The Good Soldier - 07

He was very careful to assure me that at that time there was no physical motive about his declaration. It did not appear to him to be a matter of a dark night and a propinquity and so on. No, it was simply of her effect on the moral side of his life that he appears to have talked. He said that he never had the slightest notion to enfold her in his arms or so much as to touch her hand. He swore that he did not touch her hand. He said that they sat, she at one end of the bench, he at the other; he leaning slightly towards her and she looking straight towards the light of the Casino, her face illuminated by the lamps. The expression upon her face he could only describe as "queer".
At another time, indeed, he made it appear that he thought she was glad. It is easy to imagine that she was glad, since at that time she could have had no idea of what was really happening. Frankly, she adored Edward Ashburnham. He was for her, in everything that she said at that time, the model of humanity, the hero, the athlete, the father of his country, the law-giver. So that for her, to be suddenly, intimately and overwhelmingly praised must have been a matter for mere gladness, however overwhelming it were. It must have been as if a god had approved her handiwork or a king her loyalty. She just sat still and listened, smiling.
And it seemed to her that all the bitterness of her childhood, the terrors of her tempestuous father, the bewailings of her cruel-tongued mother were suddenly atoned for. She had her recompense at last. Because, of course, if you come to figure it out, a sudden pouring forth of passion by a man whom you regard as a cross between a pastor and a father might, to a woman, have the aspect of mere praise for good conduct. It wouldn't, I mean, appear at all in the light of an attempt to gain possession. The girl, at least, regarded him as firmly anchored to his Leonora. She had not the slightest inkling of any infidelities. He had always spoken to her of his wife in terms of reverence and deep affection. He had given her the idea that he regarded Leonora as absolutely impeccable and as absolutely satisfying. Their union had appeared to her to be one of those blessed things that are spoken of and contemplated with reverence by her church.
So that, when he spoke of her as being the person he cared most for in the world, she naturally thought that he meant to except Leonora and she was just glad. It was like a father saying that he approved of a marriageable daughter... And Edward, when he realized what he was doing, curbed his tongue at once. She was just glad and she went on being just glad.
I suppose that that was the most monstrously wicked thing that Edward Ashburnham ever did in his life. And yet I am so near to all these people that I cannot think any of them wicked. It is impossible of me to think of Edward Ashburnham as anything but straight, upright and honourable. That, I mean, is, in spite of everything, my permanent view of him. I try at times by dwelling on some of the things that he did to push that image of him away, as you might try to push aside a large pendulum. But it always comes back—the memory of his innumerable acts of kindness, of his efficiency, of his unspiteful tongue. He was such a fine fellow.
So I feel myself forced to attempt to excuse him in this as in so many other things. It is, I have no doubt, a most monstrous thing to attempt to corrupt a young girl just out of a convent. But I think Edward had no idea at all of corrupting her. I believe that he simply loved her. He said that that was the way of it and I, at least, believe him and I believe too that she was the only woman he ever really loved. He said that that was so; and he did enough to prove it. And Leonora said that it was so and Leonora knew him to the bottom of his heart.
