Jane Eyre: An Autobiography - 19

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It was not till after I had withdrawn to my own chamber for the night, that I steadily reviewed the tale Mr. Rochester had told me. As he had said, there was probably nothing at all extraordinary in the substance of the narrative itself: a wealthy Englishman’s passion for a French dancer, and her treachery to him, were every-day matters enough, no doubt, in society; but there was something decidedly strange in the paroxysm of emotion which had suddenly seized him when he was in the act of expressing the present contentment of his mood, and his newly revived pleasure in the old hall and its environs. I meditated wonderingly on this incident; but gradually quitting it, as I found it for the present inexplicable, I turned to the consideration of my master’s manner to myself. The confidence he had thought fit to repose in me seemed a tribute to my discretion: I regarded and accepted it as such. His deportment had now for some weeks been more uniform towards me than at the first. I never seemed in his way; he did not take fits of chilling hauteur: when he met me unexpectedly, the encounter seemed welcome; he had always a word and sometimes a smile for me: when summoned by formal invitation to his presence, I was honoured by a cordiality of reception that made me feel I really possessed the power to amuse him, and that these evening conferences were sought as much for his pleasure as for my benefit.

I, indeed, talked comparatively little, but I heard him talk with relish. It was his nature to be communicative; he liked to open to a mind unacquainted with the world glimpses of its scenes and ways (I do not mean its corrupt scenes and wicked ways, but such as derived their interest from the great scale on which they were acted, the strange novelty by which they were characterised); and I had a keen delight in receiving the new ideas he offered, in imagining the new pictures he portrayed, and following him in thought through the new regions he disclosed, never startled or troubled by one noxious allusion.

The ease of his manner freed me from painful restraint: the friendly frankness, as correct as cordial, with which he treated me, drew me to him. I felt at times as if he were my relation rather than my master: yet he was imperious sometimes still; but I did not mind that; I saw it was his way. So happy, so gratified did I become with this new interest added to life, that I ceased to pine after kindred: my thin crescent-destiny seemed to enlarge; the blanks of existence were filled up; my bodily health improved; I gathered flesh and strength.

And was Mr. Rochester now ugly in my eyes? No, reader: gratitude, and many associations, all pleasurable and genial, made his face the object I best liked to see; his presence in a room was more cheering than the brightest fire. Yet I had not forgotten his faults; indeed, I could not, for he brought them frequently before me. He was proud, sardonic, harsh to inferiority of every description: in my secret soul I knew that his great kindness to me was balanced by unjust severity to many others. He was moody, too; unaccountably so; I more than once, when sent for to read to him, found him sitting in his library alone, with his head bent on his folded arms; and, when he looked up, a morose, almost a malignant, scowl blackened his features. But I believed that his moodiness, his harshness, and his former faults of morality (I say former, for now he seemed corrected of them) had their source in some cruel cross of fate. I believed he was naturally a man of better tendencies, higher principles, and purer tastes than such as circumstances had developed, education instilled, or destiny encouraged. I thought there were excellent materials in him; though for the present they hung together somewhat spoiled and tangled. I cannot deny that I grieved for his grief, whatever that was, and would have given much to assuage it.

Though I had now extinguished my candle and was laid down in bed, I could not sleep for thinking of his look when he paused in the avenue, and told how his destiny had risen up before him, and dared him to be happy at Thornfield.

“Why not?” I asked myself. “What alienates him from the house? Will he leave it again soon? Mrs. Fairfax said he seldom stayed here longer than a fortnight at a time; and he has now been resident eight weeks. If he does go, the change will be doleful. Suppose he should be absent spring, summer, and autumn: how joyless sunshine and fine days will seem!”

I hardly know whether I had slept or not after this musing; at any rate, I started wide awake on hearing a vague murmur, peculiar and lugubrious, which sounded, I thought, just above me. I wished I had kept my candle burning: the night was drearily dark; my spirits were depressed. I rose and sat up in bed, listening. The sound was hushed.

