Tess of the d’Urbervilles A Pure Woman - 11

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Tess, who was reaching up to get the tea-things from the corner-cupboard, did not hear these commentaries. If she had heard them, she might soon have set her friends right on the matter. But her mother heard, and Joan’s simple vanity, having been denied the hope of a dashing marriage, fed itself as well as it could upon the sensation of a dashing flirtation. Upon the whole she felt gratified, even though such a limited and evanescent triumph should involve her daughter’s reputation; it might end in marriage yet, and in the warmth of her responsiveness to their admiration she invited her visitors to stay to tea.

Their chatter, their laughter, their good-humoured innuendoes, above all, their flashes and flickerings of envy, revived Tess’s spirits also; and, as the evening wore on, she caught the infection of their excitement, and grew almost gay. The marble hardness left her face, she moved with something of her old bounding step, and flushed in all her young beauty.

At moments, in spite of thought, she would reply to their inquiries with a manner of superiority, as if recognizing that her experiences in the field of courtship had, indeed, been slightly enviable. But so far was she from being, in the words of Robert South, “in love with her own ruin,” that the illusion was transient as lightning; cold reason came back to mock her spasmodic weakness; the ghastliness of her momentary pride would convict her, and recall her to reserved listlessness again.

And the despondency of the next morning’s dawn, when it was no longer Sunday, but Monday; and no best clothes; and the laughing visitors were gone, and she awoke alone in her old bed, the innocent younger children breathing softly around her. In place of the excitement of her return, and the interest it had inspired, she saw before her a long and stony highway which she had to tread, without aid, and with little sympathy. Her depression was then terrible, and she could have hidden herself in a tomb.

In the course of a few weeks Tess revived sufficiently to show herself so far as was necessary to get to church one Sunday morning. She liked to hear the chanting—such as it was—and the old Psalms, and to join in the Morning Hymn. That innate love of melody, which she had inherited from her ballad-singing mother, gave the simplest music a power over her which could well-nigh drag her heart out of her bosom at times.

To be as much out of observation as possible for reasons of her own, and to escape the gallantries of the young men, she set out before the chiming began, and took a back seat under the gallery, close to the lumber, where only old men and women came, and where the bier stood on end among the churchyard tools.

Parishioners dropped in by twos and threes, deposited themselves in rows before her, rested three-quarters of a minute on their foreheads as if they were praying, though they were not; then sat up, and looked around. When the chants came on, one of her favourites happened to be chosen among the rest—the old double chant “Langdon”—but she did not know what it was called, though she would much have liked to know. She thought, without exactly wording the thought, how strange and god-like was a composer’s power, who from the grave could lead through sequences of emotion, which he alone had felt at first, a girl like her who had never heard of his name, and never would have a clue to his personality.

The people who had turned their heads turned them again as the service proceeded; and at last observing her, they whispered to each other. She knew what their whispers were about, grew sick at heart, and felt that she could come to church no more.

The bedroom which she shared with some of the children formed her retreat more continually than ever. Here, under her few square yards of thatch, she watched winds, and snows, and rains, gorgeous sunsets, and successive moons at their full. So close kept she that at length almost everybody thought she had gone away.

The only exercise that Tess took at this time was after dark; and it was then, when out in the woods, that she seemed least solitary. She knew how to hit to a hair’s-breadth that moment of evening when the light and the darkness are so evenly balanced that the constraint of day and the suspense of night neutralize each other, leaving absolute mental liberty. It is then that the plight of being alive becomes attenuated to its least possible dimensions. She had no fear of the shadows; her sole idea seemed to be to shun mankind—or rather that cold accretion called the world, which, so terrible in the mass, is so unformidable, even pitiable, in its units.

On these lonely hills and dales her quiescent glide was of a piece with the element she moved in. Her flexuous and stealthy figure became an integral part of the scene. At times her whimsical fancy would intensify natural processes around her till they seemed a part of her own story. Rather they became a part of it; for the world is only a psychological phenomenon, and what they seemed they were. The midnight airs and gusts, moaning amongst the tightly-wrapped buds and bark of the winter twigs, were formulae of bitter reproach. A wet day was the expression of irremediable grief at her weakness in the mind of some vague ethical being whom she could not class definitely as the God of her childhood, and could not comprehend as any other.