I have come to be very much of a cynic in these matters; I mean that it is impossible to believe in the permanence of man's or woman's love. Or, at any rate, it is impossible to believe in the permanence of any early passion. As I see it, at least, with regard to man, a love affair, a love for any definite woman—is something in the nature of a widening of the experience. With each new woman that a man is attracted to there appears to come a broadening of the outlook, or, if you like, an acquiring of new territory. A turn of the eyebrow, a tone of the voice, a queer characteristic gesture—all these things, and it is these things that cause to arise the passion of love—all these things are like so many objects on the horizon of the landscape that tempt a man to walk beyond the horizon, to explore. He wants to get, as it were, behind those eyebrows with the peculiar turn, as if he desired to see the world with the eyes that they overshadow. He wants to hear that voice applying itself to every possible proposition, to every possible topic; he wants to see those characteristic gestures against every possible background. Of the question of the sex-instinct I know very little and I do not think that it counts for very much in a really great passion. It can be aroused by such nothings—by an untied shoelace, by a glance of the eye in passing—that I think it might be left out of the calculation. I don't mean to say that any great passion can exist without a desire for consummation. That seems to me to be a commonplace and to be therefore a matter needing no comment at all. It is a thing, with all its accidents, that must be taken for granted, as, in a novel, or a biography, you take it for granted that the characters have their meals with some regularity. But the real fierceness of desire, the real heat of a passion long continued and withering up the soul of a man is the craving for identity with the woman that he loves. He desires to see with the same eyes, to touch with the same sense of touch, to hear with the same ears, to lose his identity, to be enveloped, to be supported. For, whatever may be said of the relation of the sexes, there is no man who loves a woman that does not desire to come to her for the renewal of his courage, for the cutting asunder of his difficulties. And that will be the mainspring of his desire for her. We are all so afraid, we are all so alone, we all so need from the outside the assurance of our own worthiness to exist.
So, for a time, if such a passion come to fruition, the man will get what he wants. He will get the moral support, the encouragement, the relief from the sense of loneliness, the assurance of his own worth. But these things pass away; inevitably they pass away as the shadows pass across sundials. It is sad, but it is so. The pages of the book will become familiar; the beautiful corner of the road will have been turned too many times. Well, this is the saddest story.
And yet I do believe that for every man there comes at last a woman—or no, that is the wrong way of formulating it. For every man there comes at last a time of life when the woman who then sets her seal upon his imagination has set her seal for good. He will travel over no more horizons; he will never again set the knapsack over his shoulders; he will retire from those scenes. He will have gone out of the business.
That at any rate was the case with Edward and the poor girl. It was quite literally the case. It was quite literally the case that his passions—for the mistress of the Grand Duke, for Mrs Basil, for little Mrs Maidan, for Florence, for whom you will—these passions were merely preliminary canters compared to his final race with death for her. I am certain of that. I am not going to be so American as to say that all true love demands some sacrifice. It doesn't. But I think that love will be truer and more permanent in which self-sacrifice has been exacted. And, in the case of the other women, Edward just cut in and cut them out as he did with the polo-ball from under the nose of Count Baron von Lelöffel. I don't mean to say that he didn't wear himself as thin as a lath in the endeavour to capture the other women; but over her he wore himself to rags and tatters and death—in the effort to leave her alone.
And, in speaking to her on that night, he wasn't, I am convinced, committing a baseness. It was as if his passion for her hadn't existed; as if the very words that he spoke, without knowing that he spoke them, created the passion as they went along. Before he spoke, there was nothing; afterwards, it was the integral fact of his life. Well, I must get back to my story.
And my story was concerning itself with Florence—with Florence, who heard those words from behind the tree. That of course is only conjecture, but I think the conjecture is pretty well justified. You have the fact that those two went out, that she followed them almost immediately afterwards through the darkness and, a little later, she came running back to the hotel with that pallid face and the hand clutching her dress over her heart. It can't have been only Bagshawe. Her face was contorted with agony before ever her eyes fell upon me or upon him beside me. But I dare say Bagshawe may have been the determining influence in her suicide. Leonora says that she had that flask, apparently of nitrate of amyl, but actually of prussic acid, for many years and that she was determined to use it if ever I discovered the nature of her relationship with that fellow Jimmy. You see, the mainspring of her nature must have been vanity. There is no reason why it shouldn't have been; I guess it is vanity that makes most of us keep straight, if we do keep straight, in this world.
If it had been merely a matter of Edward's relations with the girl I dare say Florence would have faced it out. She would no doubt have made him scenes, have threatened him, have appealed to his sense of humour, to his promises. But Mr Bagshawe and the fact that the date was the 4th of August must have been too much for her superstitious mind. You see, she had two things that she wanted. She wanted to be a great lady, installed in Branshaw Teleragh. She wanted also to retain my respect.