I tried again to sleep; but my heart beat anxiously: my inward tranquillity was broken. The clock, far down in the hall, struck two. Just then it seemed my chamber-door was touched; as if fingers had swept the panels in groping a way along the dark gallery outside. I said, “Who is there?” Nothing answered. I was chilled with fear.

All at once I remembered that it might be Pilot, who, when the kitchen-door chanced to be left open, not unfrequently found his way up to the threshold of Mr. Rochester’s chamber: I had seen him lying there myself in the mornings. The idea calmed me somewhat: I lay down. Silence composes the nerves; and as an unbroken hush now reigned again through the whole house, I began to feel the return of slumber. But it was not fated that I should sleep that night. A dream had scarcely approached my ear, when it fled affrighted, scared by a marrow-freezing incident enough.

This was a demoniac laugh—low, suppressed, and deep—uttered, as it seemed, at the very keyhole of my chamber door. The head of my bed was near the door, and I thought at first the goblin-laugher stood at my bedside—or rather, crouched by my pillow: but I rose, looked round, and could see nothing; while, as I still gazed, the unnatural sound was reiterated: and I knew it came from behind the panels. My first impulse was to rise and fasten the bolt; my next, again to cry out, “Who is there?”

Something gurgled and moaned. Ere long, steps retreated up the gallery towards the third-storey staircase: a door had lately been made to shut in that staircase; I heard it open and close, and all was still.

“Was that Grace Poole? and is she possessed with a devil?” thought I. Impossible now to remain longer by myself: I must go to Mrs. Fairfax. I hurried on my frock and a shawl; I withdrew the bolt and opened the door with a trembling hand. There was a candle burning just outside, and on the matting in the gallery. I was surprised at this circumstance: but still more was I amazed to perceive the air quite dim, as if filled with smoke; and, while looking to the right hand and left, to find whence these blue wreaths issued, I became further aware of a strong smell of burning.

Something creaked: it was a door ajar; and that door was Mr. Rochester’s, and the smoke rushed in a cloud from thence.  I thought no more of Mrs. Fairfax; I thought no more of Grace Poole, or the laugh: in an instant, I was within the chamber.  Tongues of flame darted round the bed: the curtains were on fire. In the midst of blaze and vapour, Mr. Rochester lay stretched motionless, in deep sleep.

“Wake! wake!” I cried. I shook him, but he only murmured and turned: the smoke had stupefied him. Not a moment could be lost: the very sheets were kindling, I rushed to his basin and ewer; fortunately, one was wide and the other deep, and both were filled with water. I heaved them up, deluged the bed and its occupant, flew back to my own room, brought my own water-jug, baptized the couch afresh, and, by God’s aid, succeeded in extinguishing the flames which were devouring it.

The hiss of the quenched element, the breakage of a pitcher which I flung from my hand when I had emptied it, and, above all, the splash of the shower-bath I had liberally bestowed, roused Mr. Rochester at last. Though it was now dark, I knew he was awake; because I heard him fulminating strange anathemas at finding himself lying in a pool of water.

“Is there a flood?” he cried.

“No, sir,” I answered; “but there has been a fire: get up, do; you are quenched now; I will fetch you a candle.”

“In the name of all the elves in Christendom, is that Jane Eyre?” he demanded. “What have you done with me, witch, sorceress? Who is in the room besides you? Have you plotted to drown me?”

“I will fetch you a candle, sir; and, in Heaven’s name, get up. Somebody has plotted something: you cannot too soon find out who and what it is.”

“There! I am up now; but at your peril you fetch a candle yet: wait two minutes till I get into some dry garments, if any dry there be—yes, here is my dressing-gown. Now run!”

I did run; I brought the candle which still remained in the gallery. He took it from my hand, held it up, and surveyed the bed, all blackened and scorched, the sheets drenched, the carpet round swimming in water.

“What is it? and who did it?” he asked. I briefly related to him what had transpired: the strange laugh I had heard in the gallery: the step ascending to the third storey; the smoke,—the smell of fire which had conducted me to his room; in what state I had found matters there, and how I had deluged him with all the water I could lay hands on.

He listened very gravely; his face, as I went on, expressed more concern than astonishment; he did not immediately speak when I had concluded.