But this encompassment of her own characterization, based on shreds of convention, peopled by phantoms and voices antipathetic to her, was a sorry and mistaken creation of Tess’s fancy—a cloud of moral hobgoblins by which she was terrified without reason. It was they that were out of harmony with the actual world, not she. Walking among the sleeping birds in the hedges, watching the skipping rabbits on a moonlit warren, or standing under a pheasant-laden bough, she looked upon herself as a figure of Guilt intruding into the haunts of Innocence. But all the while she was making a distinction where there was no difference. Feeling herself in antagonism, she was quite in accord. She had been made to break an accepted social law, but no law known to the environment in which she fancied herself such an anomaly.

XIV

It was a hazy sunrise in August. The denser nocturnal vapours, attacked by the warm beams, were dividing and shrinking into isolated fleeces within hollows and coverts, where they waited till they should be dried away to nothing.

The sun, on account of the mist, had a curious sentient, personal look, demanding the masculine pronoun for its adequate expression. His present aspect, coupled with the lack of all human forms in the scene, explained the old-time heliolatries in a moment. One could feel that a saner religion had never prevailed under the sky. The luminary was a golden-haired, beaming, mild-eyed, God-like creature, gazing down in the vigour and intentness of youth upon an earth that was brimming with interest for him.

His light, a little later, broke though chinks of cottage shutters, throwing stripes like red-hot pokers upon cupboards, chests of drawers, and other furniture within; and awakening harvesters who were not already astir.

But of all ruddy things that morning the brightest were two broad arms of painted wood, which rose from the margin of yellow cornfield hard by Marlott village. They, with two others below, formed the revolving Maltese cross of the reaping-machine, which had been brought to the field on the previous evening to be ready for operations this day. The paint with which they were smeared, intensified in hue by the sunlight, imparted to them a look of having been dipped in liquid fire.

The field had already been “opened”; that is to say, a lane a few feet wide had been hand-cut through the wheat along the whole circumference of the field for the first passage of the horses and machine.

Two groups, one of men and lads, the other of women, had come down the lane just at the hour when the shadows of the eastern hedge-top struck the west hedge midway, so that the heads of the groups were enjoying sunrise while their feet were still in the dawn. They disappeared from the lane between the two stone posts which flanked the nearest field-gate.

Presently there arose from within a ticking like the love-making of the grasshopper. The machine had begun, and a moving concatenation of three horses and the aforesaid long rickety machine was visible over the gate, a driver sitting upon one of the hauling horses, and an attendant on the seat of the implement. Along one side of the field the whole wain went, the arms of the mechanical reaper revolving slowly, till it passed down the hill quite out of sight. In a minute it came up on the other side of the field at the same equable pace; the glistening brass star in the forehead of the fore horse first catching the eye as it rose into view over the stubble, then the bright arms, and then the whole machine.

The narrow lane of stubble encompassing the field grew wider with each circuit, and the standing corn was reduced to a smaller area as the morning wore on. Rabbits, hares, snakes, rats, mice, retreated inwards as into a fastness, unaware of the ephemeral nature of their refuge, and of the doom that awaited them later in the day when, their covert shrinking to a more and more horrible narrowness, they were huddled together, friends and foes, till the last few yards of upright wheat fell also under the teeth of the unerring reaper, and they were every one put to death by the sticks and stones of the harvesters.

The reaping-machine left the fallen corn behind it in little heaps, each heap being of the quantity for a sheaf; and upon these the active binders in the rear laid their hands—mainly women, but some of them men in print shirts, and trousers supported round their waists by leather straps, rendering useless the two buttons behind, which twinkled and bristled with sunbeams at every movement of each wearer, as if they were a pair of eyes in the small of his back.

But those of the other sex were the most interesting of this company of binders, by reason of the charm which is acquired by woman when she becomes part and parcel of outdoor nature, and is not merely an object set down therein as at ordinary times. A field-man is a personality afield; a field-woman is a portion of the field; she had somehow lost her own margin, imbibed the essence of her surrounding, and assimilated herself with it.

The women—or rather girls, for they were mostly young—wore drawn cotton bonnets with great flapping curtains to keep off the sun, and gloves to prevent their hands being wounded by the stubble. There was one wearing a pale pink jacket, another in a cream-coloured tight-sleeved gown, another in a petticoat as red as the arms of the reaping-machine; and others, older, in the brown-rough “wropper” or over-all—the old-established and most appropriate dress of the field-woman, which the young ones were abandoning. This morning the eye returns involuntarily to the girl in the pink cotton jacket, she being the most flexuous and finely-drawn figure of them all. But her bonnet is pulled so far over her brow that none of her face is disclosed while she binds, though her complexion may be guessed from a stray twine or two of dark brown hair which extends below the curtain of her bonnet. Perhaps one reason why she seduces casual attention is that she never courts it, though the other women often gaze around them.