She wanted, that is to say, to retain my respect for as long as she lived with me. I suppose, if she had persuaded Edward Ashburnham to bolt with her she would have let the whole thing go with a run. Or perhaps she would have tried to exact from me a new respect for the greatness of her passion on the lines of all for love and the world well lost. That would be just like Florence.
In all matrimonial associations there is, I believe, one constant factor—a desire to deceive the person with whom one lives as to some weak spot in one's character or in one's career. For it is intolerable to live constantly with one human being who perceives one's small meannesses. It is really death to do so—that is why so many marriages turn out unhappily.
I, for instance, am a rather greedy man; I have a taste for good cookery and a watering tooth at the mere sound of the names of certain comestibles. If Florence had discovered this secret of mine I should have found her knowledge of it so unbearable that I never could have supported all the other privations of the régime that she extracted from me. I am bound to say that Florence never discovered this secret.
Certainly she never alluded to it; I dare say she never took sufficient interest in me.
And the secret weakness of Florence—the weakness that she could not bear to have me discover, was just that early escapade with the fellow called Jimmy. Let me, as this is in all probability the last time I shall mention Florence's name, dwell a little upon the change that had taken place in her psychology. She would not, I mean, have minded if I had discovered that she was the mistress of Edward Ashburnham. She would rather have liked it. Indeed, the chief trouble of poor Leonora in those days was to keep Florence from making, before me, theatrical displays, on one line or another, of that very fact. She wanted, in one mood, to come rushing to me, to cast herself on her knees at my feet and to declaim a carefully arranged, frightfully emotional, outpouring as to her passion. That was to show that she was like one of the great erotic women of whom history tells us. In another mood she would desire to come to me disdainfully and to tell me that I was considerably less than a man and that what had happened was what must happen when a real male came along. She wanted to say that in cool, balanced and sarcastic sentences. That was when she wished to appear like the heroine of a French comedy. Because of course she was always play acting.
But what she didn't want me to know was the fact of her first escapade with the fellow called Jimmy. She had arrived at figuring out the sort of low-down Bowery tough that that fellow was. Do you know what it is to shudder, in later life, for some small, stupid action—usually for some small, quite genuine piece of emotionalism—of your early life? Well, it was that sort of shuddering that came over Florence at the thought that she had surrendered to such a low fellow. I don't know that she need have shuddered. It was her footling old uncle's work; he ought never to have taken those two round the world together and shut himself up in his cabin for the greater part of the time. Anyhow, I am convinced that the sight of Mr Bagshawe and the thought that Mr Bagshawe—for she knew that unpleasant and toadlike personality—the thought that Mr Bagshawe would almost certainly reveal to me that he had caught her coming out of Jimmy's bedroom at five o'clock in the morning on the 4th of August, 1900—that was the determining influence in her suicide. And no doubt the effect of the date was too much for her superstitious personality. She had been born on the 4th of August; she had started to go round the world on the 4th of August; she had become a low fellow's mistress on the 4th of August. On the same day of the year she had married me; on that 4th she had lost Edward's love, and Bagshawe had appeared like a sinister omen—like a grin on the face of Fate. It was the last straw. She ran upstairs, arranged herself decoratively upon her bed—she was a sweetly pretty woman with smooth pink and white cheeks, long hair, the eyelashes falling like a tiny curtain on her cheeks. She drank the little phial of prussic acid and there she lay.—O, extremely charming and clear-cut—looking with a puzzled expression at the electric-light bulb that hung from the ceiling, or perhaps through it, to the stars above. Who knows? Anyhow, there was an end of Florence.
You have no idea how quite extraordinarily for me that was the end of Florence. From that day to this I have never given her another thought; I have not bestowed upon her so much as a sigh. Of course, when it has been necessary to talk about her to Leonora, or when for the purpose of these writings I have tried to figure her out, I have thought about her as I might do about a problem in algebra. But it has always been as a matter for study, not for remembrance. She just went completely out of existence, like yesterday's paper.
