Far from the Madding Crowd - 18

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After all, how could a cheerful wearer of skirts be permanently offended with the man? There are occasions when girls like Bathsheba will put up with a great deal of unconventional behaviour. When they want to be praised, which is often, when they want to be mastered, which is sometimes; and when they want no nonsense, which is seldom. Just now the first feeling was in the ascendant with Bathsheba, with a dash of the second. Moreover, by chance or by devilry, the ministrant was antecedently made interesting by being a handsome stranger who had evidently seen better days.

So she could not clearly decide whether it was her opinion that he had insulted her or not.

"Was ever anything so odd!" she at last exclaimed to herself, in her own room. "And was ever anything so meanly done as what I did—to skulk away like that from a man who was only civil and kind!" Clearly she did not think his barefaced praise of her person an insult now.

It was a fatal omission of Boldwood's that he had never once told her she was beautiful. 




CHAPTER XXV

THE NEW ACQUAINTANCE DESCRIBED

 

Idiosyncrasy and vicissitude had combined to stamp Sergeant Troy as an exceptional being.

He was a man to whom memories were an incumbrance, and anticipations a superfluity. Simply feeling, considering, and caring for what was before his eyes, he was vulnerable only in the present. His outlook upon time was as a transient flash of the eye now and then: that projection of consciousness into days gone by and to come, which makes the past a synonym for the pathetic and the future a word for circumspection, was foreign to Troy. With him the past was yesterday; the future, to-morrow; never, the day after.

On this account he might, in certain lights, have been regarded as one of the most fortunate of his order. For it may be argued with great plausibility that reminiscence is less an endowment than a disease, and that expectation in its only comfortable form—that of absolute faith—is practically an impossibility; whilst in the form of hope and the secondary compounds, patience, impatience, resolve, curiosity, it is a constant fluctuation between pleasure and pain.

Sergeant Troy, being entirely innocent of the practice of expectation, was never disappointed. To set against this negative gain there may have been some positive losses from a certain narrowing of the higher tastes and sensations which it entailed. But limitation of the capacity is never recognized as a loss by the loser therefrom: in this attribute moral or æsthetic poverty contrasts plausibly with material, since those who suffer do not mind it, whilst those who mind it soon cease to suffer. It is not a denial of anything to have been always without it, and what Troy had never enjoyed he did not miss; but, being fully conscious that what sober people missed he enjoyed, his capacity, though really less, seemed greater than theirs.

He was moderately truthful towards men, but to women lied like a Cretan—a system of ethics above all others calculated to win popularity at the first flush of admission into lively society; and the possibility of the favour gained being transitory had reference only to the future.

He never passed the line which divides the spruce vices from the ugly; and hence, though his morals had hardly been applauded, disapproval of them had frequently been tempered with a smile. This treatment had led to his becoming a sort of regrater of other men's gallantries, to his own aggrandizement as a Corinthian, rather than to the moral profit of his hearers.

His reason and his propensities had seldom any reciprocating influence, having separated by mutual consent long ago: thence it sometimes happened that, while his intentions were as honourable as could be wished, any particular deed formed a dark background which threw them into fine relief. The sergeant's vicious phases being the offspring of impulse, and his virtuous phases of cool meditation, the latter had a modest tendency to be oftener heard of than seen.

Troy was full of activity, but his activities were less of a locomotive than a vegetative nature; and, never being based upon any original choice of foundation or direction, they were exercised on whatever object chance might place in their way. Hence, whilst he sometimes reached the brilliant in speech because that was spontaneous, he fell below the commonplace in action, from inability to guide incipient effort. He had a quick comprehension and considerable force of character; but, being without the power to combine them, the comprehension became engaged with trivialities whilst waiting for the will to direct it, and the force wasted itself in useless grooves through unheeding the comprehension.

He was a fairly well-educated man for one of middle class—exceptionally well educated for a common soldier. He spoke fluently and unceasingly. He could in this way be one thing and seem another: for instance, he could speak of love and think of dinner; call on the husband to look at the wife; be eager to pay and intend to owe.

