The Maltese Falcon - 08

Dundy took Cairo's pistol from his overcoat-pocket and put it on the table. He went out first, with Cairo at his heels. Tom halted in front of Spade, muttering, "I hope to God you know what you're doing," got no response, sighed, and followed the others out. Spade went after them as far as the bend in the passageway, where he stood until Tom had closed the corridor-door.

9. Brigid

Spade returned to the living-room and sat on an end of the sofa, elbows on knees, cheeks in hands, looking at the floor and not at Brigid O'Shaughnessy smiling weakly at him from the armchair. His eyes were sultry. The creases between brows over his nose were deep. His nostrils moved in and out with his breathing.

Brigid O'Shaughnessy, when it became apparent that he was not going to look up at her, stopped smiling and regarded him with growing uneasiness.

Red rage came suddenly into his face and he began to talk in a harsh guttural voice. Holding his maddened face in his hands, glaring at the floor, he cursed Dundy for five minutes without break, cursed him obscenely, blasphemously, repetitiously, in a harsh guttural voice.

Then he took his face out of his hands, looked at the girl, grinned sheepishly, and said: "Childish, huh? I know, but, by God, I do hate being hit without hitting back." He touched his chin with careful fingers. "Not that it was so much of a sock at that." He laughed and lounged back on the sofa, crossing his legs. "A cheap enough price to pay for winning." His brows came together in a fleeting scowl. "Though I'll remember it."

The girl, smiling again, left her chair and sat on the sofa beside him. "You're absolutely the wildest person I've ever known," she said. "Do you always carry on so high-handed?"

"I let him hit me, didn't I?"

"Oh, yes, but a police official."

"It wasn't that," Spade explained. "It was that in losing his head and slugging me he overplayed his hand. If I'd mixed it with him then he couldn't've backed down. He'd've had to go through with it, and we'd've had to tell that goofy story at headquarters." He stared thoughtfully at the girl, and asked: "What did you do to Cairo?"

"Nothing." Her face became flushed. "I tried to frighten him into keeping still until they had gone and he either got too frightened or stubborn and yelled."

"And then you smacked him with the gun?"

"I had to. He attacked me."

"You don't know what you're doing." Spade's smile did not hide his annoyance. "It's just what I told you: you're fumbling along by guess and by God."

"I'm sorry," she said, face and voice soft with contrition, "Sam."

"Sure you are." He took tobacco and papers from his pockets and began to make a cigarette. "Now you've had your talk with Cairo. Now you can talk to me."

She put a fingertip to her mouth, staring across the room at nothing with widened eyes, and then, with narrower eyes, glanced quickly at Spade. He was engrossed in the making of his cigarette. "Oh, yes," she began, "of course--" She took the finger away from her mouth and smoothed her blue dress over her knees. She frowned at her knees.

Spade licked his cigarette, sealed it, and asked, "Well?" while he felt for his lighter.

"But I didn't," she said, pausing between words as if she were selecting them with great care, "have time to finish talking to him." She stopped frowning at her knees and looked at Spade with clear candid eyes. "We were interrupted almost before we had begun."

Spade lighted his cigarette and laughed his mouth empty of smoke. "Want me to phone him and ask him to come back?"

She shook her head, not smiling. Her eyes moved back and forth between her lids as she shook her head, maintaining their focus on Spade's eyes. Her eyes were inquisitive.

Spade put an arm across her back, cupping his hand over the smooth bare white shoulder farthest from him. She leaned back into the bend of his arm. He said: "Well, I'm listening."

She twisted her head around to smile up at him with playful insolence, asking: "Do you need your arm there for that?"

"No." He removed his hand from her shoulder and let his arm drop down behind her.

"You're altogether unpredictable," she murmured.

He nodded and said amiably: "I'm still listening."

"Look at the time!" she exclaimed, wriggling a finger at the alarm-clock perched atop the book saying two-fifty with its clumsily shaped hands.

"Uh-huh, it's been a busy evening."

"I must go." She rose from the sofa. "This is terrible."

Spade did not rise. He shook his head and said: "Not until you've told me about it."

"But look at the time," she protested, "and it would take hours to tell you."