Her binding proceeds with clock-like monotony. From the sheaf last finished she draws a handful of ears, patting their tips with her left palm to bring them even. Then, stooping low, she moves forward, gathering the corn with both hands against her knees, and pushing her left gloved hand under the bundle to meet the right on the other side, holding the corn in an embrace like that of a lover. She brings the ends of the bond together, and kneels on the sheaf while she ties it, beating back her skirts now and then when lifted by the breeze. A bit of her naked arm is visible between the buff leather of the gauntlet and the sleeve of her gown; and as the day wears on its feminine smoothness becomes scarified by the stubble and bleeds.

At intervals she stands up to rest, and to retie her disarranged apron, or to pull her bonnet straight. Then one can see the oval face of a handsome young woman with deep dark eyes and long heavy clinging tresses, which seem to clasp in a beseeching way anything they fall against. The cheeks are paler, the teeth more regular, the red lips thinner than is usual in a country-bred girl.

It is Tess Durbeyfield, otherwise d’Urberville, somewhat changed—the same, but not the same; at the present stage of her existence living as a stranger and an alien here, though it was no strange land that she was in. After a long seclusion she had come to a resolve to undertake outdoor work in her native village, the busiest season of the year in the agricultural world having arrived, and nothing that she could do within the house being so remunerative for the time as harvesting in the fields.

The movements of the other women were more or less similar to Tess’s, the whole bevy of them drawing together like dancers in a quadrille at the completion of a sheaf by each, every one placing her sheaf on end against those of the rest, till a shock, or “stitch” as it was here called, of ten or a dozen was formed.

They went to breakfast, and came again, and the work proceeded as before. As the hour of eleven drew near a person watching her might have noticed that every now and then Tess’s glance flitted wistfully to the brow of the hill, though she did not pause in her sheafing. On the verge of the hour the heads of a group of children, of ages ranging from six to fourteen, rose over the stubbly convexity of the hill.

The face of Tess flushed slightly, but still she did not pause.

The eldest of the comers, a girl who wore a triangular shawl, its corner draggling on the stubble, carried in her arms what at first sight seemed to be a doll, but proved to be an infant in long clothes. Another brought some lunch. The harvesters ceased working, took their provisions, and sat down against one of the shocks. Here they fell to, the men plying a stone jar freely, and passing round a cup.

Tess Durbeyfield had been one of the last to suspend her labours. She sat down at the end of the shock, her face turned somewhat away from her companions. When she had deposited herself a man in a rabbit-skin cap, and with a red handkerchief tucked into his belt, held the cup of ale over the top of the shock for her to drink. But she did not accept his offer. As soon as her lunch was spread she called up the big girl, her sister, and took the baby of her, who, glad to be relieved of the burden, went away to the next shock and joined the other children playing there. Tess, with a curiously stealthy yet courageous movement, and with a still rising colour, unfastened her frock and began suckling the child.

The men who sat nearest considerately turned their faces towards the other end of the field, some of them beginning to smoke; one, with absent-minded fondness, regretfully stroking the jar that would no longer yield a stream. All the women but Tess fell into animated talk, and adjusted the disarranged knots of their hair.

When the infant had taken its fill, the young mother sat it upright in her lap, and looking into the far distance, dandled it with a gloomy indifference that was almost dislike; then all of a sudden she fell to violently kissing it some dozens of times, as if she could never leave off, the child crying at the vehemence of an onset which strangely combined passionateness with contempt.

“She’s fond of that there child, though she mid pretend to hate en, and say she wishes the baby and her too were in the churchyard,” observed the woman in the red petticoat.

“She’ll soon leave off saying that,” replied the one in buff. “Lord, ’tis wonderful what a body can get used to o’ that sort in time!”

“A little more than persuading had to do wi’ the coming o’t, I reckon. There were they that heard a sobbing one night last year in The Chase; and it mid ha’ gone hard wi’ a certain party if folks had come along.”