The wondrous power of flattery in passados at woman is a perception so universal as to be remarked upon by many people almost as automatically as they repeat a proverb, or say that they are Christians and the like, without thinking much of the enormous corollaries which spring from the proposition. Still less is it acted upon for the good of the complemental being alluded to. With the majority such an opinion is shelved with all those trite aphorisms which require some catastrophe to bring their tremendous meanings thoroughly home. When expressed with some amount of reflectiveness it seems co-ordinate with a belief that this flattery must be reasonable to be effective. It is to the credit of men that few attempt to settle the question by experiment, and it is for their happiness, perhaps, that accident has never settled it for them. Nevertheless, that a male dissembler who by deluging her with untenable fictions charms the female wisely, may acquire powers reaching to the extremity of perdition, is a truth taught to many by unsought and wringing occurrences. And some profess to have attained to the same knowledge by experiment as aforesaid, and jauntily continue their indulgence in such experiments with terrible effect. Sergeant Troy was one.

He had been known to observe casually that in dealing with womankind the only alternative to flattery was cursing and swearing. There was no third method. "Treat them fairly, and you are a lost man." he would say.

This person's public appearance in Weatherbury promptly followed his arrival there. A week or two after the shearing, Bathsheba, feeling a nameless relief of spirits on account of Boldwood's absence, approached her hayfields and looked over the hedge towards the haymakers. They consisted in about equal proportions of gnarled and flexuous forms, the former being the men, the latter the women, who wore tilt bonnets covered with nankeen, which hung in a curtain upon their shoulders. Coggan and Mark Clark were mowing in a less forward meadow, Clark humming a tune to the strokes of his scythe, to which Jan made no attempt to keep time with his. In the first mead they were already loading hay, the women raking it into cocks and windrows, and the men tossing it upon the waggon.

From behind the waggon a bright scarlet spot emerged, and went on loading unconcernedly with the rest. It was the gallant sergeant, who had come haymaking for pleasure; and nobody could deny that he was doing the mistress of the farm real knight-service by this voluntary contribution of his labour at a busy time.

As soon as she had entered the field Troy saw her, and sticking his pitchfork into the ground and picking up his crop or cane, he came forward. Bathsheba blushed with half-angry embarrassment, and adjusted her eyes as well as her feet to the direct line of her path. 




CHAPTER XXVI

SCENE ON THE VERGE OF THE HAY-MEAD

 

"Ah, Miss Everdene!" said the sergeant, touching his diminutive cap. "Little did I think it was you I was speaking to the other night. And yet, if I had reflected, the 'Queen of the Corn-market' (truth is truth at any hour of the day or night, and I heard you so named in Casterbridge yesterday), the 'Queen of the Corn-market.' I say, could be no other woman. I step across now to beg your forgiveness a thousand times for having been led by my feelings to express myself too strongly for a stranger. To be sure I am no stranger to the place—I am Sergeant Troy, as I told you, and I have assisted your uncle in these fields no end of times when I was a lad. I have been doing the same for you to-day."

"I suppose I must thank you for that, Sergeant Troy," said the Queen of the Corn-market, in an indifferently grateful tone.

The sergeant looked hurt and sad. "Indeed you must not, Miss Everdene," he said. "Why could you think such a thing necessary?"

"I am glad it is not."

"Why? if I may ask without offence."

"Because I don't much want to thank you for anything."

"I am afraid I have made a hole with my tongue that my heart will never mend. O these intolerable times: that ill-luck should follow a man for honestly telling a woman she is beautiful! 'Twas the most I said—you must own that; and the least I could say—that I own myself."

"There is some talk I could do without more easily than money."

"Indeed. That remark is a sort of digression."

"No. It means that I would rather have your room than your company."

"And I would rather have curses from you than kisses from any other woman; so I'll stay here."

Bathsheba was absolutely speechless. And yet she could not help feeling that the assistance he was rendering forbade a harsh repulse.

"Well," continued Troy, "I suppose there is a praise which is rudeness, and that may be mine. At the same time there is a treatment which is injustice, and that may be yours. Because a plain blunt man, who has never been taught concealment, speaks out his mind without exactly intending it, he's to be snapped off like the son of a sinner."

"Indeed there's no such case between us," she said, turning away. "I don't allow strangers to be bold and impudent—even in praise of me."