I was so deadly tired. And I dare say that my week or ten days of affaissement—of what was practically catalepsy—was just the repose that my exhausted nature claimed after twelve years of the repression of my instincts, after twelve years of playing the trained poodle. For that was all that I had been. I suppose that it was the shock that did it—the several shocks. But I am unwilling to attribute my feelings at that time to anything so concrete as a shock. It was a feeling so tranquil. It was as if an immensely heavy—an unbearably heavy knapsack, supported upon my shoulders by straps, had fallen off and left my shoulders themselves that the straps had cut into, numb and without sensation of life. I tell you, I had no regret. What had I to regret? I suppose that my inner soul—my dual personality—had realized long before that Florence was a personality of paper—that she represented a real human being with a heart, with feelings, with sympathies and with emotions only as a bank-note represents a certain quantity of gold. I know that sort of feeling came to the surface in me the moment the man Bagshawe told me that he had seen her coming out of that fellow's bedroom. I thought suddenly that she wasn't real; she was just a mass of talk out of guidebooks, of drawings out of fashion-plates. It is even possible that, if that feeling had not possessed me, I should have run up sooner to her room and might have prevented her drinking the prussic acid. But I just couldn't do it; it would have been like chasing a scrap of paper—an occupation ignoble for a grown man.
And, as it began, so that matter has remained. I didn't care whether she had come out of that bedroom or whether she hadn't. It simply didn't interest me. Florence didn't matter.
I suppose you will retort that I was in love with Nancy Rufford and that my indifference was therefore discreditable. Well, I am not seeking to avoid discredit. I was in love with Nancy Rufford as I am in love with the poor child's memory, quietly and quite tenderly in my American sort of way. I had never thought about it until I heard Leonora state that I might now marry her. But, from that moment until her worse than death, I do not suppose that I much thought about anything else. I don't mean to say that I sighed about her or groaned; I just wanted to marry her as some people want to go to Carcassonne.
Do you understand the feeling—the sort of feeling that you must get certain matters out of the way, smooth out certain fairly negligible complications before you can go to a place that has, during all your life, been a sort of dream city? I didn't attach much importance to my superior years. I was forty-five, and she, poor thing, was only just rising twenty-two. But she was older than her years and quieter. She seemed to have an odd quality of sainthood, as if she must inevitably end in a convent with a white coif framing her face. But she had frequently told me that she had no vocation; it just simply wasn't there—the desire to become a nun. Well, I guess that I was a sort of convent myself; it seemed fairly proper that she should make her vows to me.
No, I didn't see any impediment on the score of age. I dare say no man does and I was pretty confident that with a little preparation, I could make a young girl happy. I could spoil her as few young girls have ever been spoiled; and I couldn't regard myself as personally repulsive. No man can, or if he ever comes to do so, that is the end of him. But, as soon as I came out of my catalepsy, I seemed to perceive that my problem—that what I had to do to prepare myself for getting into contact with her, was just to get back into contact with life. I had been kept for twelve years in a rarefied atmosphere; what I then had to do was a little fighting with real life, some wrestling with men of business, some travelling amongst larger cities, something harsh, something masculine. I didn't want to present myself to Nancy Rufford as a sort of an old maid. That was why, just a fortnight after Florence's suicide, I set off for the United States.
II
IMMEDIATELY after Florence's death Leonora began to put the leash upon Nancy Rufford and Edward. She had guessed what had happened under the trees near the Casino. They stayed at Nauheim some weeks after I went, and Leonora has told me that that was the most deadly time of her existence. It seemed like a long, silent duel with invisible weapons, so she said. And it was rendered all the more difficult by the girl's entire innocence. For Nancy was always trying to go off alone with Edward—as she had been doing all her life, whenever she was home for holidays. She just wanted him to say nice things to her again.