"It'll have to take them then."

"Am I a prisoner?" she asked gaily.

"Besides, there's the kid outside. Maybe he hasn't gone home to sleep yet."

Her gaiety vanished. "Do you think he's still there?"

"It's likely."

She shivered. "Could you find out?"

"I could go down and see."

"Oh, that's--will you?"

Spade studied her anxious face for a moment and then got up from the sofa saying: "Sure." He got a hat and overcoat from the closet. "I'll be gone about ten minutes."

"Do be careful," she begged as she followed him to the corridor-door.

He said, "I will," and went out.

* * * * *

Post Street was empty when Spade issued into it. He walked east a block, crossed the street, walked west two blocks on the other side, recrossed it, and returned to his building without having seen anyone except two mechanics working on a car in a garage.

When he opened his apartment-door Brigid O'Shaughnessy was standing at the bend in the passageway, holding Cairo's pistol straight down at her side.

"He's still there," Spade said.

She bit the inside of her lip and turned slowly, going back into the living-room. Spade followed her in, put his hat and overcoat on a chair, said, "So we'll have time to talk," and went into the kitchen.

He had put the coffee-pot on the stove when she came to the door, and was slicing a slender loaf of French bread. She stood in the doorway and watched him with preoccupied eyes. The fingers of her left hand idly caressed the body and barrel of the pistol her right hand still held.

"The table-cloth's in there," he said, pointing the bread-knife at a cupboard that was one breakfast-nook partition.

She set the table while he spread liverwurst on, or put cold corned beef between, the small ovals of bread he had sliced. Then he poured the coffee, added brandy to it from a squat bottle, and they sat at the table. They sat side by side on one of the benches. She put the pistol down on the end of the bench nearer her.

"You can start now, between bites," he said.

She made a face at him, complained, "You're the most insistent person," and bit a sandwich.

"Yes, and wild and unpredictable. What's this bird, this falcon, that everybody's all steamed up about?"

She chewed the beef and bread in her mouth, swallowed it, looked attentively at the small crescent its removal had made in the sandwich's rim, and asked: "Suppose I wouldn't tell you? Suppose I wouldn't tell you anything at all about it? What would you do?"

"You mean about the bird?"

"I mean about the whole thing."

"I wouldn't be too surprised," he told her, grinning so that the edges of his jaw-teeth were visible, "to know what to do next."

"And that would be?" She transferred her attention from the sandwich to his face. "That's what I wanted to know: what would you do next?"

He shook his head.

Mockery rippled in a smile on her face. "Something wild and unpredictable?"

"Maybe. But I don't see what you've got to gain by covering up now. It's coming out bit by bit anyhow. There's a lot of it I don't know, but there's some of it I do, and some more that I can guess at, and, give me another day like this, I'll soon be knowing things about it that you don't know."

"I suppose you do now," she said, looking at her sandwich again, her face serious. "But--oh!--I'm so tired of it, and I do so hate having to talk about it. Wouldn't it--wouldn't it be just as well to wait and let you learn about it as you say you will?"

Spade laughed. "I don't know. You'll have to figure that out for yourself. My way of learning is to heave a wild and unpredictable monkey-wrench into the machinery. It's all right with me, if you're sure none of the flying pieces will hurt you."

She moved her bare shoulders uneasily, but said nothing. For several minutes they ate in silence, he phlegmatically, she thoughtfully. Then she said in a hushed voice: "I'm afraid of you, and that's the truth."

He said: "That's not the truth."

"It is," she insisted in the same low voice. "I know two men I'm afraid of and I've seen both of them tonight."

"I can understand your being afraid of Cairo," Spade said. "He's out of your reach."

"And you aren't?"

"Not that way," he said and grinned.

She blushed. She picked up a slice of bread encrusted with grey liverwurst. She put it down on her plate. She wrinkled her white forehead and she said: "It's a black figure, as you know, smooth and shiny, of a bird, a hawk or falcon, about that high." She held her hands a foot apart.

"What makes it important?"

She sipped coffee and brandy before she shook her head. "I don't know," she said. "They'd never tell me. They promised me five hundred pounds if I helped them get it. Then Floyd said afterward, after we'd left Joe, that he'd give me seven hundred and fifty."

