls who were the slaves of the first good-looking young fellow who should choose to salute them. She had never taken kindly to the idea of marriage in the abstract as did the majority of women she saw about her. In the turmoil of her anxiety for her lover she had agreed to marry him; but the perception that had accompanied her happiest hours on this account was rather that of self-sacrifice than of promotion and honour. Although she scarcely knew the divinity's name, Diana was the goddess whom Bathsheba instinctively adored. That she had never, by look, word, or sign, encouraged a man to approach her—that she had felt herself sufficient to herself, and had in the independence of her girlish heart fancied there was a certain degradation in renouncing the simplicity of a maiden existence to become the humbler half of an indifferent matrimonial whole—were facts now bitterly remembered. Oh, if she had never stooped to folly of this kind, respectable as it was, and could only stand again, as she had stood on the hill at Norcombe, and dare Troy or any other man to pollute a hair of her head by his interference!

The next morning she rose earlier than usual, and had the horse saddled for her ride round the farm in the customary way. When she came in at half-past eight—their usual hour for breakfasting—she was informed that her husband had risen, taken his breakfast, and driven off to Casterbridge with the gig and Poppet.

After breakfast she was cool and collected—quite herself in fact—and she rambled to the gate, intending to walk to another quarter of the farm, which she still personally superintended as well as her duties in the house would permit, continually, however, finding herself preceded in forethought by Gabriel Oak, for whom she began to entertain the genuine friendship of a sister. Of course, she sometimes thought of him in the light of an old lover, and had momentary imaginings of what life with him as a husband would have been like; also of life with Boldwood under the same conditions. But Bathsheba, though she could feel, was not much given to futile dreaming, and her musings under this head were short and entirely confined to the times when Troy's neglect was more than ordinarily evident.

She saw coming up the road a man like Mr. Boldwood. It was Mr. Boldwood. Bathsheba blushed painfully, and watched. The farmer stopped when still a long way off, and held up his hand to Gabriel Oak, who was in a footpath across the field.  The two men then approached each other and seemed to engage in earnest conversation.

Thus they continued for a long time. Joseph Poorgrass now passed near them, wheeling a barrow of apples up the hill to Bathsheba's residence. Boldwood and Gabriel called to him, spoke to him for a few minutes, and then all three parted, Joseph immediately coming up the hill with his barrow.

Bathsheba, who had seen this pantomime with some surprise, experienced great relief when Boldwood turned back again. "Well, what's the message, Joseph?" she said.

He set down his barrow, and, putting upon himself the refined aspect that a conversation with a lady required, spoke to Bathsheba over the gate.

"You'll never see Fanny Robin no more—use nor principal—ma'am."

"Why?"

"Because she's dead in the Union."

"Fanny dead—never!"

"Yes, ma'am."

"What did she die from?"

"I don't know for certain; but I should be inclined to think it was from general neshness of constitution. She was such a limber maid that 'a could stand no hardship, even when I knowed her, and 'a went like a candle-snoff, so 'tis said. She was took bad in the morning, and, being quite feeble and worn out, she died in the evening. She belongs by law to our parish; and Mr. Boldwood is going to send a waggon at three this afternoon to fetch her home here and bury her."

"Indeed I shall not let Mr. Boldwood do any such thing—I shall do it! Fanny was my uncle's servant, and, although I only knew her for a couple of days, she belongs to me. How very, very sad this is!—the idea of Fanny being in a workhouse." Bathsheba had begun to know what suffering was, and she spoke with real feeling… "Send across to Mr. Boldwood's, and say that Mrs. Troy will take upon herself the duty of fetching an old servant of the family… We ought not to put her in a waggon; we'll get a hearse."

"There will hardly be time, ma'am, will there?"

"Perhaps not," she said, musingly. "When did you say we must be at the door—three o'clock?"

"Three o'clock this afternoon, ma'am, so to speak it."