You see, the position was extremely complicated. It was as complicated as it well could be, along delicate lines. There was the complication caused by the fact that Edward and Leonora never spoke to each other except when other people were present. Then, as I have said, their demeanours were quite perfect. There was the complication caused by the girl's entire innocence; there was the further complication that both Edward and Leonora really regarded the girl as their daughter. Or it might be more precise to say that they regarded her as being Leonora's daughter. And Nancy was a queer girl; it is very difficult to describe her to you.
She was tall and strikingly thin; she had a tortured mouth, agonized eyes, and a quite extraordinary sense of fun. You, might put it that at times she was exceedingly grotesque and at times extraordinarily beautiful. Why, she had the heaviest head of black hair that I have ever come across; I used to wonder how she could bear the weight of it. She was just over twenty-one and at times she seemed as old as the hills, at times not much more than sixteen. At one moment she would be talking of the lives of the saints and at the next she would be tumbling all over the lawn with the St Bernard puppy. She could ride to hounds like a Maenad and she could sit for hours perfectly still, steeping handkerchief after handkerchief in vinegar when Leonora had one of her headaches. She was, in short, a miracle of patience who could be almost miraculously impatient. It was, no doubt, the convent training that effected that. I remember that one of her letters to me, when she was about sixteen, ran something like:
"On Corpus Christi"—or it may have been some other saint's day, I cannot keep these things in my head—"our school played Roehampton at Hockey. And, seeing that our side was losing, being three goals to one against us at halftime, we retired into the chapel and prayed for victory. We won by five goals to three." And I remember that she seemed to describe afterwards a sort of saturnalia. Apparently, when the victorious fifteen or eleven came into the refectory for supper, the whole school jumped upon the tables and cheered and broke the chairs on the floor and smashed the crockery—for a given time, until the Reverend Mother rang a hand-bell. That is of course the Catholic tradition—saturnalia that can end in a moment, like the crack of a whip. I don't, of course, like the tradition, but I am bound to say that it gave Nancy—or at any rate Nancy had—a sense of rectitude that I have never seen surpassed. It was a thing like a knife that looked out of her eyes and that spoke with her voice, just now and then. It positively frightened me. I suppose that I was almost afraid to be in a world where there could be so fine a standard. I remember when she was about fifteen or sixteen on going back to the convent I once gave her a couple of English sovereigns as a tip. She thanked me in a peculiarly heartfelt way, saying that it would come in extremely handy. I asked her why and she explained. There was a rule at the school that the pupils were not to speak when they walked through the garden from the chapel to the refectory. And, since this rule appeared to be idiotic and arbitrary, she broke it on purpose day after day. In the evening the children were all asked if they had committed any faults during the day, and every evening Nancy confessed that she had broken this particular rule. It cost her sixpence a time, that being the fine attached to the offence. Just for the information I asked her why she always confessed, and she answered in these exact words:
"Oh, well, the girls of the Holy Child have always been noted for their truthfulness. It's a beastly bore, but I've got to do it."
I dare say that the miserable nature of her childhood, coming before the mixture of saturnalia and discipline that was her convent life, added something to her queernesses. Her father was a violent madman of a fellow, a major of one of what I believe are called the Highland regiments. He didn't drink, but he had an ungovernable temper, and the first thing that Nancy could remember was seeing her father strike her mother with his clenched fist so that her mother fell over sideways from the breakfast-table and lay motionless. The mother was no doubt an irritating woman and the privates of that regiment appeared to have been irritating, too, so that the house was a place of outcries and perpetual disturbances. Mrs Rufford was Leonora's dearest friend and Leonora could be cutting enough at times. But I fancy she was as nothing to Mrs Rufford. The Major would come in to lunch harassed and already spitting out oaths after an unsatisfactory morning's drilling of his stubborn men beneath a hot sun. And then Mrs Rufford would make some cutting remark and pandemonium would break loose. Once, when she had been about twelve, Nancy had tried to intervene between the pair of them. Her father had struck her full upon the forehead a blow so terrible that she had lain unconscious for three days. Nevertheless, Nancy seemed to prefer her father to her mother. She remembered rough kindnesses from him. Once or twice when she had been quite small he had dressed her in a clumsy, impatient, but very tender way. It was nearly always impossible to get a servant to stay in the family and, for days at a time, apparently, Mrs Rufford would be incapable. I fancy she drank. At any rate, she had so cutting a tongue that even Nancy was afraid of her—she so made fun of any tenderness, she so sneered at all emotional displays. Nancy must have been a very emotional child.