“Shall I call Mrs. Fairfax?” I asked.

“Mrs. Fairfax? No; what the deuce would you call her for? What can she do? Let her sleep unmolested.”

“Then I will fetch Leah, and wake John and his wife.”

“Not at all: just be still. You have a shawl on. If you are not warm enough, you may take my cloak yonder; wrap it about you, and sit down in the arm-chair: there,—I will put it on. Now place your feet on the stool, to keep them out of the wet. I am going to leave you a few minutes. I shall take the candle. Remain where you are till I return; be as still as a mouse. I must pay a visit to the second storey. Don’t move, remember, or call any one.”

He went: I watched the light withdraw. He passed up the gallery very softly, unclosed the staircase door with as little noise as possible, shut it after him, and the last ray vanished. I was left in total darkness. I listened for some noise, but heard nothing. A very long time elapsed. I grew weary: it was cold, in spite of the cloak; and then I did not see the use of staying, as I was not to rouse the house. I was on the point of risking Mr. Rochester’s displeasure by disobeying his orders, when the light once more gleamed dimly on the gallery wall, and I heard his unshod feet tread the matting. “I hope it is he,” thought I, “and not something worse.”

He re-entered, pale and very gloomy. “I have found it all out,” said he, setting his candle down on the washstand; “it is as I thought.”

“How, sir?”

He made no reply, but stood with his arms folded, looking on the ground. At the end of a few minutes he inquired in rather a peculiar tone—

“I forget whether you said you saw anything when you opened your chamber door.”

“No, sir, only the candlestick on the ground.”

“But you heard an odd laugh? You have heard that laugh before, I should think, or something like it?”

“Yes, sir: there is a woman who sews here, called Grace Poole,—she laughs in that way. She is a singular person.”

“Just so. Grace Poole—you have guessed it. She is, as you say, singular—very. Well, I shall reflect on the subject. Meantime, I am glad that you are the only person, besides myself, acquainted with the precise details of to-night’s incident. You are no talking fool: say nothing about it. I will account for this state of affairs” (pointing to the bed): “and now return to your own room. I shall do very well on the sofa in the library for the rest of the night. It is near four:—in two hours the servants will be up.”

“Good-night, then, sir,” said I, departing.

He seemed surprised—very inconsistently so, as he had just told me to go.

“What!” he exclaimed, “are you quitting me already, and in that way?”

“You said I might go, sir.”

“But not without taking leave; not without a word or two of acknowledgment and good-will: not, in short, in that brief, dry fashion. Why, you have saved my life!—snatched me from a horrible and excruciating death! and you walk past me as if we were mutual strangers! At least shake hands.”

He held out his hand; I gave him mine: he took it first in one, them in both his own.

“You have saved my life: I have a pleasure in owing you so immense a debt. I cannot say more. Nothing else that has being would have been tolerable to me in the character of creditor for such an obligation: but you: it is different;—I feel your benefits no burden, Jane.”

He paused; gazed at me: words almost visible trembled on his lips,—but his voice was checked.

“Good-night again, sir. There is no debt, benefit, burden, obligation, in the case.”

“I knew,” he continued, “you would do me good in some way, at some time;—I saw it in your eyes when I first beheld you: their expression and smile did not”—(again he stopped)—“did not” (he proceeded hastily) “strike delight to my very inmost heart so for nothing. People talk of natural sympathies; I have heard of good genii: there are grains of truth in the wildest fable. My cherished preserver, goodnight!”

Strange energy was in his voice, strange fire in his look.

“I am glad I happened to be awake,” I said: and then I was going.

“What! you will go?”

“I am cold, sir.”

“Cold? Yes,—and standing in a pool! Go, then, Jane; go!” But he still retained my hand, and I could not free it. I bethought myself of an expedient.

“I think I hear Mrs. Fairfax move, sir,” said I.

“Well, leave me:” he relaxed his fingers, and I was gone.