“Well, a little more, or a little less, ’twas a thousand pities that it should have happened to she, of all others. But ’tis always the comeliest! The plain ones be as safe as churches—hey, Jenny?” The speaker turned to one of the group who certainly was not ill-defined as plain.

It was a thousand pities, indeed; it was impossible for even an enemy to feel otherwise on looking at Tess as she sat there, with her flower-like mouth and large tender eyes, neither black nor blue nor grey nor violet; rather all those shades together, and a hundred others, which could be seen if one looked into their irises—shade behind shade—tint beyond tint—around pupils that had no bottom; an almost standard woman, but for the slight incautiousness of character inherited from her race.

A resolution which had surprised herself had brought her into the fields this week for the first time during many months. After wearing and wasting her palpitating heart with every engine of regret that lonely inexperience could devise, common sense had illuminated her. She felt that she would do well to be useful again—to taste anew sweet independence at any price. The past was past; whatever it had been, it was no more at hand. Whatever its consequences, time would close over them; they would all in a few years be as if they had never been, and she herself grassed down and forgotten. Meanwhile the trees were just as green as before; the birds sang and the sun shone as clearly now as ever. The familiar surroundings had not darkened because of her grief, nor sickened because of her pain.

She might have seen that what had bowed her head so profoundly—the thought of the world’s concern at her situation—was founded on an illusion. She was not an existence, an experience, a passion, a structure of sensations, to anybody but herself. To all humankind besides, Tess was only a passing thought. Even to friends she was no more than a frequently passing thought. If she made herself miserable the livelong night and day it was only this much to them—“Ah, she makes herself unhappy.” If she tried to be cheerful, to dismiss all care, to take pleasure in the daylight, the flowers, the baby, she could only be this idea to them—“Ah, she bears it very well.” Moreover, alone in a desert island would she have been wretched at what had happened to her? Not greatly. If she could have been but just created, to discover herself as a spouseless mother, with no experience of life except as the parent of a nameless child, would the position have caused her to despair? No, she would have taken it calmly, and found pleasure therein. Most of the misery had been generated by her conventional aspect, and not by her innate sensations.

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  • Tess of the d’Urbervilles A Pure Woman - 38
    Total number of words is 3167
    Total number of unique words is 991
    55.9 of words are in the 2000 most common words
    70.5 of words are in the 5000 most common words
    78.2 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • Tess of the d’Urbervilles A Pure Woman - 39
    Total number of words is 3247
    Total number of unique words is 1059
    54.3 of words are in the 2000 most common words
    71.3 of words are in the 5000 most common words
    77.3 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • Tess of the d’Urbervilles A Pure Woman - 40
    Total number of words is 3552
    Total number of unique words is 1085
    55.6 of words are in the 2000 most common words
    70.2 of words are in the 5000 most common words
    77.9 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • Tess of the d’Urbervilles A Pure Woman - 41
    Total number of words is 3388
    Total number of unique words is 1168
    52.1 of words are in the 2000 most common words
    68.3 of words are in the 5000 most common words
    76.4 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • Tess of the d’Urbervilles A Pure Woman - 42
    Total number of words is 3165
    Total number of unique words is 1003
    57.3 of words are in the 2000 most common words
    71.6 of words are in the 5000 most common words
    76.7 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • Tess of the d’Urbervilles A Pure Woman - 43
    Total number of words is 3246
    Total number of unique words is 1095
    51.2 of words are in the 2000 most common words
    67.7 of words are in the 5000 most common words
    74.3 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • Tess of the d’Urbervilles A Pure Woman - 44
    Total number of words is 3342
    Total number of unique words is 1030
    59.2 of words are in the 2000 most common words
    74.3 of words are in the 5000 most common words
    81.3 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • Tess of the d’Urbervilles A Pure Woman - 45
    Total number of words is 3361
    Total number of unique words is 969
    60.9 of words are in the 2000 most common words
    75.2 of words are in the 5000 most common words
    82.3 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • Tess of the d’Urbervilles A Pure Woman - 46
    Total number of words is 3290
    Total number of unique words is 1099
    56.4 of words are in the 2000 most common words
    75.8 of words are in the 5000 most common words
    82.0 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • Tess of the d’Urbervilles A Pure Woman - 47
    Total number of words is 1705
    Total number of unique words is 670
    63.1 of words are in the 2000 most common words
    75.3 of words are in the 5000 most common words
    81.8 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.