Then one day, quite suddenly, on her return from a ride at Fort William, Nancy had been sent, with her governess, who had a white face, right down South to that convent school. She had been expecting to go there in two months' time. Her mother disappeared from her life at that time. A fortnight later Leonora came to the convent and told her that her mother was dead. Perhaps she was. At any rate, I never heard until the very end what became of Mrs Rufford. Leonora never spoke of her.
And then Major Rufford went to India, from which he returned very seldom and only for very short visits; and Nancy lived herself gradually into the life at Branshaw Teleragh. I think that, from that time onwards, she led a very happy life, till the end. There were dogs and horses and old servants and the Forest. And there were Edward and Leonora, who loved her.
I had known her all the time—I mean, that she always came to the Ashburnhams' at Nauheim for the last fortnight of their stay—and I watched her gradually growing. She was very cheerful with me. She always even kissed me, night and morning, until she was about eighteen. And she would skip about and fetch me things and laugh at my tales of life in Philadelphia. But, beneath her gaiety, I fancy that there lurked some terrors. I remember one day, when she was just eighteen, during one of her father's rare visits to Europe, we were sitting in the gardens, near the iron-stained fountain. Leonora had one of her headaches and we were waiting for Florence and Edward to come from their baths. You have no idea how beautiful Nancy looked that morning.
We were talking about the desirability of taking tickets in lotteries—of the moral side of it, I mean. She was all in white, and so tall and fragile; and she had only just put her hair up, so that the carriage of her neck had that charming touch of youth and of unfamiliarity. Over her throat there played the reflection from a little pool of water, left by a thunderstorm of the night before, and all the rest of her features were in the diffused and luminous shade of her white parasol. Her dark hair just showed beneath her broad, white hat of pierced, chip straw; her throat was very long and leaned forward, and her eyebrows, arching a little as she laughed at some old-fashionedness in my phraseology, had abandoned their tense line. And there was a little colour in her cheeks and light in her deep blue eyes. And to think that that vivid white thing, that saintly and swanlike being—to think that... Why, she was like the sail of a ship, so white and so definite in her movements. And to think that she will never... Why, she will never do anything again. I can't believe it...
Anyhow, we were chattering away about the morality of lotteries. And then, suddenly, there came from the arcades behind us the overtones of her father's unmistakable voice; it was as if a modified foghorn had boomed with a reed inside it. I looked round to catch sight of him. A tall, fair, stiffly upright man of fifty, he was walking away with an Italian baron who had had much to do with the Belgian Congo. They must have been talking about the proper treatment of natives, for I heard him say:
"Oh, hang humanity!"
When I looked again at Nancy her eyes were closed and her face was more pallid than her dress, which had at least some pinkish reflections from the gravel. It was dreadful to see her with her eyes closed like that.
"Oh!" she exclaimed, and her hand that had appeared to be groping, settled for a moment on my arm. "Never speak of it. Promise never to tell my father of it. It brings back those dreadful dreams..." And, when she opened her eyes she looked straight into mine. "The blessed saints," she said, "you would think they would spare you such things. I don't believe all the sinning in the world could make one deserve them."
They say the poor thing was always allowed a light at night, even in her bedroom.... And yet, no young girl could more archly and lovingly have played with an adored father. She was always holding him by both coat lapels; cross-questioning him as to how he spent his time; kissing the top of his head. Ah, she was well-bred, if ever anyone was.