"Very well—you go with it. A pretty waggon is better than an ugly hearse, after all. Joseph, have the new spring waggon with the blue body and red wheels, and wash it very clean. And, Joseph—"

"Yes, ma'am."

"Carry with you some evergreens and flowers to put upon her coffin—indeed, gather a great many, and completely bury her in them. Get some boughs of laurustinus, and variegated box, and yew, and boy's-love; ay, and some bunches of chrysanthemum. And let old Pleasant draw her, because she knew him so well."

"I will, ma'am. I ought to have said that the Union, in the form of four labouring men, will meet me when I gets to our churchyard gate, and take her and bury her according to the rites of the Board of Guardians, as by law ordained."

"Dear me—Casterbridge Union—and is Fanny come to this?" said Bathsheba, musing. "I wish I had known of it sooner. I thought she was far away. How long has she lived there?"

"On'y been there a day or two."

"Oh!—then she has not been staying there as a regular inmate?"

"No. She first went to live in a garrison-town t'other side o' Wessex, and since then she's been picking up a living at seampstering in Melchester for several months, at the house of a very respectable widow-woman who takes in work of that sort. She only got handy the Union-house on Sunday morning 'a b'lieve, and 'tis supposed here and there that she had traipsed every step of the way from Melchester. Why she left her place, I can't say, for I don't know; and as to a lie, why, I wouldn't tell it. That's the short of the story, ma'am."

"Ah-h!"

No gem ever flashed from a rosy ray to a white one more rapidly than changed the young wife's countenance whilst this word came from her in a long-drawn breath. "Did she walk along our turnpike-road?" she said, in a suddenly restless and eager voice.

"I believe she did… Ma'am, shall I call Liddy? You bain't well, ma'am, surely? You look like a lily—so pale and fainty!"

"No; don't call her; it is nothing. When did she pass Weatherbury?"

"Last Saturday night."

"That will do, Joseph; now you may go."

"Certainly, ma'am."

"Joseph, come hither a moment. What was the colour of Fanny Robin's hair?"

"Really, mistress, now that 'tis put to me so judge-and-jury like, I can't call to mind, if ye'll believe me!"

"Never mind; go on and do what I told you. Stop—well no, go on."

She turned herself away from him, that he might no longer notice the mood which had set its sign so visibly upon her, and went indoors with a distressing sense of faintness and a beating brow. About an hour after, she heard the noise of the waggon and went out, still with a painful consciousness of her bewildered and troubled look. Joseph, dressed in his best suit of clothes, was putting in the horse to start. The shrubs and flowers were all piled in the waggon, as she had directed; Bathsheba hardly saw them now.

"Died of what? did you say, Joseph?"

"I don't know, ma'am."

"Are you quite sure?"

"Yes, ma'am, quite sure."

"Sure of what?"

"I'm sure that all I know is that she arrived in the morning and died in the evening without further parley. What Oak and Mr. Boldwood told me was only these few words. 'Little Fanny Robin is dead, Joseph,' Gabriel said, looking in my face in his steady old way. I was very sorry, and I said, 'Ah!—and how did she come to die?' 'Well, she's dead in Casterbridge Union,' he said, 'and perhaps 'tisn't much matter about how she came to die. She reached the Union early Sunday morning, and died in the afternoon—that's clear enough.' Then I asked what she'd been doing lately, and Mr. Boldwood turned round to me then, and left off spitting a thistle with the end of his stick. He told me about her having lived by seampstering in Melchester, as I mentioned to you, and that she walked therefrom at the end of last week, passing near here Saturday night in the dusk. They then said I had better just name a hint of her death to you, and away they went. Her death might have been brought on by biding in the night wind, you know, ma'am; for people used to say she'd go off in a decline: she used to cough a good deal in winter time. However, 'tisn't much odds to us about that now, for 'tis all over."

"Have you heard a different story at all?" She looked at him so intently that Joseph's eyes quailed.

"Not a word, mistress, I assure 'ee!" he said. "Hardly anybody in the parish knows the news yet."