I regained my couch, but never thought of sleep. Till morning dawned I was tossed on a buoyant but unquiet sea, where billows of trouble rolled under surges of joy. I thought sometimes I saw beyond its wild waters a shore, sweet as the hills of Beulah; and now and then a freshening gale, wakened by hope, bore my spirit triumphantly towards the bourne: but I could not reach it, even in fancy—a counteracting breeze blew off land, and continually drove me back. Sense would resist delirium: judgment would warn passion. Too feverish to rest, I rose as soon as day dawned.

CHAPTER XVI

I both wished and feared to see Mr. Rochester on the day which followed this sleepless night: I wanted to hear his voice again, yet feared to meet his eye. During the early part of the morning, I momentarily expected his coming; he was not in the frequent habit of entering the schoolroom, but he did step in for a few minutes sometimes, and I had the impression that he was sure to visit it that day.

But the morning passed just as usual: nothing happened to interrupt the quiet course of Adèle’s studies; only soon after breakfast, I heard some bustle in the neighbourhood of Mr. Rochester’s chamber, Mrs. Fairfax’s voice, and Leah’s, and the cook’s—that is, John’s wife—and even John’s own gruff tones. There were exclamations of “What a mercy master was not burnt in his bed!” “It is always dangerous to keep a candle lit at night.” “How providential that he had presence of mind to think of the water-jug!” “I wonder he waked nobody!” “It is to be hoped he will not take cold with sleeping on the library sofa,” &c.

To much confabulation succeeded a sound of scrubbing and setting to rights; and when I passed the room, in going downstairs to dinner, I saw through the open door that all was again restored to complete order; only the bed was stripped of its hangings. Leah stood up in the window-seat, rubbing the panes of glass dimmed with smoke. I was about to address her, for I wished to know what account had been given of the affair: but, on advancing, I saw a second person in the chamber—a woman sitting on a chair by the bedside, and sewing rings to new curtains. That woman was no other than Grace Poole.

There she sat, staid and taciturn-looking, as usual, in her brown stuff gown, her check apron, white handkerchief, and cap. She was intent on her work, in which her whole thoughts seemed absorbed: on her hard forehead, and in her commonplace features, was nothing either of the paleness or desperation one would have expected to see marking the countenance of a woman who had attempted murder, and whose intended victim had followed her last night to her lair, and (as I believed), charged her with the crime she wished to perpetrate. I was amazed—confounded. She looked up, while I still gazed at her: no start, no increase or failure of colour betrayed emotion, consciousness of guilt, or fear of detection. She said “Good morning, Miss,” in her usual phlegmatic and brief manner; and taking up another ring and more tape, went on with her sewing.

“I will put her to some test,” thought I: “such absolute impenetrability is past comprehension.”

“Good morning, Grace,” I said. “Has anything happened here? I thought I heard the servants all talking together a while ago.”

“Only master had been reading in his bed last night; he fell asleep with his candle lit, and the curtains got on fire; but, fortunately, he awoke before the bed-clothes or the wood-work caught, and contrived to quench the flames with the water in the ewer.”

“A strange affair!” I said, in a low voice: then, looking at her fixedly—“Did Mr. Rochester wake nobody? Did no one hear him move?”

She again raised her eyes to me, and this time there was something of consciousness in their expression. She seemed to examine me warily; then she answered—

“The servants sleep so far off, you know, Miss, they would not be likely to hear. Mrs. Fairfax’s room and yours are the nearest to master’s; but Mrs. Fairfax said she heard nothing: when people get elderly, they often sleep heavy.” She paused, and then added, with a sort of assumed indifference, but still in a marked and significant tone—“But you are young, Miss; and I should say a light sleeper: perhaps you may have heard a noise?”