"So it must be worth more than seventy-five hundred dollars?"

"Oh, much more than that," she said. "They didn't pretend that they were sharing equally with me. They were simply hiring me to help them."

"To help them how?"

She lifted her cup to her lips again. Spade, not moving the domineering stare of his yellow-grey eyes from her face, began to make a cigarette. Behind them the percolator bubbled on the stove.

"To help them get it from the man who had it," she said slowly when she had lowered her cup, "a Russian named Kemidov."

"How?"

"Oh, but that's not important," she objected, "and wouldn't help you"--she smiled impudently--"and is certainly none of your business."

"This was in Constantinople?"

She hesitated, nodded, and said: "Marmora."

He waved his cigarette at her, saying: "Go ahead, what happened then?"

"But that's all. I've told you. They promised me five hundred pounds to help them and I did and then we found that Joe Cairo meant to desert us, taking the falcon with him and leaving us nothing. So we did exactly that to him, first. But then I wasn't any better off than I had been before, because Floyd hadn't any intention at all of paying me the seven hundred and fifty pounds he had promised me. I had learned that by the time we got here. He said we would go to New York, where he would sell it and give me my share, but I could see he wasn't telling me the truth." Indignation had darkened her eyes to violet. "And that's why I came to you to get you to help me learn where the falcon was."

"And suppose you'd got it? What then?"

"Then I'd have been in a position to talk terms with Mr. Floyd Thursby."

Spade squinted at her and suggested: "But you wouldn't have known where to take it to get more money than he'd give you, the larger sum that you knew he expected to sell it for?"

"I did not know," she said.

Spade scowled at the ashes he had dumped on his plate. "What makes it worth all that money?" he demanded. "You must have some idea, at least be able to guess."

"I haven't the slightest idea."

He directed the scowl at her. "What's it made of?"

"Porcelain or black stone. I don't know. I've never touched it. I've only seen it once, for a few minutes. Floyd showed it to me when we'd first got hold of it."

Spade mashed the end of his cigarette in his plate and made one draught of the coffee and brandy in his cup. His scowl had gone away. He wiped his lips with his napkin, dropped it crumpled on the table, and spoke casually: "You are a liar."

She got up and stood at the end of the table, looking down at him with dark abashed eyes in a pinkening face. "I am a liar," she said. "I have always been a liar."

"Don't brag about it. It's childish." His voice was good-humored. He came out from between table and bench. "Was there any truth at all in that yarn?"

She hung her head. Dampness glistened on her dark lashes. "Some," she whispered.

"How much?"

"Not--not very much."

Spade put a hand under her chin and lifted her head. He laughed into her wet eyes and said: "We've got all night before us. I'll put some more brandy in some more coffee and we'll try again."

Her eyelids drooped. "Oh, I'm so tired," she said tremulously, "so tired of it all, of myself, of lying and thinking up lies, and of not knowing what is a lie and what is the truth. I wish I--"

She put her hands up to Spade's cheeks, put her open mouth hard against his mouth, her body flat against his body.

Spade's arms went around her, holding her to him, muscles bulging his blue sleeves, a hand cradling her head, its fingers half lost among red hair, a hand moving groping fingers over her slim back. His eyes burned yellowly.

10. The Belvedere Divan

Beginning day had reduced night to a thin smokiness when Spade sat up. At his side Brigid O'Shaughnessy's soft breathing had the regularity of utter sleep. Spade was quiet leaving bed and bedroom and shutting the bedroom-door. He dressed in the bathroom. Then he examined the sleeping girl's clothes, took a flat brass key from the pocket of her coat, and went out.

He went to the Coronet, letting himself into the building and into her apartment with the key. To the eye there was nothing furtive about his going in: he entered boldly and directly. To the ear his going in was almost unnoticeable: he made as little sound as might be.