"I wonder why Gabriel didn't bring the message to me himself. He mostly makes a point of seeing me upon the most trifling errand." These words were merely murmured, and she was looking upon the ground.

"Perhaps he was busy, ma'am," Joseph suggested. "And sometimes he seems to suffer from things upon his mind, connected with the time when he was better off than 'a is now. 'A's rather a curious item, but a very understanding shepherd, and learned in books."

"Did anything seem upon his mind whilst he was speaking to you about this?"

"I cannot but say that there did, ma'am. He was terrible down, and so was Farmer Boldwood."

"Thank you, Joseph. That will do. Go on now, or you'll be late."

Bathsheba, still unhappy, went indoors again. In the course of the afternoon she said to Liddy, who had been informed of the occurrence, "What was the colour of poor Fanny Robin's hair? Do you know? I cannot recollect—I only saw her for a day or two."

"It was light, ma'am; but she wore it rather short, and packed away under her cap, so that you would hardly notice it. But I have seen her let it down when she was going to bed, and it looked beautiful then. Real golden hair."

"Her young man was a soldier, was he not?"

"Yes. In the same regiment as Mr. Troy. He says he knew him very well."

"What, Mr. Troy says so? How came he to say that?"

"One day I just named it to him, and asked him if he knew Fanny's young man. He said, 'Oh yes, he knew the young man as well as he knew himself, and that there wasn't a man in the regiment he liked better.'"

"Ah! Said that, did he?"

"Yes; and he said there was a strong likeness between himself and the other young man, so that sometimes people mistook them—"

"Liddy, for Heaven's sake stop your talking!" said Bathsheba, with the nervous petulance that comes from worrying perceptions. 

A wall bounded the site of Casterbridge Union-house, except along a portion of the end. Here a high gable stood prominent, and it was covered like the front with a mat of ivy. In this gable was no window, chimney, ornament, or protuberance of any kind. The single feature appertaining to it, beyond the expanse of dark green leaves, was a small door.

The situation of the door was peculiar. The sill was three or four feet above the ground, and for a moment one was at a loss for an explanation of this exceptional altitude, till ruts immediately beneath suggested that the door was used solely for the passage of articles and persons to and from the level of a vehicle standing on the outside. Upon the whole, the door seemed to advertise itself as a species of Traitor's Gate translated to another sphere. That entry and exit hereby was only at rare intervals became apparent on noting that tufts of grass were allowed to flourish undisturbed in the chinks of the sill.

As the clock over the South-street Alms-house pointed to five minutes to three, a blue spring waggon, picked out with red, and containing boughs and flowers, passed the end of the street, and up towards this side of the building. Whilst the chimes were yet stammering out a shattered form of "Malbrook," Joseph Poorgrass rang the bell, and received directions to back his waggon against the high door under the gable. The door then opened, and a plain elm coffin was slowly thrust forth, and laid by two men in fustian along the middle of the vehicle.

One of the men then stepped up beside it, took from his pocket a lump of chalk, and wrote upon the cover the name and a few other words in a large scrawling hand. (We believe that they do these things more tenderly now, and provide a plate.) He covered the whole with a black cloth, threadbare, but decent, the tail-board of the waggon was returned to its place, one of the men handed a certificate of registry to Poorgrass, and both entered the door, closing it behind them. Their connection with her, short as it had been, was over for ever.

Joseph then placed the flowers as enjoined, and the evergreens around the flowers, till it was difficult to divine what the waggon contained; he smacked his whip, and the rather pleasing funeral car crept down the hill, and along the road to Weatherbury.

The afternoon drew on apace, and, looking to the right towards the sea as he walked beside the horse, Poorgrass saw strange clouds and scrolls of mist rolling over the long ridges which girt the landscape in that quarter. They came in yet greater volumes, and indolently crept across the intervening valleys, and around the withered papery flags of the moor and river brinks. Then their dank spongy forms closed in upon the sky. It was a sudden overgrowth of atmospheric fungi which had their roots in the neighbouring sea, and by the time that horse, man, and corpse entered Yalbury Great Wood, these silent workings of an invisible hand had reached them, and they were completely enveloped, this being the first arrival of the autumn fogs, and the first fog of the series.

