Thus Spake Zarathustra: A Book for All and None - 24

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Par. 4.
In the Note on Chapter LVII. (end) I speak of Nietzsche’s elevation of
the virtue, Courage, to the highest place among the virtues. Here he
tells higher men the class of courage he expects from them.
Pars. 5, 6.
These have already been referred to in the Notes on Chapters LVII. (end)
and LXXI.
Par. 7.
I suggest that the last verse in this paragraph strongly confirms the
view that Nietzsche’s teaching was always meant by him to be esoteric
and for higher man alone.
Par. 9.
In the last verse, here, another shaft of light is thrown upon the
Immaculate Perception or so-called “pure objectivity” of the scientific
mind. “Freedom from fever is still far from being knowledge.” Where a
man’s emotions cease to accompany him in his investigations, he is
not necessarily nearer the truth. Says Spencer, in the Preface to his
Autobiography:—“In the genesis of a system of thought, the emotional
nature is a large factor: perhaps as large a factor as the intellectual
nature” (see pages 134, 141 of Vol. I., “Thoughts out of Season”).
Pars. 10, 11.
When we approach Nietzsche’s philosophy we must be prepared to be
independent thinkers; in fact, the greatest virtue of his works is
perhaps the subtlety with which they impose the obligation upon one
of thinking alone, of scoring off one’s own bat, and of shifting
intellectually for oneself.
Par. 13.
“I am a railing alongside the torrent; whoever is able to grasp me, may
grasp me! Your crutch, however, I am not.” These two paragraphs are an
exhortation to higher men to become independent.
Par. 15.
Here Nietzsche perhaps exaggerates the importance of heredity. As,
however, the question is by no means one on which we are all agreed,
what he says is not without value.
A very important principle in Nietzsche’s philosophy is enunciated in
the first verse of this paragraph. “The higher its type, always the
seldomer doth a thing succeed” (see page 82 of “Beyond Good and Evil”).
Those who, like some political economists, talk in a business-like way
about the terrific waste of human life and energy, deliberately overlook
the fact that the waste most to be deplored usually occurs among
higher individuals. Economy was never precisely one of nature’s leading
principles. All this sentimental wailing over the larger proportion
of failures than successes in human life, does not seem to take into
account the fact that it is the rarest thing on earth for a highly
organised being to attain to the fullest development and activity of all
its functions, simply because it is so highly organised. The blind Will
to Power in nature therefore stands in urgent need of direction by man.
Pars. 16, 17, 18, 19, 20.
These paragraphs deal with Nietzsche’s protest against the democratic
seriousness (Pobelernst) of modern times. “All good things laugh,” he
says, and his final command to the higher men is, “LEARN, I pray you—to
laugh.” All that is GOOD, in Nietzsche’s sense, is cheerful. To be able
to crack a joke about one’s deepest feelings is the greatest test of
their value. The man who does not laugh, like the man who does not make
faces, is already a buffoon at heart.
“What hath hitherto been the greatest sin here on earth? Was it not the
word of him who said: ‘Woe unto them that laugh now!’ Did he himself
find no cause for laughter on the earth? Then he sought badly. A child
even findeth cause for it.”
Chapter LXXIV. The Song of Melancholy.
After his address to the higher men, Zarathustra goes out into the
open to recover himself. Meanwhile the magician (Wagner), seizing the
opportunity in order to draw them all into his net once more, sings the
Song of Melancholy.
Chapter LXXV. Science.
The only one to resist the “melancholy voluptuousness” of his art, is
the spiritually conscientious one—the scientific specialist of whom we
read in the discourse entitled “The Leech”. He takes the harp from the
magician and cries for air, while reproving the musician in the style
of “The Case of Wagner”. When the magician retaliates by saying that the
spiritually conscientious one could have understood little of his song,
the latter replies: “Thou praisest me in that thou separatest me from
thyself.” The speech of the scientific man to his fellow higher men is
well worth studying. By means of it, Nietzsche pays a high tribute to
the honesty of the true specialist, while, in representing him as the
only one who can resist the demoniacal influence of the magician’s
music, he elevates him at a stroke, above all those present. Zarathustra
and the spiritually conscientious one join issue at the end on the
question of the proper place of “fear” in man’s history, and Nietzsche
avails himself of the opportunity in order to restate his views
concerning the relation of courage to humanity. It is precisely because
courage has played the most important part in our development that
he would not see it vanish from among our virtues to-day. “...courage
seemeth to me the entire primitive history of man.”