"Ah—it is not the fact but the method which offends you," he said, carelessly. "But I have the sad satisfaction of knowing that my words, whether pleasing or offensive, are unmistakably true. Would you have had me look at you, and tell my acquaintance that you are quite a common-place woman, to save you the embarrassment of being stared at if they come near you? Not I. I couldn't tell any such ridiculous lie about a beauty to encourage a single woman in England in too excessive a modesty."

"It is all pretence—what you are saying!" exclaimed Bathsheba, laughing in spite of herself at the sly method. "You have a rare invention, Sergeant Troy. Why couldn't you have passed by me that night, and said nothing?—that was all I meant to reproach you for."

"Because I wasn't going to. Half the pleasure of a feeling lies in being able to express it on the spur of the moment, and I let out mine. It would have been just the same if you had been the reverse person—ugly and old—I should have exclaimed about it in the same way."

"How long is it since you have been so afflicted with strong feeling, then?"

"Oh, ever since I was big enough to know loveliness from deformity."

"'Tis to be hoped your sense of the difference you speak of doesn't stop at faces, but extends to morals as well."

"I won't speak of morals or religion—my own or anybody else's. Though perhaps I should have been a very good Christian if you pretty women hadn't made me an idolater."

Bathsheba moved on to hide the irrepressible dimplings of merriment. Troy followed, whirling his crop.

"But—Miss Everdene—you do forgive me?"

"Hardly."

"Why?"

"You say such things."

"I said you were beautiful, and I'll say so still; for, by G—— so you are! The most beautiful ever I saw, or may I fall dead this instant! Why, upon my ——"

"Don't—don't! I won't listen to you—you are so profane!" she said, in a restless state between distress at hearing him and a penchant to hear more.

"I again say you are a most fascinating woman. There's nothing remarkable in my saying so, is there? I'm sure the fact is evident enough. Miss Everdene, my opinion may be too forcibly let out to please you, and, for the matter of that, too insignificant to convince you, but surely it is honest, and why can't it be excused?"

"Because it—it isn't a correct one," she femininely murmured.

"Oh, fie—fie! Am I any worse for breaking the third of that Terrible Ten than you for breaking the ninth?"

"Well, it doesn't seem quite true to me that I am fascinating," she replied evasively.

"Not so to you: then I say with all respect that, if so, it is owing to your modesty, Miss Everdene. But surely you must have been told by everybody of what everybody notices? And you should take their words for it."

"They don't say so exactly."

"Oh yes, they must!"

"Well, I mean to my face, as you do," she went on, allowing herself to be further lured into a conversation that intention had rigorously forbidden.

"But you know they think so?"

"No—that is—I certainly have heard Liddy say they do, but—" She paused.

Capitulation—that was the purport of the simple reply, guarded as it was—capitulation, unknown to herself. Never did a fragile tailless sentence convey a more perfect meaning. The careless sergeant smiled within himself, and probably too the devil smiled from a loop-hole in Tophet, for the moment was the turning-point of a career. Her tone and mien signified beyond mistake that the seed which was to lift the foundation had taken root in the chink: the remainder was a mere question of time and natural changes.

"There the truth comes out!" said the soldier, in reply. "Never tell me that a young lady can live in a buzz of admiration without knowing something about it. Ah, well, Miss Everdene, you are—pardon my blunt way—you are rather an injury to our race than otherwise."

"How—indeed?" she said, opening her eyes.

"Oh, it is true enough. I may as well be hung for a sheep as a lamb (an old country saying, not of much account, but it will do for a rough soldier), and so I will speak my mind, regardless of your pleasure, and without hoping or intending to get your pardon. Why, Miss Everdene, it is in this manner that your good looks may do more harm than good in the world." The sergeant looked down the mead in critical abstraction. "Probably some one man on an average falls in love with each ordinary woman. She can marry him: he is content, and leads a useful life. Such women as you a hundred men always covet—your eyes will bewitch scores on scores into an unavailing fancy for you—you can only marry one of that many. Out of these say twenty will endeavour to drown the bitterness of despised love in drink; twenty more will mope away their lives without a wish or attempt to make a mark in the world, because they have no ambition apart from their attachment to you; twenty more—the susceptible person myself possibly among them—will be always draggling after you, getting where they may just see you, doing desperate things. Men are such constant fools! The rest may try to get over their passion with more or less success. But all these men will be saddened. And not only those ninety-nine men, but the ninety-nine women they might have married are saddened with them. There's my tale. That's why I say that a woman so charming as yourself, Miss Everdene, is hardly a blessing to her race."