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    56.0 of words are in the 2000 most common words
    73.9 of words are in the 5000 most common words
    81.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • Jane Eyre: An Autobiography - 38
    Total number of words is 3499
    Total number of unique words is 1084
    56.8 of words are in the 2000 most common words
    73.5 of words are in the 5000 most common words
    82.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • Jane Eyre: An Autobiography - 39
    Total number of words is 3238
    Total number of unique words is 1124
    54.8 of words are in the 2000 most common words
    72.5 of words are in the 5000 most common words
    80.9 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • Jane Eyre: An Autobiography - 40
    Total number of words is 3449
    Total number of unique words is 1135
    56.1 of words are in the 2000 most common words
    72.5 of words are in the 5000 most common words
    80.4 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • Jane Eyre: An Autobiography - 41
    Total number of words is 3592
    Total number of unique words is 1201
    54.3 of words are in the 2000 most common words
    73.6 of words are in the 5000 most common words
    81.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • Jane Eyre: An Autobiography - 42
    Total number of words is 3433
    Total number of unique words is 1122
    54.1 of words are in the 2000 most common words
    70.3 of words are in the 5000 most common words
    77.3 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • Jane Eyre: An Autobiography - 43
    Total number of words is 3193
    Total number of unique words is 991
    58.0 of words are in the 2000 most common words
    75.6 of words are in the 5000 most common words
    82.6 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • Jane Eyre: An Autobiography - 44
    Total number of words is 3337
    Total number of unique words is 1099
    56.0 of words are in the 2000 most common words
    73.1 of words are in the 5000 most common words
    79.4 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • Jane Eyre: An Autobiography - 45
    Total number of words is 3303
    Total number of unique words is 1138
    53.1 of words are in the 2000 most common words
    72.3 of words are in the 5000 most common words
    80.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • Jane Eyre: An Autobiography - 46
    Total number of words is 3132
    Total number of unique words is 1127
    56.3 of words are in the 2000 most common words
    73.1 of words are in the 5000 most common words
    80.3 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • Jane Eyre: An Autobiography - 47
    Total number of words is 3361
    Total number of unique words is 1203
    52.2 of words are in the 2000 most common words
    72.4 of words are in the 5000 most common words
    80.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • Jane Eyre: An Autobiography - 48
    Total number of words is 3174
    Total number of unique words is 1146
    55.1 of words are in the 2000 most common words
    72.6 of words are in the 5000 most common words
    81.5 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • Jane Eyre: An Autobiography - 49
    Total number of words is 3215
    Total number of unique words is 1022
    60.1 of words are in the 2000 most common words
    78.6 of words are in the 5000 most common words
    84.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • Jane Eyre: An Autobiography - 50
    Total number of words is 3310
    Total number of unique words is 1160
    53.2 of words are in the 2000 most common words
    71.9 of words are in the 5000 most common words
    80.3 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • Jane Eyre: An Autobiography - 51
    Total number of words is 3355
    Total number of unique words is 1121
    53.4 of words are in the 2000 most common words
    71.4 of words are in the 5000 most common words
    78.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • Jane Eyre: An Autobiography - 52
    Total number of words is 3352
    Total number of unique words is 1029
    56.6 of words are in the 2000 most common words
    74.5 of words are in the 5000 most common words
    82.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • Jane Eyre: An Autobiography - 53
    Total number of words is 3358
    Total number of unique words is 1033
    59.8 of words are in the 2000 most common words
    78.1 of words are in the 5000 most common words
    85.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • Jane Eyre: An Autobiography - 54
    Total number of words is 3353
    Total number of unique words is 1086
    60.0 of words are in the 2000 most common words
    75.5 of words are in the 5000 most common words
    82.1 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • Jane Eyre: An Autobiography - 55
    Total number of words is 3298
    Total number of unique words is 1002
    61.5 of words are in the 2000 most common words
    77.6 of words are in the 5000 most common words
    83.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • Jane Eyre: An Autobiography - 56
    Total number of words is 3168
    Total number of unique words is 985
    60.2 of words are in the 2000 most common words
    76.1 of words are in the 5000 most common words
    83.3 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • Jane Eyre: An Autobiography - 57
    Total number of words is 3285
    Total number of unique words is 1066
    56.9 of words are in the 2000 most common words
    75.1 of words are in the 5000 most common words
    81.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • Jane Eyre: An Autobiography - 58
    Total number of words is 168
    Total number of unique words is 112
    72.2 of words are in the 2000 most common words
    80.0 of words are in the 5000 most common words
    83.3 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.