The air was as an eye suddenly struck blind. The waggon and its load rolled no longer on the horizontal division between clearness and opacity, but were imbedded in an elastic body of a monotonous pallor throughout. There was no perceptible motion in the air, not a visible drop of water fell upon a leaf of the beeches, birches, and firs composing the wood on either side. The trees stood in an attitude of intentness, as if they waited longingly for a wind to come and rock them. A startling quiet overhung all surrounding things—so completely, that the crunching of the waggon-wheels was as a great noise, and small rustles, which had never obtained a hearing except by night, were distinctly individualized.

Joseph Poorgrass looked round upon his sad burden as it loomed faintly through the flowering laurustinus, then at the unfathomable gloom amid the high trees on each hand, indistinct, shadowless, and spectre-like in their monochrome of grey. He felt anything but cheerful, and wished he had the company even of a child or dog. Stopping the horse, he listened. Not a footstep or wheel was audible anywhere around, and the dead silence was broken only by a heavy particle falling from a tree through the evergreens and alighting with a smart rap upon the coffin of poor Fanny. The fog had by this time saturated the trees, and this was the first dropping of water from the overbrimming leaves. The hollow echo of its fall reminded the waggoner painfully of the grim Leveller. Then hard by came down another drop, then two or three. Presently there was a continual tapping of these heavy drops upon the dead leaves, the road, and the travellers. The nearer boughs were beaded with the mist to the greyness of aged men, and the rusty-red leaves of the beeches were hung with similar drops, like diamonds on auburn hair.

At the roadside hamlet called Roy-Town, just beyond this wood, was the old inn Buck's Head. It was about a mile and a half from Weatherbury, and in the meridian times of stage-coach travelling had been the place where many coaches changed and kept their relays of horses. All the old stabling was now pulled down, and little remained besides the habitable inn itself, which, standing a little way back from the road, signified its existence to people far up and down the highway by a sign hanging from the horizontal bough of an elm on the opposite side of the way.

Travellers—for the variety tourist had hardly developed into a distinct species at this date—sometimes said in passing, when they cast their eyes up to the sign-bearing tree, that artists were fond of representing the signboard hanging thus, but that they themselves had never before noticed so perfect an instance in actual working order. It was near this tree that the waggon was standing into which Gabriel Oak crept on his first journey to Weatherbury; but, owing to the darkness, the sign and the inn had been unobserved.

The manners of the inn were of the old-established type. Indeed, in the minds of its frequenters they existed as unalterable formulæ: e.g.— 

Rap with the bottom of your pint for more liquor.
For tobacco, shout.
In calling for the girl in waiting, say, "Maid!"
Ditto for the landlady, "Old Soul!" etc., etc.

It was a relief to Joseph's heart when the friendly signboard came in view, and, stopping his horse immediately beneath it, he proceeded to fulfil an intention made a long time before. His spirits were oozing out of him quite. He turned the horse's head to the green bank, and entered the hostel for a mug of ale.

Going down into the kitchen of the inn, the floor of which was a step below the passage, which in its turn was a step below the road outside, what should Joseph see to gladden his eyes but two copper-coloured discs, in the form of the countenances of Mr. Jan Coggan and Mr. Mark Clark. These owners of the two most appreciative throats in the neighbourhood, within the pale of respectability, were now sitting face to face over a three-legged circular table, having an iron rim to keep cups and pots from being accidentally elbowed off; they might have been said to resemble the setting sun and the full moon shining vis-à-vis across the globe.

"Why, 'tis neighbour Poorgrass!" said Mark Clark. "I'm sure your face don't praise your mistress's table, Joseph."