The handsome sergeant's features were during this speech as rigid and stern as John Knox's in addressing his gay young queen.

Seeing she made no reply, he said, "Do you read French?"

"No; I began, but when I got to the verbs, father died," she said simply.

"I do—when I have an opportunity, which latterly has not been often (my mother was a Parisienne)—and there's a proverb they have, Qui aime bien, châtie bien—'He chastens who loves well.' Do you understand me?"

"Ah!" she replied, and there was even a little tremulousness in the usually cool girl's voice; "if you can only fight half as winningly as you can talk, you are able to make a pleasure of a bayonet wound!" And then poor Bathsheba instantly perceived her slip in making this admission: in hastily trying to retrieve it, she went from bad to worse. "Don't, however, suppose that I derive any pleasure from what you tell me."

"I know you do not—I know it perfectly," said Troy, with much hearty conviction on the exterior of his face: and altering the expression to moodiness; "when a dozen men are ready to speak tenderly to you, and give the admiration you deserve without adding the warning you need, it stands to reason that my poor rough-and-ready mixture of praise and blame cannot convey much pleasure. Fool as I may be, I am not so conceited as to suppose that!"

"I think you—are conceited, nevertheless," said Bathsheba, looking askance at a reed she was fitfully pulling with one hand, having lately grown feverish under the soldier's system of procedure—not because the nature of his cajolery was entirely unperceived, but because its vigour was overwhelming.

"I would not own it to anybody else—nor do I exactly to you. Still, there might have been some self-conceit in my foolish supposition the other night. I knew that what I said in admiration might be an opinion too often forced upon you to give any pleasure, but I certainly did think that the kindness of your nature might prevent you judging an uncontrolled tongue harshly—which you have done—and thinking badly of me and wounding me this morning, when I am working hard to save your hay."

"Well, you need not think more of that: perhaps you did not mean to be rude to me by speaking out your mind: indeed, I believe you did not," said the shrewd woman, in painfully innocent earnest. "And I thank you for giving help here. But—but mind you don't speak to me again in that way, or in any other, unless I speak to you."

"Oh, Miss Bathsheba! That is too hard!"

"No, it isn't. Why is it?"

"You will never speak to me; for I shall not be here long. I am soon going back again to the miserable monotony of drill—and perhaps our regiment will be ordered out soon. And yet you take away the one little ewe-lamb of pleasure that I have in this dull life of mine. Well, perhaps generosity is not a woman's most marked characteristic."

"When are you going from here?" she asked, with some interest.

"In a month."

"But how can it give you pleasure to speak to me?"

"Can you ask Miss Everdene—knowing as you do—what my offence is based on?"

"If you do care so much for a silly trifle of that kind, then, I don't mind doing it," she uncertainly and doubtingly answered. "But you can't really care for a word from me? you only say so—I think you only say so."

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    60.7 of words are in the 2000 most common words
    76.7 of words are in the 5000 most common words
    83.3 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • Far from the Madding Crowd - 39
    Total number of words is 3475
    Total number of unique words is 1006
    64.5 of words are in the 2000 most common words
    80.1 of words are in the 5000 most common words
    86.3 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • Far from the Madding Crowd - 40
    Total number of words is 3381
    Total number of unique words is 1120
    56.7 of words are in the 2000 most common words
    75.9 of words are in the 5000 most common words
    82.4 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • Far from the Madding Crowd - 41
    Total number of words is 3409
    Total number of unique words is 1011
    63.4 of words are in the 2000 most common words
    79.2 of words are in the 5000 most common words
    85.0 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.
  • Far from the Madding Crowd - 42
    Total number of words is 1383
    Total number of unique words is 592
    67.2 of words are in the 2000 most common words
    80.9 of words are in the 5000 most common words
    84.6 of words are in the 8000 most common words
    Each bar represents the percentage of words per 1000 most common words.