Chapter LXXVI. Among the Daughters of the Desert.
This tells its own tale.
Chapter LXXVII. The Awakening.
In this discourse, Nietzsche wishes to give his followers a warning.
He thinks he has so far helped them that they have become convalescent,
that new desires are awakened in them and that new hopes are in their
arms and legs. But he mistakes the nature of the change. True, he has
helped them, he has given them back what they most need, i.e., belief in
believing—the confidence in having confidence in something, but how
do they use it? This belief in faith, if one can so express it without
seeming tautological, has certainly been restored to them, and in
the first flood of their enthusiasm they use it by bowing down and
worshipping an ass! When writing this passage, Nietzsche was obviously
thinking of the accusations which were levelled at the early Christians
by their pagan contemporaries. It is well known that they were supposed
not only to be eaters of human flesh but also ass-worshippers, and among
the Roman graffiti, the most famous is the one found on the Palatino,
showing a man worshipping a cross on which is suspended a figure
with the head of an ass (see Minucius Felix, “Octavius” IX.; Tacitus,
“Historiae” v. 3; Tertullian, “Apologia”, etc.). Nietzsche’s obvious
moral, however, is that great scientists and thinkers, once they have
reached the wall encircling scepticism and have thereby learned to
recover their confidence in the act of believing, as such, usually
manifest the change in their outlook by falling victims to the narrowest
and most superstitious of creeds. So much for the introduction of the
ass as an object of worship.
Now, with regard to the actual service and Ass-Festival, no reader who
happens to be acquainted with the religious history of the Middle Ages
will fail to see the allusion here to the asinaria festa which were by
no means uncommon in France, Germany, and elsewhere in Europe during the
thirteenth, fourteenth, and fifteenth centuries.
Chapter LXXVIII. The Ass-Festival.
At length, in the middle of their feast, Zarathustra bursts in upon
them and rebukes them soundly. But he does not do so long; in the
Ass-Festival, it suddenly occurs to him, that he is concerned with a
ceremony that may not be without its purpose, as something foolish but
necessary—a recreation for wise men. He is therefore highly pleased
that the higher men have all blossomed forth; they therefore require
new festivals,—“A little valiant nonsense, some divine service and
ass-festival, some old joyful Zarathustra fool, some blusterer to blow
their souls bright.”
He tells them not to forget that night and the ass-festival, for “such
things only the convalescent devise! And should ye celebrate it again,”
he concludes, “do it from love to yourselves, do it also from love to
me! And in remembrance of ME!”
Chapter LXXIX. The Drunken Song.
It were the height of presumption to attempt to fix any particular
interpretation of my own to the words of this song. With what has gone
before, the reader, while reading it as poetry, should be able to seek
and find his own meaning in it. The doctrine of the Eternal Recurrence
appears for the last time here, in an art-form. Nietzsche lays stress
upon the fact that all happiness, all delight, longs for repetitions,
and just as a child cries “Again! Again!” to the adult who happens to
be amusing him; so the man who sees a meaning, and a joyful meaning, in
existence must also cry “Again!” and yet “Again!” to all his life.
Chapter LXXX. The Sign.
In this discourse, Nietzsche disassociates himself finally from the
higher men, and by the symbol of the lion, wishes to convey to us that
he has won over and mastered the best and the most terrible in nature.
That great power and tenderness are kin, was already his belief in
1875—eight years before he wrote this speech, and when the birds and
the lion come to him, it is because he is the embodiment of the two
qualities. All that is terrible and great in nature, the higher men are
not yet prepared for; for they retreat horror-stricken into the cave
when the lion springs at them; but Zarathustra makes not a move towards
them. He was tempted to them on the previous day, he says, but “That
hath had its time! My suffering and my fellow-suffering,—what matter
about them! Do I then strive after HAPPINESS? I strive after my work!
Well! the lion hath come, my children are nigh. Zarathustra hath grown
ripe. MY day beginneth: ARISE NOW, ARISE, THOU GREAT NOONDAY!”
...
The above I know to be open to much criticism. I shall be grateful to
all those who will be kind enough to show me where and how I have gone
wrong; but I should like to point out that, as they stand, I have not
given to these Notes by any means their final form.
ANTHONY M. LUDOVICI.
London, February 1909.
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