In the girl's apartment he switched on all the lights. He searched the place from wall to wall. His eyes and thick fingers moved without apparent haste, and without ever lingering or fumbling or going back, from one inch of their fields to the next, probing, scrutinizing, testing with expert certainty. Every drawer, cupboard, cubbyhole, box, bag, trunk--locked or unlocked--was opened and its contents subjected to examination by eyes and fingers. Every piece of clothing was tested by hands that felt for telltale bulges and ears that listened for the crinkle of paper between pressing fingers. He stripped the bed of bedclothes. He looked under rugs and at the under side of each piece of furniture. He pulled down blinds to see that nothing had been rolled up in them for concealment. He leaned through windows to see that nothing hung below them on the outside. He poked with a fork into powder and cream-jars on the dressing-table. He held atomizers and bottles up against the light. He examined dishes and pans and food and food-containers. He emptied the garbage-can on spread sheets of newspaper. He opened the top of the flush-box in the bathroom, drained the box, and peered down into it. He examined and tested the metal screens over the drains of bathtub, wash-bowl, sink, and laundry-tub.

He did not find the black bird. He found nothing that seemed to have any connection with a black bird. The only piece of writing he found was a week-old receipt for the month's apartment-rent Brigid O'Shaughnessy had paid. The only thing he found that interested him enough to delay his search while he looked at it was a double-handful of rather fine jewelry in a polychrome box in a locked dressing-table-drawer.

When he had finished he made and drank a cup of coffee. Then he unlocked the kitchen-window, scarred the edge of its lock a little with his pocket-knife, opened the window--over a fire-escape--got his hat and overcoat from the settee in the living-room, and left the apartment as he had come.

On his way home he stopped at a store that was being opened by a puffy-eyed shivering plump grocer and bought oranges, eggs, rolls, butter, and cream.

Spade went quietly into his apartment, but before he had shut the corridor-door behind him Brigid O'Shaughnessy cried: "Who is that?"

"Young Spade bearing breakfast."

"Oh, you frightened me!"

The bedroom-door he had shut was open. The girl sat on the side of the bed, trembling, with her right hand out of sight under a pillow.

Spade put his packages on the kitchen-table and went into the bedroom. He sat on the bed beside the girl, kissed her smooth shoulder, and said: "I wanted to see if that kid was still on the job, and to get stuff for breakfast."

"Is he?"

"No."

She sighed and leaned against him. "I awakened and you weren't here and then I heard someone coming in. I was terrified."

Spade combed her red hair back from her face with his fingers and said: "I'm sorry, angel. I thought you'd sleep through it. Did you have that gun under your pillow all night?"

"No. You know I didn't. I jumped up and got it when I was frightened."

He cooked breakfast--and slipped the flat brass key into her coat-pocket again--while she bathed and dressed.

She came out of the bathroom whistling En Cuba. "Shall I make the bed?" she asked.

"That'd be swell. The eggs need a couple of minutes more."

Their breakfast was on the table when she returned to the kitchen. They sat where they had sat the night before and ate heartily.

"Now about the bird?" Spade suggested presently as they ate.

She put her fork down and looked at him. She drew her eyebrows together and made her mouth small and tight. "You can't ask me to talk about that this morning of all mornings," she protested. "I don't want to and I won't."

"It's a stubborn damned hussy," he said sadly and put a piece of roll into his mouth.

* * * * *

The youth who had shadowed Spade was not in sight when Spade and Brigid O'Shaughnessy crossed the sidewalk to the waiting taxicab. The taxicab was not followed. Neither the youth nor another loiterer was visible in the vicinity of the Coronet when the taxicab arrived there.

Brigid O'Shaughnessy would not let Spade go in with her. "It's bad enough to be coming home in evening dress at this hour without bringing company. I hope I don't meet anybody."

"Dinner tonight?"

"Yes."

They kissed. She went into the Coronet. He told the chauffeur: "Hotel Belvedere."

When he reached the Belvedere he saw the youth who had shadowed him sitting in the lobby on a divan from which the elevators could be seen. Apparently the youth was reading a newspaper.

At the desk Spade learned that Cairo was not in. He frowned and pinched his lower lip. Points of yellow light began to dance in his eyes. "Thanks," he said softly to the clerk and turned away.

Sauntering, he crossed the lobby to the divan from which the elevators could be seen and sat down beside--not more than a foot from--the young man who was apparently reading a newspaper.